Not much work with sound design, sound structures, transformations and glitches.

Scheme

After almost two years pause, we are back to present you the Japanese artist Supire and his debut album on Mozyk! Joining him with two remixes are the label resident The Ghost Of 3.13 and our new friend from Athens - Tenebral Cortex.

We experimented and took the cassette tape packaging to the next level with our new custom glow in the dark cases.

Album teaser mix:
https://soundcloud.com/mozyknet/supire-lustre-mozyk021

Supire
https://nhspire.bandcamp.com
https://youtube.com/channel/UCVKezz3ad-E75BMCNCCYHvA/
https://twitter.com/NH_supaia
https://soundcloud.com/nh_supaia
https://mozyk.sptfy.com/supire

The Ghost Of 3.13
https://theghostof313.bandcamp.com
https://soundcloud.com/the-ghost-of-3-13

Tenebral Cortex
https://geometriccorruption.bandcamp.com/album/arduous-recursion
https://soundcloud.com/tenebralcortex

Artwork by Droon
https://droon.org

Lustre

Supire - Cerebellum

[Buy]

Awaken

Lab-tested, fun approved!

Førsaj is back with some messy, slimy beats to spare! And he brought a friend this time: the one and only DJ CASO!

Get ready for the first taste of what's coming from Førsaj in his upcoming debut EP coming early next year!

Connect with @forsajforsaj:
IG · bit.ly/Forsaj-ig

Connect with @djcaso
IG · https://www.instagram.com/djcaso/

Game Lab

Game Lab (feat. DJ Caso)

near  0

llrec_blu.mountain

Boymusic

Gold Flakes In My Boba 🍥

STRX002: Satellite Trax presents the second release on our new sublabel - “Heartbreak EP” by Jeff Gill, best known as @norfik.

Out now on all major platforms: https://ffm.to/strx002

At the end of 2021, we welcomed Chicago-based Norfik onto our label with an attentive track [SERA010] that had us seeking more. Since then, the local beatmaker has extended himself to various pillars of the electronic music complex. He surely has learned to keep busy, from scoring short films and playing at local events, to showcasing his originals on household American labels such as TAR, Jollies Records, Juke Bounce Werk, and more.

Norfik tends to wear his influences on his sleeve with a high output of breakbeat-inspired tracks that celebrate his heavyweight predecessors. He is also unafraid to crank up the speed and tap into the world of jungle, drum & bass, and even breakcore. What makes his work stand out is his interest in ambient music, an external force that pushes him into a more emotive realm. The byproduct of his music genes is an authentic sound that may feel familiar to the avid dancefloor enthusiast, but genuine in its nature of being meaningful art from a real artist.

These attributes hold true to “Heartbreak EP,” a journey through lush ambiance met with rattling drum breaks. Norfik set out to make a collection of tracks that feel straightforward and transparent; what you hear is what you get. Unintended to be cohesive, the project feels woven together by raw emotion and shares the same theme throughout. With an influx of listeners crowding around the atmospheric jungle subculture, Norfik steers clear from the rest by delivering a recognizable yet unique body of work.

“Heartbreak EP” is composed of many different ideas that come together in a listenable package. The EP starts with “Greed,” a rhythmic introduction that captures listeners with rolling percussion. Tracks like “Denial” and “Into Action” do a wonderful job in displaying the contrast between thumping drums and atmospheric pads in the stereo space. The title track serves as the peak of the project, putting an emphasis on a tense buildup and rush of energy in its chorus. “Approach” concludes the EP with a track that touches on breakcore-fused antics, while staying persistent with the established ambiance.

One of the best qualities of “Heartbreak EP” is its ability to write its own story while still allowing space for interpretation. Norfik challenges his listeners to reflect on their own selves and remember what keeps them moving. Drenched in nostalgia yet holding itself to a high standard in modern production, the result is some of his best and most impactful work thus far.

Satellite Trax: an expansion of our core imprint that focuses on dance-centric music and its club roots; part of the foundation within our sonic heritage. This sublabel serves as a primary source of dancefloor weaponry for DJs and enthusiasts aiming to unveil the latest rhythms heard from around the electronic music sphere.

We Are Satellite Era. We Are Worldwide.

CREDITS
Jeff Gill - production, mix
Amir Mashayekhi - master
Nic Juister - cover art

BUY / STREAM

Norfik - Denial

||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||°°°|°|à\à\à\°|°|°|°|°|°|°|°|°|°\à\à\\à\
a thing I did a while ago

°󠀰󠀱󠀱󠀰󠀰󠀱󠀰󠀰󠀱󠀰󠀱󠀰󠀱󠀰󠀱󠀰󠀱󠀰󠀱󠀰󠀱󠀱󠀱󠀱󠀱󠀰󠀱󠀰󠀰°° (2021)

[6/10|23]

I am a ..."データブロック"... DataBlock (╓D V T V B L Ø C K┛)▪ ◦ ▫ ▬╦┺ ▒ ┼  ╧▐ ▔┅ ┆  ▓▕ ┛ ├ ═ ║ ╒ ╓
IDM.Electronic.Experimental

 𝌴 ....Electronic Music Production....Sound designer:Neuro-glitch, Extraterrestrial technology, Sound system transformations, Glitches, Crashes, Broken synthesis, Bits drones, Cyber transformation, Distortions, Interference, Noise, Transmission problems, Visual distortion, Neuro abstraction, Drilling, Cuts, Detached, Foreign..
No sound synthesis boundaries..

Together with:Neuro-Glitch LAB:Sound design lab,We are working in all turns and direction until the music industry in its darkest nooks and crannies, while high-tech changes, digital approaches and methods is that crushes the mind, brings a new level we experimenting with all genres, using all the resources and the component to to create new forms of sound evolution. Extraterrestrial technology, sound system transformations, glitches, crashes, broken synthesis, bits drones, cyber transformation, distortions, Interference, noise, transmission problems, visual distortion, neuro abstraction, drilling, cuts, detached, foreign, mechanics, rebooting the system, section.....
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital

Scheme

DVTVBLØCK