Electrizing Ballade

Instrumental Project whit a lot of influences .

Distressed and torrid tunes from night shadow of my home, i try to keep it basic, simple, with love and respect as I and I hope U like it. 
All photos and music made, produced, arranged and mixed by me at berg 27 studios, Trzin, Slovenia, 2018-2025
Member of Random Logic 1992-94

I use: 
Ableton 11 suite (Win 11, I7), 
Kurzweil PC88. presonus Quantum ES2
tc electronic icon series: master x, brickwall HD, Dyn 3000. PEQ3000, TC 1210, TC8210, DVR 250 
KORG: volca modular, volca drum, volca bass, volca mix
KORG: Drumologue - hybrid drum machine
KORG:  nu:Tekt NTS3
Roland: S-1, P-6
Opal by fors, 
GForce: Minimosta 2, SEM, Bass station, Halogen, impOSCar3, DMD, MAP ...
KV331 audio: Synthmaster  1, 2, 3
Klanghelm: IVGI2

NEXT SHOWS -->
 
03.01.2026 Valhalla, Austin 

PASSED SHOWS -->

15.11.2025 L’Antre, Nice

12.10.2025 nulovyi, Lviv

19.09.2025 Hitness club, Leipzig

29.08.2025 La Salle gueule, Marseille 

21.06.2025 Spazio, Marseille 

14.04.2025 Westwerk, Leipzig 

12.09.2024 La Salle gueule, Marseille 

01.08.2024 Diamant d’or, Strasbourg

10.02.2024 La Salle Gueule, Marseille  

7.10.2023 Grisbi, Maseille 

22.07.2023 Loophole, Berlin

7.07.2022 Coco velten, Marseille 

10.02.2022 La salle gueule, Marseille

Find "Hostage" in Station Station, Paris and 
Ola Radio, Marseille podcasts by DJ JUUULA:

https://on.soundcloud.com/MPHVj

https://on.soundcloud.com/4ANupobrJkpwg3jz6

Find "Aspen" on Voices Radio, London 

https://on.soundcloud.com/8uqskb1vThrZKoC58

Bandcamp: https://karinablur.bandcamp.com 

Label Paravision music - - - >

||| Vinil |||
https://paravision.bandcamp.com/track/aspen-ft-karina-blur-2
&
||| K7 ||| https://paravision.bandcamp.com/album/bona-fide

YouTube: 

https://youtube.com/@karinablur__?si=EiF_kczKcKRnUZwg

Booking ---> blurkarina@gmail.com

In the distant Subert Humlin, Gory Rallagher, Sank Frinatra, and Dats Fomino Galaxies, Her Majesty's Royal Intergalactic Empire is under siege by the sinister Khazargonians and their elite squads of shock troopers- the Jearl Pamians and Goundsardenians. Her Majesty has commissioned an elite force led by her three of Her Majesty's Space Navy's finest officers with several primary objectives, chief among them was the following directive: to combine the great tones of surf and fifties rock... with disco!
These elite officers are:  Admiral Krank of the SS Belgrade (Guitar, bass, beats, intergalactic espionage and assassination by exploding cigars); and Captain Mirth of the SS Zagreb- (Guitar, piano, synth, beats, and advanced thermal detonation). And our very own clockwork man on the drums, Mo Sheen (https://soundcloud.com/user-424452711).  Unfortunately, despite bravely serving Her Majesty's Space Navy, Vice Commandant Dubois has been court martialed and convicted for conduct not befitting an officer and counterfeiting baseball cards, stripped of his command of the SS Budapest, and dishonorably discharged from Her Majesty's Space Navy, though certain recordings of his guitar, synth, bass, beats, and forward deployable laser blasters remain here memorialized for posterity. Let it be known that though he has sunk to the very depths of ignominy, we wish him well in his new venture, the Spandex Spanktroverse.

Welcome to The Fermentation Cycle – a 1940s industrial-noir duology told as a slow-burn audio experience.

Every day I drop a new chapter with its own lofi score running through a crackling 1940s radio: low drums, hiss, distant horns, machinery in the walls. You’re not just reading a book – you’re inside a failing dockside brewery, listening to the pipes, the ledgers, and the rats under the floor.

Book I follows The Violet Boar, a once-powerful brewery in a corrupt coastal city, held together by heat, debt, queer love, and bad decisions. It’s adult, cerebral, immersive: pressure, politics, undercity tunnels, rat “choirs,” and a city that launders violence into paperwork.

Start at the Prologue and move forward a chapter a day, or let the playlist run like a haunted late-night radio station.

🔧 Tone: harsh 1940s noir, queer, anti-capitalist, psychological, slow escalation
🎧 Sound: lofi, tape-hiss, radio crackle, industrial ambience
📚 Project: The Fermentation Cycle Duology – The Violet Boar & Rats

The Fermentation Cycle is an adult industrial-noir duology set in 1940s Brineford, where Dockstring Ward runs on steam, rumor, and the kind of “civic” language that ruins people with clean hands.
At its center squats the Violet Boar Brewery, a once-proud Kiln now being slurred as a Loom, sweating heat and debt into the street like a confession.
Elara Wexley inherits the place and its failures, walking under a city that keeps score even when it pretends it doesn’t.
Every pipe, ledger mark, and shipment becomes leverage in a quiet war between rival breweries, supply yards, and the polite enforcers who call it regulation.
The Ward itself is a chorus — bars, docks, backrooms, and watchers — deciding what the Boar is worth, and what Elara is allowed to be.
Below the surface, the undercity’s layered infrastructure and rat-choir ecology mirror the city’s neglect: history stacked like rot you can’t fully scrub.
The story turns pressure into plot: money, heat, reputation, and intimacy all pushing until something breaks and the break changes the map.
It’s harsh, cinematic, and funny in the dark, obsessed with inheritance, survival, and the cost of naming what’s really happening.

Friends from the slums, trying to make something out of nothing.

FOR BOOKING : nir300project@gmail.com

NIR300 is a musician based out of Khimki, Moscow Region. With a combination of studio production and live performances, NIR300 creates new impressions and exits emotions of different musical and electronic dance styles. NIR300 is best known for the singles "Sexual Origins (feat.Amber)," "Club Pimp (feat. Sagat)," "Zodiak Inside," "Kitty Kitty Top-O-Top," and "Step By Step."Many of the singles were under different monikers and were played in heavy rotation on radio stations throughout Europe. NIR300 continues to push boundaries and gaining international recognition for his forward-thinking beats in the new electronic dance music age.

"To my mind, a BLUES doesn't have to be a 12-bar progression. To me, if a song has the right emotion then I accept it as BLUES" - PETER GREEN

"I go by feel, I go by feel. 
The only way I know what's real" - BUDDY GUY

Mostly, as a self-taught guitar player (maybe not... considering all the influences and internet/book resources I've come across lately!)  and rather than trying to be anything remotely near a good player of any great technique, I'm not bound by genre or clichés; I just like to go for it. It's a whole lot better that way. 
Blues is a human expression of emotion. That may explain why I felt called to blues music, even though, I grew up in Europe, a continent apart from the music’s heartlands in America’s Deep South. And that may also be the reason for the great Portuguese Bluesmen we have nowadays (The Legendary Tigerman/Frankie Chavez/Budda Power Blues/Rui Veloso/Dead Combo/The Black Mamba/Mazgani and many others...)

I’m a fan of raw guitar players who aren’t really polished… you’re not sure if it’s all going to fall apart.  Those who, rather than trotting out a collection of preconceived practised licks and lines, take some chances along the way, creating ideas on the spot. IMHO they sound more exciting and impressive for it. I play whatever comes into my head. It's an adventure because when I do a breakdown or a solo, it's new each time and I just let it go... The majority are first take. I just turn it on and press record...they are mostly one moment in time. I’m always looking for something. Sometimes I’m not quite sure what, but you just have to keep looking...
The real beauty is playing without thinking and once you have some concepts down, what comes out, is from the heart.  It's second nature. 
I just enjoy listening and playing some music, in honour of that timeless way of killing time (just for the fun of it...and whenever inspired: "If you're not feeling it, don't play it!"). I'm happiest picking out a blues tune to a suitable backing track. After all, simple music is the hardest to play...
For me, half the battle is to get the right sound. And that, in turn, inspires how you play.
As a tone fiend, I like to let those bluesy guitar tones breathe a little bit. But, almost everything I play, it never, ever comes out quite the way I heard it in my head. Sometimes I end up with something that's kind of close, but it's not quite what intended originally. These uploaded tracks are no exception... They are far from being perfect. First of all, I'm not a fan of perfection when it comes to music...it may even compromise the tone, but if the tone is there, great! It sounds like a human being playing guitar. 
As Dan Patlansky once said "I would rather hear an average player with a great guitar tone than a great player with a bad tone".
 I love stuff that sounds like a spontaneous real-life experience. Playing music is a human activity, and we humans are far from perfect! There is a certain charm in something that feels human with the flow of a spontaneous performance. It's that spontaneity that makes for the magic... 
Feel free to comment good, bad or indifferent and do not hesitate to share any ideas you might have. 

Favourite guitarists (old school suspects apart):
Matt Schofield;  Jim Campilongo;  Walter Trout; Robin Trower; Joe Bonamassa; Andy Timmons; Gregor Hilden; Robben Ford; Larry Carlton (among others)...

Electrizing Ballade

Data Krypton