Remembering the Acid Tracks of the Days...

Great start, love this old classic vibe!!

Damn! I am in mix excstacy! Sonny the beats and tracks you yse are simply beautiful, they do what house music is supposed to do... they lift me up, up, up and make wanna get down! Thank you so much. Thats Word.
Clay

Sonny Wharton has emerged in the past couple of years as one of the brightest prospects in the UK. Described by The Shapeshifters as “one of the most prolific producers out there” he’s remixed the likes of Fatboy Slim, Frankie Knuckles and The Temper Trap. Releasing singles on Size, Toolroom, Spinnin’ and Skint Sonny has received regular support from house music heavyweights Pete Tong, Steve Angello, Roger Sanchez and Mark Knight whilst continuing to push his own label Whartone Records and dominate the download charts.﻿

As a DJ Sonny shot to fame by winning a DJ Mag mix-tape competition for Renaissance leading to sets in Ibiza at Amnesia, a weekly residency at the infamous Manumission and quickly went on to establish a formidable reputation as a DJ whilst racking up slots for the who’s who of club land with sell-out shows at Space, Pacha and Ministry Of Sound to name but a few.

Known for his technical abilities both in the studio and in the DJ booth Sonny has been able to call us at DT fans of his for a while now. Thus after enjoying a stellar 2013 that saw him continue his indomitable rise through electronic music and with an even bigger plans for the coming year for both him and his label it was only natural that invited Sonny to revisit 5 pivotal moments in his fledgling career. The fact that he also delivered us an exclusive mix to go with it was just a bonus!


Mix of the Day : Sonny Wharton

House, Tech House, Deep Tech, Minimal Tracks & Mixes.

Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co

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For label submissions please head to our in-house label at @63brecords

The Online Dance Music Authority.
Dancing without prejudice since 2008.

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