After almost two years pause, we are back to present you the Japanese artist Supire and his debut album on Mozyk! Joining him with two remixes are the label resident The Ghost Of 3.13 and our new friend from Athens - Tenebral Cortex.

We experimented and took the cassette tape packaging to the next level with our new custom glow in the dark cases.

Album teaser mix:
https://soundcloud.com/mozyknet/supire-lustre-mozyk021

Supire
https://nhspire.bandcamp.com
https://youtube.com/channel/UCVKezz3ad-E75BMCNCCYHvA/
https://twitter.com/NH_supaia
https://soundcloud.com/nh_supaia
https://mozyk.sptfy.com/supire

The Ghost Of 3.13
https://theghostof313.bandcamp.com
https://soundcloud.com/the-ghost-of-3-13

Tenebral Cortex
https://geometriccorruption.bandcamp.com/album/arduous-recursion
https://soundcloud.com/tenebralcortex

Artwork by Droon
https://droon.org

Lustre

Supire - Cerebellum

illusion

near  0

Newest Joeyy Shed Theory Leak Album 2023 (amazing 100% real(

llrec_blu.mountain

Boymusic

Gold Flakes In My Boba 🍥

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a thing I did a while ago

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[6/10|23]

Obstinacy Does Not Redeem Anyone is the second track in Hate Devours Its Host, a brand new full-length by Valance Drakes, and its third for Amek. Pre-order up here until September 29: https://amekcollective.bandcamp.com/album/hate-devours-its-host

Four years lay between An Angel In Alliance With Falsehood and Hate Devours Its Host, Valance Drakes’s brand new full-length for Amek Collective. This deeply personal record sets the producer on yet another path of narrative-driven musical alchemy. Without a doubt, Hate Devours Its Host is Valance Drakes’ most atmospheric work to date. Multilayered ambient soundscapes and spiraling melodic debris are used not as a backdrop but as the backbone of the record. The producer's signature intricate rhythmic structures, subterranean basslines, and hypnotizing sample manipulation are entangled in this drifting sonic environment. All these elements become an inseparable and emotionally intense whole.

We watched this album grow and unfold. As with all things Valance Drakes, the music in Hate Devours Its Host seems that it can be experienced in a breath but truly grasping everything that lies within requires patience and attention to detail. All elements in Hate Devours Its Host are carefully considered, meticulously organized, and purposeful. This full-length is another showcase not just of Drakes' sound design and compositional craftsmanship but an honest representation of life as beautiful or punishing as it can get.

Produced by Valance Drakes
Mastered by Marius Costache
Artwork by Nikola Kostov

Amek Collective

Valance Drakes - Obstinacy Does Not Redeem Anyone

classified

I am a ..."データブロック"... DataBlock (╓D V T V B L Ø C K┛)▪ ◦ ▫ ▬╦┺ ▒ ┼  ╧▐ ▔┅ ┆  ▓▕ ┛ ├ ═ ║ ╒ ╓
IDM.Electronic.Experimental

 𝌴 ....Electronic Music Production....Sound designer:Neuro-glitch, Extraterrestrial technology, Sound system transformations, Glitches, Crashes, Broken synthesis, Bits drones, Cyber transformation, Distortions, Interference, Noise, Transmission problems, Visual distortion, Neuro abstraction, Drilling, Cuts, Detached, Foreign..
No sound synthesis boundaries..

Together with:Neuro-Glitch LAB:Sound design lab,We are working in all turns and direction until the music industry in its darkest nooks and crannies, while high-tech changes, digital approaches and methods is that crushes the mind, brings a new level we experimenting with all genres, using all the resources and the component to to create new forms of sound evolution. Extraterrestrial technology, sound system transformations, glitches, crashes, broken synthesis, bits drones, cyber transformation, distortions, Interference, noise, transmission problems, visual distortion, neuro abstraction, drilling, cuts, detached, foreign, mechanics, rebooting the system, section.....
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital

illusion

DVTVBLØCK