About:
During a crash landing near Pluto, the Kerberos broadcasting system was set up by Beyond the Clones, a producer near Frankfurt who uses retro space toy sounds which lands near dark intelligent breaks, experimental Analogue, 8Bit house and Minimal Glitch, a big believer in old recording formats and using them to promote the soul of the toy/80s hardware sound, so over coming some crazy tactics to get there, orbiting that with computer coded madness.

Soviet space mission inspired game app out soon.

Links:
www.facebook.com/beyondtheclones 
https://beyondtheclones.bandcamp.com/

Beyond the Clones's Album

Data Cult Audio 0215 - Beyond the clones

About:
danielle_griselda is not a musician.
danielle_griselda is a black dot 
experimenting with light and sound
exploring the self-generative
through hardware electronics
for theatre and movie scoring
and simply for having some fun.

because being alive may mostly be a random fact,
intertwining unpredictable shapes could be another one
among all random possibilities worth trying to play.
venti ventuno: velleità virtuale embraces the idea
of setting boundaries within which things happen,
instead of choosing what is going to happen
precisely and when and how;

some said once that will is always negative
and what is causing this piece makes no exception,
there might be nothing left to do
but trying and going wrong anyway.

face this fleece virtually. it helps me sleep.

Links:
https://danielle-griselda.bandcamp.com/
https://linktr.ee/danielle_griselda
https://www.instagram.com/danielle_griselda

Data Cult Audio 0223 - Danielle_Griselda

About:
Dungeon Destroyah presents his upcoming concept entitled “Petit Mal”. A project whose sound became a never ending search to bring heavy frequencies back to the village. Playing with air to create ballistic sonics that simulate an insect shedding its exoskeleton or a primate discovering the subwoofer. It aims to stir the imagination rather than diluting it through a sound collage of field recordings, modular synthesis and analog/acoustic drums. Petit Mal is about following your intuition and never looking back.

Links:
https://dungeondestroyah.bandcamp.com/releases
https://www.instagram.com/dungeondestroyah/

Data Cult Audio 0229 - Dungeon Destroyah

About:
A.M. Filipkowski is fascinated by dystopian fiction. This is the starting point for his aural projects. He attributes this to growing up in inner city Detroit, and watching as the city seemed to die around him. Remnants of industry diminished into a barren wasteland engraved a mark on him that is expressed in the sounds he creates. He is also the founding mind behind Data Cult Audio.

Links:
FaceBook: https://www.facebook.com/DataCultAudio
Instagram: https://www.instagram.com/datacultaudio/
iTunes: https://itunes.apple.com/…/pod…/data-cult-audio/id1234835844
SoundCloud: https://soundcloud.com/datacultaudio
Twitter: https://twitter.com/DataCultAudio
Web: http://datacultaudio.com/

Data Cult Audio 0230 - A.M.Filipkowski

About:
Megan Leber is a Rotterdam based producer, sound designer and live performer who drags you deep into a dark ocean of soundscapes, profound basslines and airy percussion. She combines her modular system with other hardware and ensures you will eventually always resurface.

Links:
https://www.instagram.com/meganleber/
https://soundcloud.com/meganleber
https://www.youtube.com/channel/UC6CyZKlnYJlBAlZm_Y8QBOA
https://blastradio.com/meganleber

Data Cult Audio 0234 - Megan Leber

About:
Rafael Timoner has been working on visual arts, drawing, painting, sculpture, photography and video installations, under a minimalist and conceptual style, and for more than 30 years. He has numerous exhibitions, individual and collective, in Spain and in many other countries. His art works are present in numerous public and private art collections, with some sculptures installed in public spaces in Spain. 

Since 2012 he has been working and experimenting with sound. At first Rafael was working with software and virtual synthesizers and plugins, later with semi-modular, and finally discovering the universe of eurorack and modular synthesis. After three years of experimentation, learning, and selection, he set up his own system based on eurorack modules. His system is based on Serge Eurorack R*S, Catalyst Audio Bucha Serie 100, and Verbos Electronics,. It’s versatility allows him to develop and create his new sonic proposals. 

Links:
https://linktr.ee/rtimoner
https://rafaeltimoner.bandcamp.com/
https://www.facebook.com/RafaelTimonerAVA
https://www.instagram.com/rafaeltimoner/?hl=es
https://www.youtube.com/channel/UCixTgpzo2UzkklgEPMLnzjg
https://modular-station.com/modulisme/session/49/

Data Cult Audio 0237 - Rafael Timoner

About:
JacqNoise-
In her compositions, JacqNoise is looking for the spot where rhythms cross each other’s paths. She is deconstructing sounds in order to understand the symphony and the themes that are reflected in it.


Andreas Krach-
 Andreas Krach spends sleepless nights with crunchy electronic sounds, deriving from circuit bent instruments, no-input mixers and analogue synthesizers. Lots of analogue synthesizers. Besides creating exotic sound he also  built the bulky bleep machine "Krach der Robotter" that haunts clubs and venues on a regular basis.

Links:
JacqNoise-
www.facebook.com/jacqsbook/
www.instagram.com/jacqnoise/

Andreas Krach-
www.facebook.com/KrachDerRoboter
www.instagram.com/andreas_krach/

Data Cult Audio 0250 - JacqNoise and Andreas Krach

ABOUT:
Stefano Trezzi, sound engineer and musician, in 2018 approaches modular synthesis and experimental music. He explores and is guided by the various sounds that are generated consciously or not, building a changing story.
His sound is a walk through different atmospheres in order and chaos, created by synths, effects, samplers and sounds of the world. The result is a changing flow of ideas, sounds, instinct and emotions.

Stefano is a member of the family, Milano Modulare, a collective of musicians who keep the world of modular synthesis alive in the Milanese hinterland with events and unique live performances. 

As a bassist and guitarist, he collaborates in productions with different artists from the alternative-rock and hip hop scenes of Brianza and Milan.

About the track: Sunset is a live performance recorded during a live show in Milan, all sounds come from modular synths and pedal effects.

LINKS:
https://www.instagram.com/stefano_trezzi/
https://open.spotify.com/artist/7lYEm3Kc3uETMi8Ak0jvsa
https://www.youtube.com/channel/UCP0VPmkhtFlu6bL_L5gh_Zg
https://soundcloud.com/user-746849781-448050630
https://www.facebook.com/stefano.trezzi.3
https://www.mixcloud.com/MilanoModulare/

Data Cult Audio 0252 - Stefano Trezzi

About:
James Staub has spent the last ten years composing music through the design of electroacoustic systems and processes. Pieces are constructed from a tapestry of recorded improvisations for guitar, upright bass, cello and a vast toolkit of original interactive music software. Staub’s work as a music technologist and programmer centers on the development of real-time human-computer improvisation. These tools employ machine listening and synthesis techniques to interpret and play along with instrumental improvisations. The incidental and the imperfect nature of his custom made audio programs create a dynamic, texture-rich interplay between acoustic and electronic voices. This mix for Data Cult Audio contains selections from several of James’ albums (released under the name Muddy Wires), as well as unreleased studio material.

Links:
https://muddywires.bandcamp.com/
https://soundcloud.com/jamesstaub
https://www.instagram.com/j_a_m_e_s__a__s_t_a_u_b/

Data Cult Audio 0255 - James Staub

Luca Francini is a music composer and producer for media. 

In his quest to find new sounds he discovered the Eurorack world; being able to establish a direct connection between me and the sound in its rawest form is what he find fascinating and inspiring.

When Luca is in front of his modules and synths he enjoy creating experimental, generative soundscapes where the listener can loose themselves, meditate or just relax.

Links:
www.youtube.com/lucafrancinimusic
www.Instagram.com/lucafrancinimusic

Data Cult Audio 0257 - Luca Francini

About:
Analog Monoxide is frequently mistaken for being the name of a group, but is in reality a working alias of Stian Høyberg, musician and producer from Norway.

The music released under this banner is typically a huge mix of various influences over the years, ranging from experimental electronica to acoustic jazz, and anything in between.
Composition usually happens in his home studio, and is a very free-form process.

He started out as a piano player at an early age, and has worked for over 30 years honing his skills on guitars, vocals, drums, percussion, keyboards, synthesizers, and other instruments along the way. 
While studying music, learning to play jazz, and working with an analog studio recording to 8track tape, he also discovered computers and their increasing capabilities as music tools, while also allowing access to sampling and software emulation of synthesis. 
The workflow has undergone changes over time, with the development of technology and better tools, but it's essentially the same today. 
Currently heavily into the combination of Eurorack and various other hardware integrated with Bitwig, and loving this new workflow.

About this set:
These tunes are all either from recent live performances on various hardware/software combined, or done in studio within the last few weeks, as hardware/modular jams multitracked into Bitwig, then given some post production. 

Links:
https://linktr.ee/analogmonoxide
https://www.youtube.com/analogmonoxide
https://www.instagram.com/analogmonoxide/
https://analogmonoxide.bandcamp.com/
https://soundcloud.com/analogmonoxide/

Data Cult Audio 0259 - Analog Monoxide

About:
Glinca is Tazio Iacobacci, a composer from Sicily, Italy.
In the early ‘90’s he started making music as a drummer with several noise bands.
In 2002 he joined a band called “Tellaro", a slow core project signed to 2nd Records which put out four releases. At the same time he developed his interest in composing music ranging from acoustic to electronic soundscapes and he mainly did this under the moniker "Pola" (three records, the first released on Ionik Recordings).

He joined several productions as a drummer, guitarist and programming electronic stuff.
Actually he started making music with modular synths under the “Glinca" moniker and put out three records, the last one on Werra Foxma Records.
  
"In general, the way I compose does not follow a pre-determined path.Sometimes I search for a sound.Melodic lines are often extrapolated by a process of subtraction:
I make a pattern of 16 random notes, I keep 4 or 5 of them, just to make things clear.
I leave a lot of room for randomness and in this particular respect, modular synths are perfect. I am into the idea of preserving as much as possible the random melodic line I get from the overall modular process. Lately I've been trying to write music with just a few lines, no superstructures. For instance, the tracks I'm writing right now are compositions with two oscillators and only two melodic lines.
No overdubs, pretty stripped down and minimalistic."

Links:
https://glinca.bandcamp.com/
https://open.spotify.com/artist/5Cn6XI5iZOGTvJkU8f272T
https://www.instagram.com/glincamusic

Data Cult Audio 0260 - Glinca

About:
(As per Aelk Minsur)
I’m blessed to be able to do what I love for a living. As an industrial and commercial electrician, I spend my days with badasses building badass stuff. It’s incredibly fulfilling to be a part of large scale projects and build things that get put to use everyday. Each construction site has a strong energy - energy from the site itself and especially from the people that work there. It’s a loud and in-your-face energy that has a positive, forward momentum. This recording is a distillation of that energy. Some of the beats are brand new and some are taken from my album, "Everything is a Nail". Shoutout to the Data Cult Audio crew for inviting me back. Be sure to support them at their Patreon. I hope you enjoy this set. Turn it up to 11 and bang your head!

Links:
https://linktr.ee/aelkminsur

Data Cult Audio 0261 - Aelk Minsur

About:
Rodrigo Passannanti is an Italian-born electronic musician based in London UK at the forefront of numerous productions and world-wide releases including bespoke compositions for Sync-music, Caprisar Productions, Media music manager and Warner/Chappell Music as global publisher.

Links:
https://rodrigopassannanti.bandcamp.com/music
https://www.facebook.com/rodrigo.passannanti
https://music.apple.com/us/artist/hypercube/159239163
https://soundcloud.com/rodrigopassannanti
https://www.instagram.com/rodrigo.passannanti/

Data Cult Audio 0262 - Hypercube

About:
Dexba, in his awkward first attempt at talking about himself in the third person, is an Italian musician in love with big soundtracks, ambient noise, and chants coming from the rocky steppe.
He started his journey as a cellist, swore he would never work in an orchestra, and decided to move on to synthesizers in order to play more than one note at a time.
Born too late to own property, too late to be La Monte Young, and even too late to be a YouTube star, Dexba is trying to find his way in music and maybe this podcast is a sign he is on the right path.

Links:
https://www.youtube.com/c/Dexba
https://www.instagram.com/dexbasynth
https://dexba.bandcamp.com
https://www.facebook.com/dexbasynth

Data Cult Audio 0263 - DEXBA

About:
A.M. Filipkowski is fascinated by dystopian fiction. This is the starting point for his aural projects. He attributes this to growing up in inner city Detroit, and watching as the city seemed to die around him. Remnants of industry diminished into a barren wasteland engraved a mark on him that is expressed in the sounds he creates. He is also the founding mind behind Data Cult Audio.

Links:
Bandcamp: https://datacultaudio.bandcamp.com/
FaceBook: https://www.facebook.com/DataCultAudio
Instagram: https://www.instagram.com/datacultaudio/
iTunes: https://podcasts.apple.com/us/podcast/data-cult-audio/id1234835844
SoundCloud: https://soundcloud.com/datacultaudio
Twitter: https://twitter.com/DataCultAudio
Web: http://datacultaudio.com/
Patreon: https://www.patreon.com/Datacultaudio

Data Cult Audio 0264 - A.M.Filipkowski

Bio: 
Ecotech is a solo electronic music project started by Zachary Sedefian
in January 2021. Ecotech often releases dub techno or deep house tracks, but he also records a lot of other music. His submission to Data Cult Audio is an amalgamation of experiments he made in Upstate New York and Lima, Peru. The first half is an exploration of the MengQi Wing Pinger as an instrument, accompanied by a Ciat-Lonbarde Cocoquantus, Lorre-Mill DoubleKnot, and eurorack modular synthesizer. In the second half Ecotech used a Charango (traditional Andean instrument), iPhone, and Cocoquantus to make contemplative grainy soundscapes. This recording combines an interest in the limits of frequency modulation and ping with time-stretched garden sounds and false nostalgia.

Links: 
https://ecotech.bandcamp.com/
https://www.youtube.com/c/Ecotechnologist
https://www.instagram.com/ecotechnologist_/

Data Cult Audio 0265 - Ecotech

About:
Yates is an Atlanta native artist. He spent his early years on drums and guitar in metal bands before discovering synths in the early 90’s. He has an avid love for the sonic artistry of early industrial acts and how they performed. He currently finds himself in a few musical pathways from creating songs for Internet personalities, scores and sound fx for local film makers, and also a long time musical partner and he are developing a "band" based around live electronics inspired by how Author and punisher and Skinny Puppy plays instruments. He, like many others in the synth world, found himself deep in the modular wormhole. Yates Has a firm belief that his rig knows what he is feeling and knows how to spit it back out at him in ways you wouldn’t expect. This session was recorded while under the thumb of chaotic life happenings during the month of sept 2022. It represents a lot of emotions from anger to peace. A sonic pallet swirling inside a black hole millions of light years away from earth. 

Links:
https://yateszaldevour.bandcamp.com

Data Cult Audio 0266 - Yates Zaldevour

Data Cult Audio 0267 - Blakmoth

About:
Sleep of Eons is the glitchy electronic modular/computer based audio visual work of Jorge Bojorquez from Tucson, AZ. In 2018 a shift from guitar based drone music to modular synths provided a long sought after solution to creating generative, slowly changing, self evolving soundscapes which could still be controlled by the player. With the aid of a/v programming languages like Max/MSP and Processing the project now is taking on a visual manifestation as well.
RGB Riot was an EP released in early 2020 that showcases the opposite of these ideas and focuses on minimalism and what can be done with nothing but a couple of Pocket Operators and a delay pedal. The range of glitchy to drone and anywhere in between is welcome territory. At his core Sleep of Eons is inspired greatly by science fiction and the seires Rendevous with Rama and hopes to capture some of that monolithic, alien, otherwordly yet familiar feeling in musical and visual form.

Links:
https://www.instagram.com/sleepofeons/
https://sleepofeons.bandcamp.com/
https://soundcloud.com/sleepofeons
https://facebook.com/sleepofeons

Data Cult Audio 0268 - Sleep Of Eons

About:
PTNA aka Justin Olson began his music journey with the Violin at age 3. By the time he was in college, Justin shared his songs in live performances and open mics building confidence as a performer, and learn the satisfaction of sharing his creations with the world.  As an artist, it is easy to become lost in your head and process, live performance is a very important tool to receive feedback and input that guides your creative output and can give you the needed confidence to share it with the world. 
In 2014, Justin began his journey into Synthesizers, Electronic Drums, Samplers and Drum Machines. Since 2014, Justin has focused on creating musical projects, performances and albums on his Eurorack Modular.  He has released 20 + albums of music during this time-frame and has enjoyed the process of patching a song over hours to days and then performing it live and capturing the performance. 
Justin has performed around the state of Arizona including: Tempe Center for the Arts “ Singer Songwriters Showcase” in partnership with PBS, “Knock the Blues out of Hunger” Blues Festival, Glendale Folk Festival, Weekly “Fun Fridays” at the Tempe Center for the Arts and most recently, a live Eurorack Modular Performance at , “ Wireheads” in downtown Phoenix. 
Justin enjoys introducing people to Modular synthesis and being a knowledgeable resource to expose and bring students into the area of study and creation.  His mission is to help guide newcomers through the vast market of gear, resource material and introducing them to basic skills that build on each other and provide a strong foundation to continue their very personal journey of building their own Modular instrument.  Justin is currently a modular Synthesizer instructor and has taught at the Academy of Modern Music Production (AMMP) in Mesa, AZ. 

Links: 
https://ptna.bandcamp.com/ 
http://m.soundcloud.com/ptna

Data Cult Audio 0269 - PTNA

About:
Julia Bondar is a self-taught electronic music artist. She is most known as part of dark, minimal wave project - Principal Uno which is recently released their debut album BLCK NOIR. 

Being a primary part of the company Endorphins, a company focused creating modular synths, Julia has had the opportunity to discover a wide range of musical genres. This experience has helped her to develop a unique sound of her own. She extremely fluent in using acoustic electronic instruments on the stage, and has created a signature sound that is comprised of dark, mysterious danceable rhythms.

Links:
https://principaluno.bandcamp.com/
https://soundcloud.com/pral1

Data Cult Audio 0079 - Julia Bondar

About Z_VK:
Z_VK is the project of Berlin based duo Konstantin Gervis and Jessica Kert. 

Konstantin is a product specialist for the modular company TipTop Audio. He is also known for his live modular techno sets. On top of that he is also the bass player in the band Feld.

Jessica has been involved in music since the age of 12, and holds a position at the well known modular shop, Schneidersladen.  

About this set:
A homage to Throbbing Gristle

One day in mid September, 2018 Konstantin decided to make a modular patch with 5 TG sounds simultaneously using one Tiptop Audio TG ONE, three regular ONE’s and a ONE prototype. Very quickly Jessica joined the experiment and it escalated into an intense period of recording sessions that lasted for about two weeks. From those sessions came this recording TG, I love you (vol 2). The record represents our deepest gratitude, love and respect to one of the greatest and most influential bands of all times. 

Technical information: The samples were processed by variety of eurorack modules. The ones that made the most impact were Future Sound Systems TG03 and TG04 Gristleizer modules, Serge filters and especially Resonant Equalizer, Tiptop Audio Z2040 Filters and Z-DSP digital signal processors (Valhalla Shimmer, various Reverbs and Delays), Industrial Music Electronics Tyme Sefari looper and AJH Synth Mega-Phase 12 phaser. Very few non TG sounds were used in the recording, a few drum sounds (BD909 and Hats909), white noise,  analogue Oscillator (Z3000) and some feedback.

No overdubs were performed or edits made, every piece was recorded in one take. 
We would like to thank Chris Carter and Cosey Fanni Tutti of Throbbing Gristle as well as MUTE records for supporting this release and their never ending inspiration, thank you.
TG ONE module: http://tiptopaudio.com/tg-one/
Gristlezer: http://www.gristleizer.com/
Throbbing Gristle: http://www.throbbing-gristle.com/

Links:
www.zv-k.com

Data Cult Audio 0085 - ZV K

About:
A lifelong expatriate, Bana Haffar was born in Saudi Arabia in 1987 and spent much of
her childhood in the GCC.
Through her switch from 10 years of electric bass to modular synthesizers in
2014, Bana is attempting to dismantle years of institutional ‘conditioning’ in traditional
systems of music theory and performance. She is interested in exploring sonic
disintegration and coalescence into new forms and synthesized experiences.
Haffar is also the co-founder of Modular on the Spot, a monthly outdoor synth
happening that began on the Los Angeles river and has since spread nationally and
globally.

Links:
https://soundcloud.com/banahaffarmusic
https://twitter.com/banahaffar
https://www.discogs.com/artist/4031728-Bana-Haffar
https://www.instagram.com/sinusoidaltendencies
https://banahaffar.bandcamp.com/

Data Cult Audio 0100 - Bana Haffar

About:
Sarah Belle Reid is a performer-composer who plays trumpet, modular synthesizer, and an ever-growing collection of handcrafted electronic instruments. Her unique musical voice explores the intersections between contemporary classical, experimental and interactive electronics, noise music, and improvisation. She has been recognized for her innovative work in expanding the "possibilities of the humble trumpet into new territory by the application of innovative sensing technology and sound processing” (Sequenza 21), including the development of her augmented trumpet, called MIGSI. Reid's debut album for trumpet and interactive electronics, "Underneath and Sonder," was released on pfMENTUM in October, 2019. 
 
Links:
Bandcamp: https://sarahbellereid.bandcamp.com/
Patreon: https://patreon.com/sarahbellereid
Website: https://sarahbellereid.com
Instagram: https://instagram.com/sarahbellereid
Youtube: https://youtube.com/sarahbellereid

Data Cult Audio 0146 - Sarah Belle Reid

About: 
Surachai’s repertoire pivots from full ensemble black metal outfits to solo synthesizer explorations that have an avant garde fearlessness. A professional sound designer, mixer, and location audio engineer, the Chicago-based musician and producer brings a technical expertise to a curious artistic output that makes every upcoming release unpredictable.

Links:
https://surachai.bandcamp.com/
https://www.instagram.com/surachais/


All the tracks are unreleased, experiments, outtakes of components that made some of Come, Deathless. Recorded live as a 2-bus into the computer with hopes of it being fleshed out. Unfortunately, these were excommunicated and branded as heretics.

Data Cult Audio 0153 - Surachai

About:
Phasic Affect is the solo project of experimental electronic musician Phasic Tyler Griffin, creating music without prejudice of machine. 
Taking influence from techno, industrial, ambient and minimalism, Phasic Affect's live sets and records come from an ever fluctuating intersection of visceral body music and sprawling soundscapes .

With crude digital artifacts and forgotten analog circuitry, Phasic Affect employs an ephemeral approach to composition & performance, fabricating evolving rhythmic texture and acrid mechanical voice.

Links:
http://facebook.com/phasicaffect
http://soundcloud.com/phasicaffect
https://www.phasicaffect.com/

Data Cult Audio 0167 - Phasic Affect

About:
As Snakes of Russia, Los Angeles based producer Joseph Holiday works hazy, dark sound design, heavy low end rumble, and slow rolling hip hop beats into tracks that evoke a dystopian landscape, creating instrumental music that feels as timeless as it does current.
His new EP, “At Home Alone With Lions” is out now.

Links:
www.snakesofrussia.com 
https://www.instagram.com/snakesofrussia https://bit.ly/SnakesofRussiaSpotify https://bit.ly/SnakesofRussiaYoutube

Data Cult Audio 0175 - Snakes Of Russia

About:
Ivo Ivanov is best known for his vast creative contributions to Glitchmachines, where he is the Founder & CEO. Aside from managing Glitchmachines for the last fifteen years, Ivo has worked as a sound designer and content provider with some of the most notable creative audio companies in the Industry including Ableton, Native Instruments, Tiptop Audio, SoundMorph, Twisted Tools, Inear Display, Audio Damage, Unfiltered Audio, K-Devices, Skywalker Sound, Soundsnap, Sinematic, Big Fish Audio, Wide Blue Sound, Splice Sounds and Plugin Boutique to name just a few. 

Ivo is also a circuit bending pioneer and accomplished musician. He has custom built circuit bent instruments for artists like Justin Meldal-Johnsen, Trent Reznor, Otto Von Schirach, Richard Devine, DIOYY, Men Without Hats and many others.  In 2000, he toured the U.S. as the keyboard player for Reprise Records' Snake River Conspiracy, sharing the stage with acts like Stone Temple Pilots, Filter, Cypress Hill and Static X among others. More recently, Ivo showcased his abstract take on electronic music in the form of a full-length conceptual album release on Detroit Underground Records. 

In 2006, Ivo became the first-ever recipient of the Game Audio Network Guild scholarship award and went on to earn his Bachelor of Applied Science degree in Audio Engineering from the Expression College for Digital Arts in California. He subsequently spent five years working with the SAE Institute of Technology in San Francisco, where he held several positions including Campus Director and Head of the Audio Technology program. He later worked with Pyramind in San Francisco before ultimately withdrawing from audio education to focus on software development and sound design.

Links:
http://www.ivanovsound.com
https://www.youtube.com/user/IvanovSound
https://www.instagram.com/ivanov_sound/
https://glitchmachines.com
https://soundcloud.com/glitchmachines

Data Cult Audio 0184 - Ivo Ivanov

About:
Yumi Iwaki is an electric sound artist and lyricist based in Tokyo. 
She layers sound with her sampled voice, modular synthesizers and small synthesizers particularly OP-1 and OP-Z. 

Links:
https://muzaneditions.bandcamp.com/album/living-distances 
https://iuwerecords.bandcamp.com/album/connected-1 
Instagram: https://www.instagram.com/iwakiyumi/?hl=ja 
Soundcloud: https://soundcloud.com/iwakiyumi

Data Cult Audio 0194 - Yumi Iwaki

About:
Sombre Lux is part man, part machine – seeking to understand human emotion through sound. Fixated on the concept of universal balance, the cyborg creates gritty sci-fi soundscapes with hints of light. Oregon producer, Jordan Jacks, lent his memories to Sombre Lux’s pursuits, while forgotten tomes of magick and ancient technological systems, found along his journey, help to guide the process of creating sonic talismans. 01001101 01110101 01110011 01101001 01100011 00100000 01101100 01101001 01110110 01100101 01110011 00100000 01110111 01101001 01110100 01101000 01101001 01101110 00100000 01110101 01110011 00100000 

Links:
https://www.instagram.com/sombre_lux/
https://sombrelux.bandcamp.com/
https://open.spotify.com/artist/24JAXboXlwPxBAMNY8wXBA
https://soundcloud.com/sombrelux
https://www.facebook.com/sombrelux/

Data Cult Audio 0202 - Sombre Lux

About Bill Pettaway:
After a storied career working with Timbaland and artists such as Missy Elliot and Justin Timberlake, Bill Pettaway’s search for new sounds led him down the rabbit hole of modular synthesis. Now he explores the unique and fleeting sonics of noise, still always searching for that newest sound.

Links:
https://www.instagram.com/pettawaybill/

About Skarekrow:
Skarekrow is an electronic/experimental producer and artist. As a lifelong musician, he draws on his roots in jazz and hip-hop, and seeks to blend in his inspirations from anime and video game soundtracks - always on the hunt for new sounds and styles.

Links:
https://open.spotify.com/artist/2z2NPNh6HUuy05jVe0fgAv?si=6X_IQsKCTi2kh2oHcAcDaw&nd=1
https://skarekrowmusic.bandcamp.com/
https://www.instagram.com/skarekrowmusic/
https://www.tiktok.com/@skarekrowmusic?

Data Cult Audio 0205 - Bill Pettaway And Skarekrow

Broadcasting electronic music without borders. Data Cult Audio maintains an interest in creating a platform for music, sound sculpture and noise artist pushing boundaries, and reshaping the sonic landscape.

Data Cult Audio

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