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Javi Bora, Vibe Killers - Welcome Back [Too Many Rules]

Ron Mexico is the selector of the @data-transmission premiere & Podcast/Spotlgiht Mix series and also runs @dtweapons, @63brecords.  Also the selector for @nudetechno premieres/mixes and @discoinfiltrators

I rarely read inbox messages - always email hello@datatransmission.co for premieres, DT Free downloads, mixes (I always delete emails that are just a link)

Bio:
Despite the many weird and wonderful submissions they get from Joe Public at Data Transmission – think everything from bottles of homemade hooch to used underwear – Data Transmission freely admit that we were most surprised to receive a cassette accompanied by a polaroid photo of alphabetti spaghetti spelling out ‘I AM RON MEXICO’ in the post at the tail end of last year. Intrigued, DT dusted off their Walkman and gave the tape a listen to find that what was on offer, was, well…surprisingly good!!! They then set about finding him online, only to find that there was not a single mention of him on the internet.

Several weeks passed and having written Ron Mexico off as an elaborate prank concocted by the over active imagination of one of their many friends with far too much time on their hands, Data Transmission didn’t expect to hear from him again. Then the postman delivered a bottle of tequila every day for twelve days. A postcard then followed, with the following message inscribed in Spanish “Now you’re suitably inebriated, perhaps we can talk on Facebook”. One brief chat later, Data Transmission had arranged for Ron to come with us to burgeoning snow festival, Rise, wherein we’d meet the mysterious selector in the flesh for the first time. His rider, predictably contained a variety of mescal, alongside “1 semi-inflated inflatable shark, a frozen banana and a copy of the Karate Kid on VHS”. The time in the French Alps with a masked Ron was fleeting and having ingested what we’d consider a potentially lethal amount of Mexican spirits, Ron Mexico left as much of an enigma as he’d arrived.

6 years on and Ron Mexico became the selector of all music for Data Transmission

After some gentle coaxing and assurances by Hobbs (UK) that he wouldn’t bring any “cameras or cops” ‘Ron’ instructed him to meet him at London’s St. Katharine’s Dock at 10.47 AM precisely with the promise he’d see him. And see him he did. Arriving by jetski, the still masked Mr. Mexico disembarked on to a pontoon wherein they set about creating 'Scolarisé à Domicile'.

C est dans les années 90 que Jp Timbo officiait à ses débuts sous le nom de Ricky Danger au sein du collectif Fundamental Sound System...
Amoureux à l'origine de la black music ( Reggae// Hip Hop) il se dirige progressivement vers le Funk et la Disco désorienté par ces rythmes endiablés qui lui affolent ses oreilles !!!
C est à la fin de cette décade que l ami Jp découvre la House Music ,en particulier celle de New york (Garage Deep et Soulfull ).
C est la révélation !!! Ricky Danger laisse alors la place à Jp Timbo,nom d'une rue bien célèbre du quartier parisien où il réside...
Aujourd'hui la musique est pour Jp Timbo un art de vivre, une quête de voyages sonores toujours authentiques, charnels et surtout plus que captivant ..
Orgasme auditif assuré, symptôme de frétillement constaté...
From Paris with Chantilly
Jp Timbo

Contact @ https://www.facebook.com/veve.page
                    https://www.facebook.com/CasaTimbo

Label by @JaviBora.

Demos: https://tstack.app/too-many-rules

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Label owner: @toomanyrulesmusic
Defected I elrow Music I Hottrax
Bookings: scar
▪️ 🌍 mon@toomanyrules.com
▪️ 🇫🇷 jerome@no-sleep.net
▪️ 🇦🇺 matt@onehitagency.com.au
Asia: jonathan@warungagency.com

House, Tech House, Deep Tech, Minimal Tracks & Mixes.

Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co

For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/

For label submissions please head to our in-house label at @63brecords

The Online Dance Music Authority.
Dancing without prejudice since 2008.