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Willie Rosado 'Deep Dive'

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Willie Rosado - Deep Dive [Fingerprints]

The empath vs. narcissists.  Selective favorites of underground future garage, wave, trip-hop, lo-fi, breaks, progressive, minimal, cosmic, dark and deep 🌚✨

Willie Rosado a Producer / DJ from New York City. Willie was always destined to be involved with music after his parents would host traveling 'big piece bands' visiting NYC.
Willie then began his own musical journey, it took him to play his only "Earth, Wind, and Fire" LP on repeat for his mother to invest in a second deck and hustling for records to keep them both sane!!
The Chicago House and Disco explosion had started. Willie began playing school dances and 'Sweet 16' parties, jumping on the newly labeled 'Freestyle', 'Latin House', and 'House' hype played by rising stars. It didn't take long before his unique talent for playing Freestyle, Latin House & Disco was recognized and a residency at one of NY's early institutions 'Chubby's' was offered.
His unique skillset to play on multi-decks, both vinyl and digital, have led to him being booked across the US, and even venturing to Ibiza for an audience with Roger Sanchez and played a unique b2b with international star Doorly on the party island.
Willie's Latin tinged & Bass heavy house music leans heavily to his past but with a fresh outlook, appealing to newer breed of music 'stalwarts'. Releases on Ian Bland's 'Maison Records' 2 track EP on "Pogo House Records", "Whore House Records", Groove Foundation Recordings", "Fingerprints", "Big Speaker Music", "Ribox", and "Open Bar Music" with other productions forming part of an imminent release schedule.
It won't be long before Willie and his brand reaffirms himself as a true ambassador for the music we have all grown to love.

Ron Mexico is the selector of the @data-transmission premiere & Podcast/Spotlgiht Mix series and also runs @dtweapons, @63brecords.  Also the selector for @nudetechno premieres/mixes and @discoinfiltrators

I rarely read inbox messages - always email hello@datatransmission.co for premieres, DT Free downloads, mixes (I always delete emails that are just a link)

Bio:
Despite the many weird and wonderful submissions they get from Joe Public at Data Transmission – think everything from bottles of homemade hooch to used underwear – Data Transmission freely admit that we were most surprised to receive a cassette accompanied by a polaroid photo of alphabetti spaghetti spelling out ‘I AM RON MEXICO’ in the post at the tail end of last year. Intrigued, DT dusted off their Walkman and gave the tape a listen to find that what was on offer, was, well…surprisingly good!!! They then set about finding him online, only to find that there was not a single mention of him on the internet.

Several weeks passed and having written Ron Mexico off as an elaborate prank concocted by the over active imagination of one of their many friends with far too much time on their hands, Data Transmission didn’t expect to hear from him again. Then the postman delivered a bottle of tequila every day for twelve days. A postcard then followed, with the following message inscribed in Spanish “Now you’re suitably inebriated, perhaps we can talk on Facebook”. One brief chat later, Data Transmission had arranged for Ron to come with us to burgeoning snow festival, Rise, wherein we’d meet the mysterious selector in the flesh for the first time. His rider, predictably contained a variety of mescal, alongside “1 semi-inflated inflatable shark, a frozen banana and a copy of the Karate Kid on VHS”. The time in the French Alps with a masked Ron was fleeting and having ingested what we’d consider a potentially lethal amount of Mexican spirits, Ron Mexico left as much of an enigma as he’d arrived.

6 years on and Ron Mexico became the selector of all music for Data Transmission

After some gentle coaxing and assurances by Hobbs (UK) that he wouldn’t bring any “cameras or cops” ‘Ron’ instructed him to meet him at London’s St. Katharine’s Dock at 10.47 AM precisely with the promise he’d see him. And see him he did. Arriving by jetski, the still masked Mr. Mexico disembarked on to a pontoon wherein they set about creating 'Scolarisé à Domicile'.

In the beginning, there was Jack, and Jack had a groove.
And from this groove came the groove of all grooves.
And while one day viciously throwing down on his box, Jack boldy declared,
"Let there be house!" and house music was born.
I am, you see,
I am the creator, and this is my house!
And, in my house there is only house music. But, I am not so
Selfish because once you enter my house it then becomes OUR house and
OUR house music!" And, you see, no one can own house because
House music is a universal language, spoken and understood by all.
You see, house is a feeling that no one can understand really unless
You're deep into the vibe of house. House is an uncontrollable
Desire to jack your body. And, as I told you before, this is
Our house and our house music. And in every house, you
Understand, there is a keeper. And, in this house, the keeper
Is Jack. Now some of you who might wonder.
Who is Jack, and what is it that Jack does?
Jack is the one who gives you the power to jack your body!
Jack is the one who gives you the power to do the snake.
Jack is the one who gives you the key to the wiggly worm.
Jack is the one who learns you how to walk your body.
Jack is the one that can bring nations and nations of all
Jackers together under one house.
You may be black, you may be white; you may be Jew or Gentile.
It don't make difference in our House.
And this is fresh!
- Larry Heard aka Mr. Fingers -

dt weapons is a Label from @data-transmission
To submit demos join the Discord Server

House, Tech House, Deep Tech, Minimal Tracks & Mixes.

Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co

For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/

For label submissions please head to our in-house label at @63brecords

The Online Dance Music Authority.
Dancing without prejudice since 2008.