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For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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Grammy nominated Australian DOM DOLLA is experiencing a meteoric rise, his signature style of house music is connecting with global audiences, and he is recognised as one of the most exciting producers in electronic music.

Dom discovered house music when his Mother handed him a copy of Basement Jaxx’ 2001 album ‘Rooty". In his late teen’s Dom spent weekends hosting pub‑discos & djing at parties whilst working as a graphic‑designer during the week. In 2015 Dom was encouraged to quit his day job to pursue his obsession with music and production.

Dom emerged with a string of critically acclaimed club hits; Define, You, Be Randy, Take It, San Frandisco, Pump The Breaks, Moving Blind and Strangers ft. Mansionair. In 2022 Dom released ‘Miracle Maker’ ft. Clementine Douglas which was named BBC Radio 1’s Hottest Record In The World, propelling Dom into his global break‑out moment with a run of hit singles, Rhyme Dust w/ MK, Eat Your Man w/ Nelly Furtado, Saving Up, girl$, CAVE w/ Tove Lo and Dreamin ft. Daya, which saw Dom’s catalog surpass 1 BILLION streams, receiving a GRAMMY nomination for his remix of ‘New Gold’ by Gorillaz feat. Tame Impala & Bootie Brown, and ARIA award for best ‘Electronic Dance Release’.

Dom’s dedication & craft has been recognised by Rolling Stone named ‘Best New Artist’, GQ’s ‘Solo Artist of the Year’, labeled Billboard Dance’s ‘One To Watch’, awarded Dancing Astronaut’s ‘Artist Of The Year’’ and was celebrated on the cover of DJ Mag.

Tuck & Soph

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