[DOWNLOAD] 
MAX/MSP サウンド/ノイズジェネレータ用のパッチを共有
MAX/MSP patch shared for sound/noise generator

ノイズ発生器パッチ[株]

❑_ .
ᏞᗋᗊΞᚺጋΞᏒ ጠΞጠⰢᏒჄ ጋΞᗋᏞΞᏒ
∫ɭξξƥ§ʆξξƥ..∫ɭξξƥ§ʆξξƥ..∫ɭξξƥ§ʆξξƥ
ϕᒗ⨇Ͼɭξ......ϕᒗ⨇Ͼɭξ......ϕᒗ⨇Ͼɭξ
₪Ⴡᨐ𞋆ᙑ᳃ၦ₪Ⴡᨐ𞋆ᙑ᳃ၦ₪Ⴡᨐ𞋆ᙑ᳃ၦ
ᒸᐁᑏᙃᒗᒸᐁᑏᙃᒗᒸᐁᑏᙃᒗᒸᐁᑏᙃᒗ
❑_ .

we design sound environments for all kinds of challenging audio-visual projects

データコード 〔Dētakōdo〕 - ::ＤＡＴＡＣＯＤＥ::
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital.
データコード tells of abstract ambient soundscapes, surrounded by residual datas, randomly memory allocations, transmission problems, video signals, h/v sync, interferences, distortions, glitch, granular techniques and no-input noise to access certain parts of the mind through contemporary and avant-garde experimental music.

for more info: https://encr.pw/datacode

Extreme Unique Music ispired by the people the planet.
Music Usually Contains and extreme drops.

Stoyan Yovchev / Оmori
20, bulgaria
// amek collective

Stoyan Yovchev started making music under the name Omori in 2016. With roots in drum and bass, he quickly expanded his sonic palette by experimenting with a plethora of genres – from lo-fi hip hop to glitch and noise. In 2018 he started performing live at various underground scene locations in Sofia. In 2019 he was one of the headliners of Radar Festival Beyond Music, Varna. Challenging the boundaries of genre definitions, Stoyan Yovchev released two tapes via Bulgarian imprint Amek Collective. Shortly after moving to London, he joined the local family of artists Index Tapes, he was only in his first year of university.

Оn April 13, 2020 Stoyan untimely left our world. A day earlier he changed this page name to ‘it doesn’t matter anymore’. He did, however, grant his family access to this account and it now serves as an archive of his music legacy and a reminder of his impulsive, emotional and bold approach to electronic music. His family decided to change back the account name to Stoyan Yovchev Omori to ensure his work is easily accessible for anybody who looks to listen to it. Tony lived to create and his work and life will always matter.

Remember Stoyan Yovchev - Omori (2000-2020)

FREE PALESTINE!!!
Polar-Axis Shift
SLAVA UKRAINI


ノイズ発生器パッチ[株]

データコード 「ｄａｔａｃｏｄｅ」

データコード「ｄａｔａｃｏｄｅ」