Trackmaker / DJ based in Shizuoka, Japan.
Under the theme of "Coexistence of music and life", DJ OKAWARI expresses the things he feels in life through sound. The tranquility that comes right before falling asleep, the dignified feeling when opening a book... He creates sounds that underscore the connection between settings and emotions. 
The name DJ OKAWARI comes from the Japanese word "okawari", or "seconds", because he is never satisfied with just one helping. He is always seeking something new to challenge.
Besides his work on his own albums, DJ OKAWARI has also participated in many works within Japan and outside of it. His warm and gentle hiphop tracks have a worldwide appeal.  

I make beats I guess

contact: xori.music@gmail.com

まともな曲も作ってます
"psy footwork"という音楽ジャンルを提唱しています

Composer

"psy footwork" album「EXPLORERS PROGRAM」
→https://ii-l.bandcamp.com/album/explorers-program

"psy footwork" album「VOSTOK PROGRAM」
→https://ii-l.bandcamp.com/album/vostok-program

"psy footwork" EP「PROJECT VANGUARD」
→ https://ii-l.bandcamp.com/album/project-vanguard

"psy footwork" album
「MISSION SPUTNIK」
→ http://ii-l.bandcamp.com/album/mission-sputnik
「MISSION SPUTNIK II」
→ https://ii-l.bandcamp.com/album/mission-sputnik-ii

original album「music in a bottle」
→ http://macaketchup.bandcamp.com/album/music-in-a-bottle

chillstep album「Santa exists」
→ http://ii-l.bandcamp.com/album/santa-exists

Markus J. Buehler is the McAfee Professor of Engineering at MIT, and a composer of experimental, classical and electronic music, with an interest in sonification. Using an approach termed "materiomusic", his artistic work explores the creation of new forms of musical expression - such as those derived from biological materials and living systems - as a means to better understand the underlying science and mathematics. One of his goals is to use musical and sound design as a novel and abstract way to model, optimize and create new forms of matter from the bottom up, and to assess cross-system design relationships. He is also interested in research to explore relationships between classical music, mathematics, and the physical and biological sciences, an in the mapping of models of consciousness across systems. In recent work he has developed a new framework to compose music based on proteins – the basic molecules of all life, as well as other physical phenomena such as fracturing, to explore similarities and differences across species, scales and between philosophical and physical models. 

Contact: mbuehler@MIT.EDU

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