THE STORY began on an August afternoon in Los Angeles, or in a winter rehearsal session in Boston, or in April 1986 in Minneapolis, depending on how you define destiny.
Twins Paris and Amber Strother began their musical journey by listening to favorites of their parents together from the crib, and once they were able to crawl, found their way to the piano. Amber nurtured her gift for singing by absorbing everything musical around her, and in turn developed an intricate, magical tone and one-of-a-kind voice, and a unique skill for composition and songwriting. Through exploring a melting pot of artists, genres, musical ideas and movements, Paris found her own personal voice for the keys. The twins spent years unknowingly ripening their craft of writing together until they parted ways and left Minneapolis, with Amber to pursue studies in Chicago and Paris to enroll at music school in Boston where……
a chance meeting with a young woman with a golden voice and incredible ear changed her life. Los Angeles native Anita Bias had fallen in love with music and art as a young girl, and spent years cultivating her voice, imaginative and vivid songwriting, and creative styling. Their Boston encounter stayed fresh in the minds of both, and when fate brought Paris to California and reunited them years later at a club in Los Angeles, they knew it was the start of something special.
During Amber's first trip to LA and the living room session that followed, the three realized that they were born to create together. At the first show of the unofficial and then-unnamed band, they, along with the audience, were said to have seen fireworks in the air. The unique blend of voices, engaging harmony, and detailed songwriting the group exhibited came completely naturally to them. Amber, who had been since moved back to Minneapolis, sent for her belongings. KING was born.
THE STORY EP is KING's debut project, wherein all songs are written by Paris, Amber, and Anita, and fully produced by Paris. THE STORY, SUPERNATURAL, and HEY are the result of a year's worth of loving and learning, experiencing and experimenting, and ultimately finding the music within themselves.



Bringing the world of Jamie Cullum fans together with the latest on Jamie & lots more besides! 
Follow me on Twitter @jamiecullumfans & subscribe to my blog www.jamiecullumfans.com

The new album ON A CLEAR DAY is out now!

"GREAT SINGER. GREAT PIANIST" - Jamie Cullum
"F*****G AMAZING" - Rod Stewart
"REAL GOOD MUSIC" - BB King
"THIS BOY'S GOT A LOT OF TALENT" - Sir Michael Parkinson

Malaysian Songwriter-Guitarist Ray Cheong is a true artist who choose to do things differently; holding to what he adamantly believed in keeping music to its purest form, Ray Cheong certainly did just that. Rather than having his first album made with sophisticated recording maneuvers, he had made in London. 
Having that, he released two albums, Ray Cheong Live in London and Ray Cheong Trio live at No Black Tie.

Influenced mainly by acoustic heroes such as John Mayer and John Butler Trio, Ray Cheong prefers to market his music his way and not let the industry put a label on it. He has accompanied and opened for notable artistes such as Pixie Lott(UK), Tommy Emmanuel(AUS/US), Adam Rafferty(US), Farid Ali(MY), Az Samad(MY), Nadhira(MY), Salam Musik(MY), Azmyl Yunor(MY), David Knight(US), Narmi(MY) and many other musicians, local and interntional.

Singer, songwiter and composer, fusing soul, blues, rock, rnb, hip hop and funk with a high octane welder. Poova is now working on what will be her second and possibly third albums. See her live performances at No Black Tie, Kuala Lumpur, Malaysia on youtube listen to her live shows here or get in contact with her via bumpertobumperproductions@gmail.com




Alt Hip Hop Producer, Mailer Daemon presents a Psychedelic Industrial Doom Alt Rock LP, Boss Level, his first entirely solo album after almost two decades of collaboration in Sydney. Written, performed, produced, and mixed entirely by Sina Djavadkhani, who has remixed Bag Raiders, The Herd, collaborated with members of Thundamentals, Truevibe Nation, and peformed alongside Alison Wonderland, Hayden James, and has been a DJ resident at Oxford Arts Factory, The Cliff Dive, and Hudson Ballroom, and has been teaching audio production for Media Arts & Production, and Sound & Music Design at UTS for more than a decade. 

Mailer Daemon doesn’t rely on the Electronic and Hip Hop culture that established him as a producer, bravely embracing new grounds that he sees the culture move towards. Drawing upon a modern industrial interpretation of the early space rock stylings of Smashing Pumpkins, but with a new perspective like the Dark Wave of Drab Majesty, the alternative doom of new mage’s Pallbearer, the art noise of Code Orange, the pixelated shoegaze doom wash of Jesu, and the Genre redefining evolution of Deafheaven, all topped off with interludes from his first beat tape of rave inspired tunes programmed in 1999 on an MSDOS tracker program. Boss Level is a profoundly unique album experience which paints a future of rock inspired Hip Hop and Electronica, predicting the future in a that Mailer Daemon style.

Q Sound, also known as Marques Young, grew up surrounded by jazz records and church songs. In 2003, he began his studies at the Juilliard School under Joseph Alessi, Principal Trombone of the New York Philharmonic. In that time, Q Sound found continued success in solo competitions which led him to a position in the Malaysian Philharmonic Orchestra. Q Sound is also backed by an impressive list of past performances, namely for the Duke and Duchess of Cambridge, as well as opening for Jose James, BabyFace and
Hiatus Koyote with the band Bassment Syndicate.

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