Existenzmaximum - EP

You might find that the piano playing at the beginning seems a little out of tune - that’s because I’m
not using the standard western scale known as equal temperament. I’ve actually tuned the piano in
line with the alp horn, the national musical instrument of Switzerland. It’s a really long (like, several
metre-long) horn with no holes in the sides so it actually plays in a natural harmonic overtone series,
so I think it gives the piano a beautiful clear resonance as well as (to western ears) a sort of gentle
wooziness. The rhythmic elements of the track are inspired pretty much directly by the original, just
translated into a quicker tempo with some added sound design. I’m really interested to hear what

people think!

Wordcolour - Bluster (Djrum Remix)

Objekt #5 is the latest instalment in Objekt's eponymous whitelabel series and his first release since his 2018 album Cocoon Crush. Tackling "the slow banger" with a signature flair, he delivers two of his most raucous club tracks to date.

Objekt #5

Bad Apples

Objekt - Worm Dance

@troisquartstaxisystem

Beatrice M.'s Bait invites Trois-Quarts Taxi System back into the fold for both the artist’s and label’s debut album release, ‘Plexus’. Leaning into innovative 140 mutations, Trois-Quarts Taxi System dedicates his first long-format release to exploring the depth of this space and stepping away from his usual 170/80 sound. A deep meditative journey of introspection.

Taking the name ‘Plexus’ from a key he found in the street, the album is split into various parts with the heart of album comprised of three parts of ‘Plexus’ - drone-like soundscapes which retrace different states using a variety of acoustic and electronic sounds combined with samples from an anonymous cassette found in the street. This hybridisation of sound is often influenced by ideas Trois-Quarts Taxi System comes across whilst working on his live shows; an artistic practice that is very important to his output. On this occasion, Trois-Quarts Taxi System has used this extended period to explore the bridge between dubstep, techno and experimental, pieced together with quiet ambient moments.

Credits: 
Music by Éloi Pétillon
Mastering by @bademjan 
Artwork by @beatricemasters
PR by Dawn Creative Agency 
Vinyl mastering and distribution by Juno Records
Vinyl graphics by Camille Giunti
Logo by Volllume Studio

Buy Record

Trois-Quarts Taxi System 'Plexus' LP (previews) (out 04.04.25)

upsammy - Open Catalyst - Dekmantel - DKMNTL106

buy vinyl: https://dekmantel.com/shop/records/upsammy-open-catalyst
buy digital: https://upsammy.bandcamp.com/album/open-catalyst

a1. Relict
a2. Telluric
b1. Open Catalyst
b2. Background Impact

Four years since her last dancefloor 12", @upsammy returns to Dekmantel with a four-track exploration of gleaming, sprightly drum and bass with a restorative centre. Thessa Torsing's moves in upper tempo zones have been defined by her light touch, finding power and presence in finely chiseled sounds and sculpting space between intricate, interwoven rhythms.

The dynamic movement of her pristinely moulded percussion is absolutely geared up for the club, but it's also matched with an uplifting, meditative sound palette which tempers the busy energy of the drums. Pushing and pulling on her arrangements with ever-increasing expressiveness and revelling in the subtlest of modulations to her kinetic beat systems, upsammy proves once again that moving in time to fast music can be an incredibly restorative experience.

DKMNTL106 // upsammy - Open Catalyst

@CARREO
@addisongroove
@fastatwork

fastatwork.bandcamp.com/album/hover-capsule

pi premiere: Carré & Addison Groove - Shapes in Real Life [Fast At Work]

Masking

Ruins

These tracks are out-takes from my first alum Seven Lies. Those familiar with my music will know that I love a coda. A coda is a passage at the end of a piece of music that brings it to a conclusion. I often use a coda as a way of framing the piece in a slightly different context than it would otherwise end. Like a musical aftertaste. When I was working on Seven Lies I made codas for several tracks but I was never completely happy with these two so they didn't make it on to the album.

As I work on my second album I have been looking back at the process I went through for my first alum and remembered these outtakes. They're not so bad after all. Perhaps they are worth airing to the world. I hope you enjoy them, or at least find them an interesting insight into the workings behind the music.

Obsession (Coda) [Unreleased 2013]

From Portrait With Firewood, the forthcoming album on R&S

Buy now: http://smarturl.it/portraitwithfirewood

Portrait With Firewood

READ > inverted-audio.com/premiere-morcheeba-find-another-way-djrum-remix

Felix Manuel's equally pensive and dynamic take on 'Find Another Way' floats in a zone of its own - cruising halfway deep reggaean vibrations, atmospheric pop terrains and purebred wobbly bass-fuelled dubstep in sheer UK tradition.

Drinking Paint

Datassette

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