gastsune

gastrophy

“I’m So Sorry” is a sarcastic anthem wrapped in unapologetic confidence. Written and performed by Dashius Clay, produced by 174; this 3-minute ride blends sharp-tongued verses with a melodic hook that flips every apology on its head. Whether you're loving the pettiness or living the truth, this one's for you.

Label: PLTNM
Genre: Hip-Hop
Length: 3:09

💌 “Sincerely, Dashius Clay”

Stream

Im So Sorry

the paul blart scandal

Song: "ACCEPT IT FOR WHAT IT IS"
Written By: Kyle BASS
Music By: Kyle BASS
Recorded By: Kyle BASS
Released: August 9th, 2025

-LYRICS-

I’m not saying I’m perfect
Then again no one is
I know I need to fix my mistakes
Oh but no, not like this

Those who say they know everything
That’s just wishful thinking
I realized what I did
Then I felt my heart sinking

I’ve always told everyone “I’m only human”
But that was me back in my prime
Things got worse, then it stopped bloomin’
Now I wish I could go back in time
But right now, I’m so confused
I’m tired of this self-abuse

Those who say they know everything
That’s just wishful thinking
I realized what I did
Then I felt my heart sinking

Just ACCEPT IT FOR WHAT IT IS
Little bit like this, little bit like that
Just ACCEPT IT FOR WHAT IT IS
Don’t let your life get all flat…
That’s the key

There’s no need for an apology
Because the damage is already done
Now I need to rebuild this chemistry
And baby, you no longer need to run
So please let me explain, give me another chance
Take this moment to an advance

Those who say they know everything
That’s just wishful thinking
I realized what I did
Then I felt my heart sinking

Just ACCEPT IT FOR WHAT IT IS
Little bit like this, little bit like that
Just ACCEPT IT FOR WHAT IT IS
Don’t let your life get all flat…
That’s the key

I used to play with fire
One time, my life was on the wire
I will no longer be a liar
Changing myself is my desire

-SOLO-

I know I messed up on everything
But that’s just me thinking
I made up for all I did
My heart is no longer shrinking, no

Just ACCEPT IT FOR WHAT IT IS
Little bit like this, little bit like that
Just ACCEPT IT FOR WHAT IT IS
Don’t let your life get all flat

Just ACCEPT IT FOR WHAT IT IS
Don’t ever show your weakness
Just ACCEPT IT FOR WHAT IT IS
Time to start showing some kindness…
Oh, that’s the key

I will no longer live like this
But I can ACCEPT IT FOR WHAT IT IS

Oh yeah, oh yeah

Accept It For What It Is

KB is back and kicks things off with a mini recap of the Phillies series win over the Baltimore Orioles that leads him into saying a LOT of people owe Brandon Marsh an apology. Then he continues discussing the Phillies and also touches on the 76ers bringing back the Allen Iverson Era Black jerseys this coming season. 

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Intro Music:
Arkells "People's Champ"

Outro Music:
Arkells "People's Champ"

#fyp #Phillies #RingTheBell #BrandonMarsh #76ers #AllenIverson #AI #download #review #subscribe

Underground PHI Episode 766: People Owe Brandon Marsh An Apology + A.I. 76ers Jerseys BACK

On May 8th, 2025, at the Vatican, the Conclave elected Robert Francis Cardinal Prevost as the 267th Bishop of Rome. Known as Pope Leo XIV, he succeeds Pope Francis, and inherits a long, violent and unresolved legacy of the Vatican’s role in committing intergenerational settler colonial violence and genocides against Indigenous peoples, clans, communities, and nations throughout the world. The Vatican’s complicity can be traced back to the 15th century issuance of three papal bulls, the first two decreed by Pope Nicholas V in 1452 and Romanus Pontifex (1455); and third by Pope Alexander VI's Inter caetera in 1493.

Known as the Doctrine of Dominion or Discovery, the Papal bulls authorized colonial powers such as Spain, Portugal, and other European monarchies and countries to seize lands and subjugate people in Africa and the western hemisphere so long as Indigenous peoples were not Christians. In the United States, the Doctrine of Dominion/discovery, indeed, is the foundation of America’s property law and federal Indian law that violently ensures Native Americans dispossession of their traditional and treaty homelands – a situation established by the Vatican in the 15th century. 

Over the centuries, the Vatican and its missionaries have been responsible for the theft of thousands and thousands of Indigenous peoples sacred or ceremonial items and other forms of cultural patrimony, which have either been on display at the Vatican Museum, or remain hostage at the Vatican and possibly other religious institutions. To date, the Vatican has not repatriated Indigenous ceremonial items back to Indigenous peoples and nations in violating the UNDRIP and denying Indigenous peoples fundamental rights. 

So, what does Pope Leo XIV mean for Indigenous peoples throughout the world? Pope Leo inherits Pope Francis’s legacy which includes: in 2022, the Vatican issuing an apology for the “catastrophic” legacy of residential schools in Canada; in 2023, the Vatican repudiated the “Doctrine of Discovery” without calling for settler colonial countries to do the same, and in 2023, Pope Francis, despite the formal protest of 50 California Indian nations, was responsible for the canonization of the Spanish missionary Junipero Serra who masterminded the 18th-century Alta Spanish mission system that functioned as violent theological network attempting to vanquish Indigenous peoples along the coast of California and parts of the western hemisphere. 

Guest:
Valentin Lopez, Amah Mutsun Nation, is Chairman of the Amah Mutsun Nation, one of three historic California Indigenous Nations that are recognized as Ohlone. Valentin is Mutsun, Awaswas, Chumash and Yokuts (http://amahmutsun.org/governance/tribal-council).  

Archived programs can be heard on Soundcloud at: https://soundcloud.com/burntswamp

American Indian Airwaves streams on over ten podcasting platforms such as Amazon Music, Apple Podcast, Audible, Backtracks.fm, Gaana, Google Podcast, Fyyd, iHeart Media, Mixcloud, Player.fm, Podbay.fm, Podcast Republic, SoundCloud, Spotify, Tunein, YouTube, and more.


The Vatican’s Transition, the Doctrine of Domination, & Possession of Indigenous Sacred Items/Cultural Patrimony

My Apologies, Sarina

voice memo - August 25, 2025 at 6:46 PM

I erased your name, your laughter, your messages,
Blocked it all, shut it down, too heavy inside.
You left me hanging, my world was spinning out,
That day everything blurred, everything broke, it was the error.

But you never saw, inside my heart was a storm,
I drowned my sorrow in a wall of silence.
Grief brought me down, you missed the wreck,
You walked away, and I chose the distance.

Forgive me for blocking it all,
It was the storm, I lost control.
I swear it was never against you,
Just too many tears, no more voice.
Now I stare into the void,
But it’s you I miss, clear-eyed.
Even as a friend, I need you in my life,
The most beautiful, the truest, the one who fascinates me.

I look at our photos, remember your wild ways,
The way you’d talk, rebuilding the world at midnight.
If only I had screamed, explained my mistakes,
Maybe we wouldn’t have let the cold settle in.

But I stayed proud, too hurt to ask,
You thought I hated you, but you’re my ray of gold.
I watch you shine from afar, I just want to believe,
That one day you’ll come back, or we’ll forgive our wrongs.

Forgive me for blocking it all,
It was the storm, I lost control.
I swear it was never against you,
Just too many tears, no more voice.
Now I stare into the void,
But it’s you I miss, clear-eyed.
Even as a friend, I need you in my life,
The most beautiful, the truest, the one who fascinates me.

Regrets on repeat, they spin all night,
I tell myself you deserve the best, I believe it for you.
You’ll build it all, even far from here,
But give me one chance to still be there sometimes.

If you hear this song, know I’m thinking of you,
I don’t forgive myself, but I hope one day you’ll understand.
You are unique, and whatever happens,
I adore you, I believe in you, even far from my shore.

Blocking it all (Funk reload)

A late-night confession about accountability and love that hurts and heals. Lightning-rod images — headlights on the blinds, a phone face-down — anchor a tender plea: “Just say… we can still be home.” Minimal production by design; the hush is the point.

Quiet Fire

Idea, writing, recording, programming, vocals and mix: Zack Christ
Mastering: Joel Krozer

Instruments: Human Voice, Elektron Machinedrum, Laptop Computer

OKAY BLOOMER eller: Om at gå ud i verden med huden som et åbent sår, en nøgen beklædthed

Buy on bandcamp

I’m sorry for loving you less than I loved to hate myself

“I’m Sorry” is a raw, soulful track about the strength it takes to admit when you’re wrong. Too often, we confuse pride with power—but true courage is found in lowering your guard, facing your demons, and making amends.

Yung Malo reflects on scars, silence, and the heavy weight of unspoken words, reminding us that an apology isn’t always for ourselves—it’s for the ones we’ve hurt. With heartfelt lyrics, a soulful hook, and gritty realism, this song captures the pain, the growth, and the healing that come with saying the hardest words: “I’m sorry.”

For anyone carrying regret, seeking forgiveness, or learning that strength is vulnerability—this one’s for you.

I'm Sorry

The Boofer has a big mouth and has inadvertently offended Kim Gordon causing her to remove him as a "friend" on Facebook. He is not sure what he said or did wrong but we will cast him aside after a lick with the cat of nine tails

a SINCERE ( bass HEAVY ) apology for inadvertatntly offending KIM GORDON

Reassurance That Everything’s Gonna Be Alright

Pink Rose Apology

For ten days I'm in RELOAD mode, reworking all my creations from the past twenty days and transforming them into a different musical universe
The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

CYBER CHORD writes songs the way a porch light holds a night: small, steady, and impossible to ignore. I work with AI as a true co-writer, then carve the lyric by hand and shape the track in Suno. The sound leans bare and human—country roots in the soil, a little rock grain in the teeth, and a faith-lit lift that chooses hope without preaching.

These are ordinary-room hymns: rings hidden in cotton, receipt-tape strings, a dress behind rain glass, a sink that cools while you find the words. Silence is an instrument here; sometimes there’s a full bar where the house gets to breathe. If a line can’t survive a campfire and a cracked mug, it doesn’t make the song.

If you’re new, start with the heartbreakers. They don’t shout. They stay. I believe in the holiness of the everyday, and in the quiet bravery of saying the thing before “later” takes it away.

No paid promo, no playlist buys, no cover-art pitches, no dance offers, no cold DMs. If it’s a pitch, the porch light’s off. If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric or timestamp welcome), and hand it to one friend. That’s how this fire stays lit.

May your road stay open, your coffee stay warm, and your day be peaceful.

Booking@DashiusClay.com

      Dashius Clay isn’t just an artist—he’s a movement. Born in Cali, Colombia, raised in the heart of Miami, and armed with a fearless vision, he’s built a career that ignores industry ceilings and rewrites the rules of what an independent star can be. Rapper, producer, songwriter, DJ, and founder of PLTNM COLLECTIVE, The Red Baron is the rare breed who can rock a festival stage, shut down a club, and still make global brands pay attention.

His sound? A high-octane fusion of Hip-Hop, EDM, and raw Miami swagger. His reach? Worldwide. His track record? Stacked. Dashius has worked with Kendrick Lamar, XXXTentacion, Chief Keef, Gunplay, SwaggMan, Kevin Gates, Kodak Black, Lil Boosie, GTA VI, BWA Ron, Mike Smiff, OG Boobie Black, Robb Bank$, Freeway, Desloc Piccalo, Bruno Malii, Hell Rell, and Monk—as well as corporate giants like McDonald’s and Coca-Cola. With over 50 million streams, viral fan engagement, and credits stretching from underground classics to blockbuster projects, he’s earned his spot as one of the most recognized independent names in the game.

But Dashius doesn’t just release music—he builds worlds. As the architect behind PLTNM COLLECTIVE, he curates a fusion of music, fashion, and culture that’s as much a lifestyle as it is a brand. As a DJ, he flips his own catalogue alongside club-shaking remixes, blurring the lines between performer and party starter. His fans, the #Dashaholiks, are more than an audience—they’re an army. From flooding timelines with his drops to rocking his signature Instagram Beard Filter, the connection is real, and it’s mutual.

From landing back-to-back European chart hits with “Touch Me” and “Barcelona” to packing venues across continents, Dashius has proven—time and again—that independent doesn’t mean small. It means uncontrollable, undeniable, and unforgettable.

Dashius Clay talks the talk, walks the walk, and makes the soundtrack for everyone bold enough to do the same.

American Indian Airwaves (AIA), an Indigenous public affairs radio porgram and, perhaps, the longest running Native American radio program within both Indigenous and the United States broadcast communication histories. Also, AIA broadcast weekly every Thursday from 7pm to 8pm (PCT) on KPFK FM 90.7 Los Angeles (http://www.kpfk.org).  Facebook: https://www.facebook.com/aiacr


American Indian Airwaves is produced in Burntswamp Studios and started broadcasting on March 1st, 1973 on KPFK in order to give Indigenous peoples and their respective First Nations a voice about the continuous struggles against Settler Colonialism and imperialism by the occupying and settler societies often referred to as the United States, Canada, Mexico, and the Latin and South America countries located therein.

American Indian Airwaves operates as an all-volunteer collective with no corporate sponsorship and no underwriters.

I am an emerging songwriter and have so far recorded in 6 languages. I appreciate you being here. Hope you enjoy the music. Also, take a moment to visit my website Sindangan.NET

Yung Malo creates music addressing socio-economic, political, and environmental issues giving listeners 360 insight and perspective.


(Credit: joemalo.com)

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My Instagram is also: @bowntyy

Up and coming Philadelphia sports podcast among other sports and shows. Join us underground for all the latest Eagles, Phillies, Sixers, Flyers, Wings and a variety of other sports news.

The Neo-infantiles are a  band that claim to not be a band, just killing time. The only thing they have in common is being disabled. The Boofer only has one arm and sings and plays the guitar, badly. Breakage plays the drums and has no legs, Breakage has asked me to not disclose that he has no legs (sucker to trust me). Heard plays the bass, badly again, and is profoundly deaf in one of his King Lear's and lives with a screeching noise in it and does not care what he sounds like (I love him like I love me). Forget plays guitar too but Forget has had a severe-traumatic scone injury and never remembers any of the songs. He tries his hardest though and he is also like a brother. Pain builds unity. Then there is Shakes who hangs around and sings sometimes, he has post-traumatic Epilepsy and often fits, spits, froths and shakes. The ladies, punk ladies, love him the most even although he often pisses his pants



STBI has left me more than half-deaf so if the tones are off, don't shoot me. If writing stories is mind masturbation, then what do you call writing songs? >> Still the most pleasant part of my day

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New tracks tagged #Apology