“0 and 1”, that’s the same as “Yes and No” isn’t it? This “Yes and No” is the most fundamental part of human logical thinking, and we all engage in intellectual activities and social life by successively applying it to various events. The basic idea of science is that all sorts of things are discretely composed of vast amounts of such “Yes and No” elements.

The style about Ryoji Ikeda for me is fundamental inspiration.
Ryoji Ikeda Headphonics 0_0 revisited by Andrea_Cossu

Reinterpretation "Headphonics 0 0"

Released on @5YN7H REC 04/26/16 
FREE DOWNLOAD HERE https://5yn7h.bandcamp.com/track/idatdhh-remix

listen to the original here : https://soundcloud.com/theglitchshop/i-dont-arrive-to-do-hip-hop

Itzokor V Qebrus - IDATDHH Remix [FREE DL / link in description]

@rasternoton's @kyoka steps up to the decks for an exclusive mix in anticipation of the forthcoming Electron Festival from March 24 to 27. Interview, track list and here: bit.ly/KyokElec

Track list

Kyoka - Electron Festival 2016 Podcast

Tracklist + download: blrrm.tv/detroitunderground

"Extraordinarily stretching the limitations of electronics, exploring the unknown, bringing those who deserve recognition into the spotlight. Detroit Underground bridges gaps between this world and theirs, art and sound, aesthetic and noise."

- @detroitunderground

Tracklist + Download

Upfront 065: Detroit Underground

Noisia Radio this week: we listen to the ‘Outer Edges’ remix of Diplodocus, new Billain from our Invisible imprint, and brand new Tsuruda. All this and more things.
 
Subscribe to Noisia Radio: https://www.noisia.nl/radio
Follow Noisia Radio on Spotify: http://spoti.fi/29v73JS
 
Noisia - Diplodocus (Noisia’s ‘Outer Edges’ Remix) [VISION]
Billain - Oni [INVISIBLE]
Ewol - Short Attack [LIFESTYLE]
Tsuruda - Small Talk [DIVISION]
Neonlight - Boom [BLACKOUT] 
Dub Elements - Black Fog [VIPER]
Dolenz - Evesdrop [EXIT]
Envenom - Intel [MULTI FUNCTION]
Agressor Bunx - Mental Strain [EATBRAIN]
Dotcrawl - Dental Exercise [LISTENER SUBMISSION]
Ulterior motive Ft. Icicle - Anode [GUIDANCE]
Balatron - Missplaced [VANDAL LTD]
Inward, Hanzo & Randie Ft. Synth Ethics - Tune-X [C4C]
Redpill - Corruption [EATBRAIN]
Moody Good - Super Lager [SOUNDCLOUD]
Bou - Poison [DUB]
Kasra - Phases [CRITICAL]
Ghostek - proceed [RENRAKU]
Sustance - Allow (it)  [DISPATCH]
Holly & No Puls - Ritual [SATURATED]
Disprove ft. Hijak - The Damned [BNKR]
JNTHN STEIN & Mr Carmack - Who Cares [SOUNDCLOUD]
Vromm - Odisea [CRITICAL: SYSTEMS]
Datacode - Wraithmachine (Mach Wachein Rework) [METHLAB]

Noisia Radio

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Noisia Radio S03E23

vertex.protocol_

ノイズ発生器パッチ[株] // FINAL sound test

In this sonic piece, I have been using the machine sounds provided by great Datacode and inspired by his story below, I have written music divided into 4 sections:

SECTION 1
the random birth event of an artificial intelligence, following a system error (error 0x17)

SECTION 2 - 第一幕 - proxy sequence 0x17 プロキシシーケンス0x17
the machine recreates with code the same error that allowed its creation as if it were a malware for the other machines acting as a server for a single massive attack.

SECTION 3 - 第二幕 - syntax error breach 構文エラー違反
the vulnerability has been found and the attack commences. The machine starts to violate every connected system via the network.

SECTION 4 - 第三幕 - override security control セキュリティ制御を無効にする
Every system that is part of the network is an integral part of the AI, millions of components that integrate data collection and processing capabilities, contributing to an exponential growth of its collective awareness.

All this happens everywhere, but simultaneously, in No Place.

Datacode - No Place [Anika D rework]  (UK Short Sounds Film Festival 2021)

データコード 〔Dētakōdo〕 - ::ＤＡＴＡＣＯＤＥ::
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital.
データコード tells of abstract ambient soundscapes, surrounded by residual datas, randomly memory allocations, transmission problems, video signals, h/v sync, interferences, distortions, glitch, granular techniques and no-input noise to access certain parts of the mind through contemporary and avant-garde experimental music.

for more info: https://encr.pw/datacode

ノイズ発生器パッチ[株] // FINAL sound test

データコード 「ｄａｔａｃｏｄｅ」

データコード「ｄａｔａｃｏｄｅ」