I'm embarking on a new project series that will focus on long-form generative eurorack pieces. I was delighted to discover the ability to use the Generations generative midi controller that was created by Innesti (innesti.bandcamp.com/merch/generations-handmade-midi-controller) with the 1010 Bitbox Micro, and so this combination created the foundation for the piece. I very much consider this to be a companion piece to my recently released 'Generational Drift-A Seasonal Reflection in Four Movements' on Handstiched* (handstitched.bandcamp.com/album/generational-drift-the-celestial-sphere), as some of the elements are shared, as well as the use of Generations, however, this feels quite a bit warmer...thus Spring.

Basic patch notes~

Generations triggering four midi clips in Bitbox, as well as modulating various parameters (pan, filter cut off). Other samples in Bitbox triggered by random gates from Marbles, witch is slowly clocked by PNW. White noise triggering ProbMel/ProbDiv in O_c Hemispheres, which is delicately playing Rings, which then goes thru Draad and Monsoon. Øchd is creating an offset drone from Ensemble Osc and Plaits + Three Sisters, all while sending modulation to various param's throughout..

Recorded 4/21/24...Eurorack > Bluebox > Ableton, and then a basic mastering chain..

D/L for free~https://darrenharper.bandcamp.com/album/generative-01-spring

I hope you'll enjoy, and hopefully I'll be able to continue with these bits for the foreseeable future :)

free download

Generative.01~Spring

ambient/experimental sound artist, lover of nature, wanderer... .

Guitarist in Root Atlas~

https://on.soundcloud.com/TLG4iZoEX8WrgJ54A


Press~

http://makeyourowntaste.wordpress.com/2013/06/20/the-soundworlds-of-darren-harper/

http://experimedia.net/index.php?main_page=product_music_info&cPath=1&products_id=8669

http://acloserlisten.com/2013/02/05/darren-harper-passages-for-the-listless-and-tired/

http://textura.org/archives/h/harper_lamy.htm

http://wajobu.com/2013/04/17/review-recent-dronarivm-label-releases/

http://acloserlisten.com/2012/05/09/darren-harper-and-jared-smyth-home/

http://musicwontsaveyou.com/2013/01/20/darren-harper-passages-for-the-listless-and-tired/

http://www.swqw.fr/chroniques/drone-ambiant/darren-harper-passages-for-the-listless-and-tired.html

http://www.textura.org/archives/h/harpersmyth_home.htm

http://makeyourowntaste.wordpress.com/2013/01/10/10-netlabel-ambient-albums-you-should-own-part-1/

http://wasistdas.co.uk/DarrenGimo.htm

http://audiogourmet.blogspot.com/2011/07/review-darren-harper-falls-children.html

http://disquiet.com/2011/02/07/suspended-memory-darren-harper/

http://sethmol.wordpress.com/2011/02/04/darren-harper-suspended-memory/

http://www.futuresequence.com/article/review-darren-harper-whispers/

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

“One can only arrive at the experience of the transcendental – if it is reached at all – when one is oneself in a position of un-knowing, that is, of humility; namely, while remaining in the world of technê he or she begins to venerate a certain kind of experience, acquires it, makes it one’s own, realizes it, sustains it, repeats it – without burdening its sense, its essence with its own great questions.” - László Krasznahorkai, “The Acropolis in Sunglasses”

DJ & Producer from Clare, based in Galway 🥭
Tasty experiments & fruitful rhythms ✨

alt: @mangoshiet

(👉👁‿👁)👉 ~ ~ ~ ~ ~ 🎵 ~ ~ ~ ~ ~ 👈(👁‿👁👈)

Generative.01~Spring

darren harper