MyFirstVolcaMix

Sure Thing!

http://www.factmag.com/2014/09/15/fact-mix-460-vessel/

Tracklist and full article:

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This week, we’re delighted to present what might be the most off-the-wall FACT mix in the series’ illustrious history.

To mark the release of his second full-length Punish, Honey, out today on Tri Angle, Young Echo alumnus Vessel has stitched together just over 40 minutes of, well, material, in a session that’s not so much a mix as a voyage into the darkest corners of our collective subconscious.

Drawing on the broad influences behind his new record, Seb Gainsborough’s set sees vicious drones and glazed incantations jostle with wyrd jazz-punk, experimental electronics and in-the-red guitars via the likes of tape looper Jason Lescalleet, cult noise-rockers Harry Pussy, industrial originals :zoviet*france:, Houston punks Culturcide and the magickal Coil. It’s as eccentric as it is eclectic, and likely to delight and bamboozle in equal measure.

And who can argue with a tracklist that includes gems like ‘I’m Gay’, ‘Ape Fist’, ‘Hating My Father’ and the Minutemen’s righteous ‘Dreams Are Free, Motherfucker!’? Steady now.


FACT Mix 460 - Vessel (Sep '14)

Gefallene Zeit 2

We are excited to present Weird-Ass Cult B-Movies Mixtape by Angel Dust Dealers (https://soundcloud.com/angeldustdealers) — a unique mix of excerpts from exciting scores (mostly unreleased) for cult B-movies from the 80’s, transferred directly from VHS tapes with deliciously lo-fi quality sound. The full tracklist below complete with cue-times will help you to jump to your favorite track immediately, although the thorough listening experience is highly recommended for maximum mind-submerging effect. Erase & Rewind!

[00:00 — 00:14] Bob Mithoff — Troma Logo Leader
[00:12 — 00:30] Nicholas Pike — A Nightmare On Elm Street The Series (1989)
[00:28 — 03:00] Jon McCallum — Terror Eyes (1989)
[02:40 — 06:05] John Ross — Hide And Go Shriek (1987)
[06:00 — 06:37] Ted Shapiro — Toxic Zombies aka Bloodeaters (1980)
[06:06 — 06:37] Opening Narration From 'The Toxic Avenger' (1984)
[06:38 — 08:33] Simon Boswell — Delirium: Photo Of Gioia (1987)
[08:26 — 11:27] Marc David Becker — Psycho Cop Returns (1992)
[11:11 — 13:50] Paul Zaza — The Dark (1988)
[13:44 — 15:55] Michael Silversher & Janice Hubbard — Dangerous Seductress (1992)
[15:50 — 17:18] Bob Summers — One Dark Night (1983)
[17:17 — 19:09] Marc Fredrick — Demon Queen (1986)
[18:50 — 20:35] Al Festa — After Death (1988)
[20:30 — 21:40] Fruer — Underworld (1987)
[21:33 — 23:33] Vince Tempera — The House Of Clocks (1989)
[23:28 — 24:04] David George & Barrie Guard — The Howling IV (1988)
[23:55 — 25:20] Adriano Maria Vitali — Evil Clutch (1988)
[25:11 — 27:00] Kevin Bassinson — Chains (1989)
[26:55 — 34:48] David Spear — Exterminator II (1984)
[34:40 — 35:44] Claudio Simonetti — The Washing Machine (1992)
[35:40 — 36:55] Carlo Maria Cordio — Endgame (1983)
[36:37 — 38:38] Rick Vartian — Escape From The Insane Asylum (1986)
[38:10 — 38:40] 'Summer Camp Nightmare' Original Trailer (1987)
[38:38 — 40:42] Guido & Maurizio De Angelis — 2019: After The Fall Of New York (1983)
[40:25 — 42:40] Guido & Maurizio De Angelis — The Raiders Of Atlantis (1983)
[42:24 — 43:44] Roger Bellon — The Unholy (1987)
[43:46 — 46:15] Jonathon Newton — Unhinged (1982)
[45:50 — 48:25] Tom Milano & Don Great — Breeders (1986)
[48:22 — 49:30] John Hodian — Girls School Screamers (1984)
[49:20 — 51:40] George Robertson — Intruder (1988)
[51:05 — 54:54] William Kueker — Satanwar (1979)
[54:30 — 56:00] Claudio Simonetti — Hands Of Steel (1986)
[55:55 — 1:00:00] Rod Slane — Revenge (1986)

Angel Dust Dealers — Weird-Ass VHS Cult B-Movies Mixtape

The Brvtalist is proud to premiere 4 remixes of tracks from the latest EP by French dark wave project Hørd. Read more at www.thebrvtalist.com 

@hordmusic

H ø R D - Let Them Burn (Volcan Remix)

My latest song performed on the modular synthesizer in the Lawrence Public Library.

Pastel

For the added effect bonus - testing the notated delay by sending only a mental beat into it. Dry beat included as well for reference. feedback welcome.
for the Folktek Mescaline, currently on indiegogo: https://www.indiegogo.com/projects/folktek-mescaline-3-part-synthesis-and-sequencing#/

Mescaline effect unlocked - test with notated delay with Mental beat (1)

Le Dernier @Callshop Radio 09/06/2017

http://www.facebook.com/Ghostsmusic
http://soundcloud.com/ghostsmusic

Read the interview / Download the entire EP at http://badpandarecords.wordpress.com/2012/06/18/badpanda133
- - - 
http://www.facebook.com/badpandarecords 
http://twitter.com/#!/badpandarecords

Ghosts - Goodbye Now

It must have been around 2003 when the first demo CDs by Deckard were spreading locally.  Even his early works may have been good enough to have been released officially on a label.  However, Makai let his music ripe step by step.  First extracts from his large assortment of tracks found the way to his first vinyl release, a limited stamped white label 12” entitled “Das Abstrakt EP”.  This release opened doors for Deckard: not only DeBug Magazine praised the release and gave it the highest rating, it even stated that it is “one of the very rare EPs that can rival early releases by (DJ) Vadim”.  Although this statement may not really be fitting regarding the musical style, it still emphasizes the fact that Deckard can easily be named in line with any top producer out of the left field electronica genre.

The „Das Abstrakt EP“ also lead to the fact that Equinox founder Günter Stöppel released the „Noir Desire“ EP the following year, as part of the Equinox 10inch Series. It was the successful beginning of his collaboration with the German label, that is now residing in Berlin.  Furthermore, two additional tracks were released in 2005 on the Swiss label Ish Records and their Instrumental Hip-Hop / Electronica / Beat compilation “The Now Factor”.

Afterwards, it temporarily got more quiet around Deckard – his newly started studies as a sound engineer gave him less time to work on music.  However, during that period he was able to redefine his style – in more ways than one.  Between 2006 and 2008 a couple of new tracks and remixes were released that left marks.  For example, he released the breakbeat tune “Dignity Of Men” on the “One Year & A Day” series that later even made it to a DJ Food mix.  Furthermore, on this 12” single and the album, he shared space with producers like Free The Robots, 2econd Class Citizen, Brenmar or Deadpan Darling.  For the last-mentioned artist project, that exists of Blue Sky Black Death and singer Ceschi, he was additionally invited to remix the song “Laughtrack”.  On this track, as well as for rappers like Audio88 or Bushwac, he proved his ability to work with vocals and also to remix songs.

On his “come back” release in 2009, the “Future World” EP, we could finally hear the Deckard, that we can now experience on his LP debut: complex sound layers and spheres, shifting between the rhythms of hauling impulsive machinery and spacy melodies… Yes, this EP was a fascinating outlook on “For A Better Tomorrow”.  An album that has become a strong and interweaved work that will keep listeners excited from beginning to end.  A thrilling and drifting sound experience from start to finish.

The pathway to “For A Better Tomorrow” may have been an extensive odyssey for Deckard himself -  but it has definitely been worth waiting for.


Gefallene Zeit 2

.Deckard.