The groove of this beat... need not say more!

I tried finishing this one, sampled the bass & drums from the begining and added my own synths and just jaaaam endlessly. Needless to say, i did not finish it.

swanbeat2

A little afternoon jam. Maybe I'll do something with it?

GET YOU ALL[afternoon Live JAMix]

Highway Twist

from 'md - appelsap (merck records, 2000)'

Appelsap Packing Slip

https://music.suprematicagency.com/iwillbeyourfriend

Sade - I Will Be Your Friend (Arthur Davidson, Adonis Harisov Remix)

originally for my 4/22/17 liveset, now as a standalone song for your enjoyment! free DL as usual. currrently i'm working on a new game, so there will likely not be a lot of new music for a while. But once the game is out there will be a ton of new music all at once :~)

as for this song,

i don't really know what the future will look or sound like, or if we'll be in space - but let's hope we still have dance music, and let's especially hope we have socialism too - or at least a system that more heavily regulates the capitalist system that exploits our world's most vulnerable.

on a more formal level, this song started as an outtake to an album i released in 2015. the intro to this song is all that (sort of) remains of that outtake. i wanted to find a song that would be a great start or end to my aforementioned mix - i think this song is more of a closer, though it would really need the right crowd mood and size to work...

it heavily uses the hsin or random or something LFO in ableton live's Operator, mostly to move a filter envelope. i did the same thing for the pad on 'news in 4k'. 

some of the song's aesthetic takes from the futurism in phantasy star online's OST (a true classic)

Space Age Socialist Dance Anthem

Abandoned Sketches Graveyard 2017

Track 7 off THUGWIDOW's new full length MOONS OF JUPITER out on BLCR february 28th Digital/CD

Artwork by Poeribbon: https://twitter.com/poeribbon_

Buy CD

THUGWIDOW - THEBE ('MOONS OF JUPITER' OUT NOW)

According to the Center for Science in the Public Interest, Red 40 and other AFCs can cause allergic reactions in some people. Research shows they can also cause hyperactivity in children and immune system tumors in mice. ... The Environmental Working Group lists the overall hazard level for Red 40 as low. 

NMESH: 
https://nmesh.bandcamp.com 
soundcloud.com/nmesh 
twitter.com/nmeshofficial 
facebook.com/nmeshmusic 

LILA TIRANDO A VIOLETA: 
https://lilatirandoavioleta.bandcamp.com 
soundcloud.com/lilatirandoavioleta 
twitter.com/tirandoavioleta 
instagram.com/lilatirandoavioleta 

URSULA'S CARTRIDGES: 
https://ursulascartridges.bandcamp.com 
soundcloud.com/ursulas-cartridges 
twitter.com/UrsulasCartri 
facebook.com/ursulascartridges

Red 40 Aluminum Lake (single)

NAME YOUR OWN PRICE

Nmesh - Red 40 Aluminum Lake (feat. Lila Tirando a Violeta)

ARTIST: Pulse Emitter
ALBUM: Swirlings

To be released on LP on Hausu Mountain, 1/17/2020.
hausumountain.bandcamp.com/album/swirlings/
________________________

Portland-based composer Daryl Groetsch’s output under the name Pulse Emitter forms a catalog of nearly one hundred physical releases since the early ‘00s. The full scope of his wide-ranging experiments in synthesis and electronic arrangement encompasses everything from expansive new age drift exercises, to purely textural noise sculpting, to the strain of post-Berlin School cybernetic prog composition that characterized newer albums like Through The Portal (Phinery, 2016) and Digital Rainforest (Beer on the Rug, 2015). Swirlings, his first full-length LP on Hausu Mountain, follows a split release with Brett Naucke (HAUSMO53, 2017), and albums on labels like NNA, Immune, and Constellation Tatsu. Swirlings finds Pulse Emitter tempering his more recent melodic streak with a host of time-distorting compositional strategies from the ambient and drone traditions, yielding a hybridized vision of his music that spans distinct eras and styles of his output. Taken in the context of his cosmic song titles and long-standing incorporation of sci-fi themes and imagery, the album bears the outward signs of the ambient record that seeks to evoke the experience of deep space travel, or observing a lush garden of alien flora from the deck of a starship. Groetsch ornaments his gorgeous harmonic whirlpools and majestic spreads of smeared drones with layers of crystalline melody and flourishes of granular processing. His pieces stretch through minimal expanses in which individual pads and bass notes sketch out a churning rhythmic grid before blooming into mosaics of interlaced arpeggios and lead voices. Pulse Emitter approaches electronic composition from the perspective of a master craftsman, harnessing a fine-tuned sense of narrative development and a penchant for juxtaposing contrasting synth voices from far-flung corners of his arsenal of softsynths, app-based programs, and hardware instruments. While he conjures time-lapse vistas of galaxies and nebulas in our mind’s eye, the sophistication of his arrangements and the universal beauty of his harmonies pushes the lens inward on the self, resulting in a journey that is as personal and internal as it is celestial.

Swirlings represents a culmination of diverse modes of creation that Pulse Emitter has developed over the course of his recent releases. As on 2018’s Xenharmonic Passages, Groetsch moves beyond traditional tonalities and western scales to incorporate elements of microtonality into his percolating black hole soundscapes. As on his five volume series called Meditative Music, he hones in on 6 to 7-minute drifting pieces that balance a sense of delicate stasis with great depth of detail and movement. The lead lines present on Swirlings continue Pulse Emitter’s fascination with emulated instrumental tones characteristic of ‘80s synth composition, as more chintzy or brittle voices collide with patches of ultra high-fidelity synthetic pointillism. Far from the realm of plug-and-press-play ambient computer music, his hands-on input on his system of machines can compress time into pockets of acute structural turbulence, or lock into streams of slow equilibrium where one can trace his live manipulation of single voices or textural parameters. With Swirlings, Pulse Emitter taps into the benevolence and natural curiosity at the heart of his practice. After decades guiding us down a network of distinct paths through the cosmos, Groetsch has become the wise traveler that we turn to transfix and entertain us, to kindle a spark of warmth in the cold void of space.

Abandoned Sketches Graveyard 2017

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