https://soundcloud.com/enilylbmessa/sets/exotic-goods

非同期 - Async

i dont know what im doing
from ukraine but now living in poland

Quote :

...They taught us that art is about expressing yourself—that you have to have something to say. That's not true—you don't have to say anything at all...

John Cage


TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  
founded    by Max Elzholz
https://www.youtube.com/@trampelfad

Experimental-Improvisation-Sonification-Data Bending-Alchemy-Probability-Computer-Stochastic-Science-Abstract-Generative-Unpredictability -Aleatoric-Music -Avoid AI

「 𝔸𝕥 𝕋𝕙𝕖 𝔼𝕕𝕘𝕖 𝕠𝕗 𝕊𝕠𝕦𝕟𝕕 」

データコード 〔Dētakōdo〕 - ::ＤＡＴＡＣＯＤＥ::
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital.
データコード tells of abstract ambient soundscapes, surrounded by residual datas, randomly memory allocations, transmission problems, video signals, h/v sync, interferences, distortions, glitch, granular techniques and no-input noise to access certain parts of the mind through contemporary and avant-garde experimental music.

for more info: https://encr.pw/datacode

POZTMAN makes music tangentially connected to any lore, concepts, trivia, narrative, or other piece of content he's currently obsessed with. Genres vary wildly and seem inconsistent, the same can be said of the release schedule. 
POZTMAN is a free-time hobby with no aim to get big so far. 

Up until now, POZTMAN has made music about (List is incomplete): 
Defiance - Yokai - Pokemon - Horizon Zero Dawn - Warframe - BladeRunner - Cyberpunk - Lovecraftian Lore - Final Fantasy - Shadow of the Colossus - Shadow Hunters - Hollow Knight - Penny Dreadful - Hyper Light Drifter - MTG - YGO - Altered Carbon - Digimon - Dungeons and Dragons - SCP Foundation - Shintoism - His love for cats

Up until now, Poztman has released music on: 
Outtallectuals - Renraku Global Media - Forest Biz - Billegal Beats - Ignite Recordings - Open Outlets - Interval Audio - sanctuary - Paracusia Media - The Glitch Shop

非同期 - Async

データコード 「ｄａｔａｃｏｄｅ」

データコード「ｄａｔａｃｏｄｅ」