Creep'
Prod By. KNOX
Knox: The Beatmaker
K.T.B. Studios
Copyright 2024
2013

Creep’

Creep' ( Prod. KNO❌ )

Trippy Van Noir delivers a poignant, self-produced single titled “Heaven (Won’t Look Back)”, blending cinematic trap with introspective lyricism. The track explores themes of emotional detachment, personal growth, and the quiet strength it takes to walk away from a toxic relationship.

With hazy melodies, airy percussion, and raw vocal layers, the production evokes a nostalgic atmosphere — drawing inspiration from artists like XXXTENTACION, while carving out a distinct sound rooted in alt-rap and lo-fi hip-hop.

Lyrically, Trippy Van Noir balances vulnerability and resilience, shifting between melancholic hooks and clever, anime-referenced bars. The repetition of “this time, I really in heaven” marks a moment of transformation — a sonic turning point where loss becomes liberation.

“Heaven (Won’t Look Back)” offers listeners a genre-bending experience that’s both emotionally resonant and aesthetically refined. A hyper trap soul track Trippy calls it.

For fans of: sad rap, melodic trap, emotional hip-hop, underground sounds, and cloud rap

FFO: XXXTENTACION, Night Lovell, Lucki, Bones, Jean Dawson

Heaven (won't look back)

Here's da link check it out . https://open.spotify.com/track/1PteGMRgHmUir5hLeeV66M?si=MLUX3441Q8i-MG7F3ywsmQ

Been Making Changes

“I’m So Sorry” is a sarcastic anthem wrapped in unapologetic confidence. Written and performed by Dashius Clay, produced by 174; this 3-minute ride blends sharp-tongued verses with a melodic hook that flips every apology on its head. Whether you're loving the pettiness or living the truth, this one's for you.

Label: PLTNM
Genre: Hip-Hop
Length: 3:09

💌 “Sincerely, Dashius Clay”

Stream

Im So Sorry

Every time I’ve heard the word “gaslighting,” it’s been in the wildest twist of irony—coming from someone trying to gaslight me by accusing me of gaslighting. That’s manipulation at its finest. A psychological chokehold. A way to control someone without ever laying a finger on them.

This track is my take on that toxic push-and-pull—the mind games, the confusion, the emotional smoke and mirrors. I built it from the ground up: produced the beat, crafted the AI visuals, and fused my own vocals with AI’s for a surreal, almost haunting vibe. The result? A song that feels just as disorienting as the game it’s about.


Gaslightn X Arial Summers (prod. by Hatchicist)

DID the BLOOD CRIP BUTTERFLY strike AGAIN? "THEIR NO WINNER IN YOU". I know the TITLE is going to be very CONTROVERSIAL but, that's WHO I am as a ARTIST... I will ALWAYS believe in my MUSICAL ILLUSIONS. THIS song is a TIMELESS CLASSIC that I can't believe GOD gave me the COURAGE to CREATE it. THE same way I felt about "IS BIPOLAR TAKING OVER", I have that SAME feeling. I FEEL like this song WILL be one of my SIGNATURE songs that PEOPLE will REMEMBER me when I'm no longer HERE. I wanted this song to be NEW YORK JAZZ 90's, FUCK LOVE CAFE, BUSY TRAFFIC, HEADPHONES on the BUS type ILLUSION. ENJOY, XOXO!

IF GOD MADE ME A BITCH? | #MASTEROFILLUSIONS | (OFFICIAL SINGLE)

2k25🚦🚦🚦🚦🚦🚦🚦

$$TONE!
SZN! 🌩🌩🌩🌩🌩🌩soundcloud.com/flexlikestunterr/tracks
$tay Connected ⛓
⛓🚦follow @ www.instagram.com/sstonesociety/

BRICKBYBRICK (2K25).Prodby.txiii

Never There - Yung Sneak

2 Tone (prod B.U.G Antman x 8Artz)

dont break

Booking@DashiusClay.com

      Dashius Clay isn’t just an artist—he’s a movement. Born in Cali, Colombia, raised in the heart of Miami, and armed with a fearless vision, he’s built a career that ignores industry ceilings and rewrites the rules of what an independent star can be. Rapper, producer, songwriter, DJ, and founder of PLTNM COLLECTIVE, The Red Baron is the rare breed who can rock a festival stage, shut down a club, and still make global brands pay attention.

His sound? A high-octane fusion of Hip-Hop, EDM, and raw Miami swagger. His reach? Worldwide. His track record? Stacked. Dashius has worked with Kendrick Lamar, XXXTentacion, Chief Keef, Gunplay, SwaggMan, Kevin Gates, Kodak Black, Lil Boosie, GTA VI, BWA Ron, Mike Smiff, OG Boobie Black, Robb Bank$, Freeway, Desloc Piccalo, Bruno Malii, Hell Rell, and Monk—as well as corporate giants like McDonald’s and Coca-Cola. With over 50 million streams, viral fan engagement, and credits stretching from underground classics to blockbuster projects, he’s earned his spot as one of the most recognized independent names in the game.

But Dashius doesn’t just release music—he builds worlds. As the architect behind PLTNM COLLECTIVE, he curates a fusion of music, fashion, and culture that’s as much a lifestyle as it is a brand. As a DJ, he flips his own catalogue alongside club-shaking remixes, blurring the lines between performer and party starter. His fans, the #Dashaholiks, are more than an audience—they’re an army. From flooding timelines with his drops to rocking his signature Instagram Beard Filter, the connection is real, and it’s mutual.

From landing back-to-back European chart hits with “Touch Me” and “Barcelona” to packing venues across continents, Dashius has proven—time and again—that independent doesn’t mean small. It means uncontrollable, undeniable, and unforgettable.

Dashius Clay talks the talk, walks the walk, and makes the soundtrack for everyone bold enough to do the same.

Im So Sorry

Dashius Clay

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