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Last Midi on Earth

ATAXIA - Titled One [KMS Records]

Ron Mexico is the selector of the @data-transmission premiere & Podcast/Spotlgiht Mix series and also runs @dtweapons, @63brecords.  Also the selector for @nudetechno premieres/mixes and @discoinfiltrators

I rarely read inbox messages - always email hello@datatransmission.co for premieres, DT Free downloads, mixes (I always delete emails that are just a link)

Bio:
Despite the many weird and wonderful submissions they get from Joe Public at Data Transmission – think everything from bottles of homemade hooch to used underwear – Data Transmission freely admit that we were most surprised to receive a cassette accompanied by a polaroid photo of alphabetti spaghetti spelling out ‘I AM RON MEXICO’ in the post at the tail end of last year. Intrigued, DT dusted off their Walkman and gave the tape a listen to find that what was on offer, was, well…surprisingly good!!! They then set about finding him online, only to find that there was not a single mention of him on the internet.

Several weeks passed and having written Ron Mexico off as an elaborate prank concocted by the over active imagination of one of their many friends with far too much time on their hands, Data Transmission didn’t expect to hear from him again. Then the postman delivered a bottle of tequila every day for twelve days. A postcard then followed, with the following message inscribed in Spanish “Now you’re suitably inebriated, perhaps we can talk on Facebook”. One brief chat later, Data Transmission had arranged for Ron to come with us to burgeoning snow festival, Rise, wherein we’d meet the mysterious selector in the flesh for the first time. His rider, predictably contained a variety of mescal, alongside “1 semi-inflated inflatable shark, a frozen banana and a copy of the Karate Kid on VHS”. The time in the French Alps with a masked Ron was fleeting and having ingested what we’d consider a potentially lethal amount of Mexican spirits, Ron Mexico left as much of an enigma as he’d arrived.

6 years on and Ron Mexico became the selector of all music for Data Transmission

After some gentle coaxing and assurances by Hobbs (UK) that he wouldn’t bring any “cameras or cops” ‘Ron’ instructed him to meet him at London’s St. Katharine’s Dock at 10.47 AM precisely with the promise he’d see him. And see him he did. Arriving by jetski, the still masked Mr. Mexico disembarked on to a pontoon wherein they set about creating 'Scolarisé à Domicile'.

Owain Revitt—known as Revery behind the decks—is an electronic music artist from Llandeilo, Wales, blending minimal/deep tech, house, and everything in between. After overcoming a mental health challenge in 2019, he has rebuilt his craft at home, step by step. Owain aspires to be a distinctive voice in electronic music, forging a signature sound rooted in resilience, creativity, and authenticity.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

ATAXIA: The tooth in your jewelry box.
Known for their oddball, reliable rave jams, Detroit based Ataxia is dropping their debut full-length album “Out of Step” in 2022 on acclaimed indie label Life and Death. The album is an homage to their punk roots, with 12 tape saturated dance tracks featuring guest appearances by a handful of Detroit’s most respected house music producers. In addition, the group will be releasing new records on 20/20 Vision and Cynosure, as well as a follow up EP on Life and Death later in the year.

Ataxia has releases on imprints including Planet E, !K7, KMS, Visionquest, Nervous & Leftroom, and their music appeared on recent albums by Carl Craig & Stacey Pullen.

The pair behind the name, Ataxia’s Rickers & Ted Krisko are in constant collaboration with Mister Joshooa, with whom the band founded a vinyl-only record label, My Baby Recordings. Elusive but mighty, the output of the label has made it into the bags of some of our planet’s finest wax proliferators, and has music in their catalog from a strong crew of serious heads.

Their discography features collaborative work alongside fellow Detroiters DJ Minx, Andrés, Norm Talley, Terrence Parker & Merachka, and E Spleece. Remix and edit work of their cuts coming from Delano Smith, Luke Hess, Ryan Crosson & Shaun Reeves, Matt Tolfrey, Ralph Lawson, SIS & Jamie Jones.

Tracks by the duo have been aired on BBC Radio 1, Ministry of Sound, Circoloco Radio, Ultra Resistance, Defected, and a slew of terrestrial stations across the globe.

On the DJ front, Ataxia are hosts of a forthcoming music series on Ibiza based OpenLab FM, hold court as curators on the UK’s Threads Radio, recently recorded a mix of all originals for fabric in London, as well as sets for WWFM, Deep House Amsterdam and Proton Radio. They are 13-year residents at the world-famous TV Lounge and host their regular “Friday Night Machines” party at Detroit’s Marble Bar institution, where Krisko has long resided as music director and booker.

As for their traveling roadshow, Ataxia is part of the Armigé Agency. The group’s standout sets at major festivals and clubs have earned them their reputation as crackshot party starters.

The gig rap sheet includes Movement Detroit, The BPM Festival, MMW / WMC, SXSW, Moogfest, Electric Forest & Burning Man, plus inclusion at carefully curated locales like Pike’s Ibiza, Berlin’s Sisyphos, Smartbar in Chicago, Output NYC, Electric Pickle in Miami, Audio SF & LA’s Standard Rooftop.

In your ear or in your face, despite the strong resume, they let the music do the talking. There’s the information...that’s the post.

We are a community of astronauts in search of the best electronic music in the galaxy.

In that search, we become a platform for premieres, reviews, mix series, free downloads, and interviews, as well as weekly and monthly lists of the best out there. 

So let's look up to the universe in search of the best galaxies and constellations. 

"The Sound is Out There."

Run by @erickclubfuries
Contact: clubfuries@gmail.com

House, Tech House, Deep Tech, Minimal Tracks & Mixes.

Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co

For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/

For label submissions please head to our in-house label at @63brecords

The Online Dance Music Authority.
Dancing without prejudice since 2008.