Name: Scullery Monday (2016) by Datassette
Duration: 2 min 56 s
Description: Feat. original New Order stems, for the lols. Made and abandoned in 2016.

Feat. original New Order stems, for the lols. Made and abandoned in 2016.

Scullery Monday (2016)

My remix of Zippermouth from the album ZIPPERMOUTH by HAL.

ZIPPERMOUTH

HAL - Zippermouth (Jerry La Flim Remix)

全然聞き取れないじゃん、、😑

海の上で書いた文字だから意味がある
ゾウが描いた花の絵だから意味がある

誰も知らない塔を
ギー、バタンと閉める　猫の大群が来る前にトビラを

海藻のカーテンがささやく
前までは野ばらが覗いた窓から

受難だった　ジュゴンたちは経験をろ過する

誰も知らない塔を
ギー、バタンと閉める　猫の大群が来る前にトビラを

瞬間が未来のオーナメントいつかの
六角形の塔の中もう安心

やわらかい空気　とりあえず外出よう

瞬間が未来のオーナメントいつかの
六角形の塔の中もう安心

オーナメント Ornament

Cover of the Dan Siegel song. Love the original a lot :)

Where Are You Now (Daydriver Cover)

“giant reptile tongue slowly u n f u r l s toward a looming cloud
home of spicy drops that pierce the air into tiny peepholes

these taste buds widen like pink pupils
they get bigger to let more flavor in
receiving is both greedy and generous
a will to be shaped by sensation
and the knowledge it leaves behind
a snail’s trail pointing to the exits in this ship

this tasty cloud swims over us
changing the color in everything
lips kind of blue, asphalt’s sparkle metallic
skin becomes oyster, translucent
taking in the light and giving it back
in the form of something that slides down
the way sweat may fall in a straight line
or make a turn to drive
around the temple

this cloud abducts the earth
by sudden temperature change
lack of sun makes plants and rocks turn inward
the sky now a sheltering vault
distributing the heavy weight of what’s above”

- Marta Núñez Pouzols

---

Sachi Kobayashi began making house music in 2017 but in recent years has shifted her focus towards ambient and experimental sounds. Kobayashi has sung in choirs since childhood, drawing from those experiences in her current focus in making harmonic ambient music. The liturgical aspects of her history in choirs is present in her work, which explores the theme of "the conflict between the sacred and the secular". Kobayashi also takes inspiration from nature and her surrounding environment of Saitama, Japan. Ever-broadening her artistic pallet, she has recently been developing and recording harsher sounds in the realm of noise music. 

---

Source photos for design by Sachi Kobayashi
Interview by Rob Goyanes
Audio and design finalization by Glyn Maier

Clouds in the Sky

Sachi Kobayashi - Clouds in the Sky V (ENMS-03)

weird acid track with a shitton of effects on everything lol

may or may not be appearing elsewhere soon...

RVB12F

adonai

Psychokinetic

"Alright, everyone — the first track? Let’s Get Hot. To me, it lives in that space between 2008 and 2009. That’s where the sound takes me — raw, restless, a little wild. Now, the next musical vibe I want to showcase? It shifts — moves into something different. Think early 2012, all the way through the end of 2013. A new feeling, a new chapter. You’ll hear it in the music — the change, the growth, the pulse of that time

"The spotlight cuts through the dark. A hush falls. Somewhere, a heartbeat quickens. The next track: It’s Showtime. But before the curtain rises… let me set the scene." 

🎧 When I was learning the ins and outs of GarageBand on my iPad, I was still in high school, figuring things out one day at a time.
After school let out at 3, I’d catch the high school bus over to an after-school program called Rainbows United. On the surface, it was just a place to pass the time. But for me, it ended up filling something much deeper.
That’s where I met a friend who left a lasting impact on me. He was in a band called The Fever Trend, and we’d spend hours just hanging out—talking about life, creativity, and more often than not, music. No matter where the conversation started, it always found its way back to sound: what we were listening to, what we wanted to create, and what music meant to us.
One day after school, like usual, we were deep in one of those conversations. That’s when he told me about an upcoming Fever Trend gig and said, “You should come.” It might’ve seemed like a simple invite, but to me, it meant something more. It felt like an open door into a world I’d only been watching from the outside. That moment stuck with me. It made music feel real and close—like something I could be part of.
There were days when my family would show up to pick me up, and I wasn’t ready to leave. I just wanted those conversations to keep going, to stay in that creative space a little longer. But the beautiful part? We always picked it right back up the next day, like nothing had been interrupted.
Those moments planted something in me. They gave me a new lens to see music through—not just as a listener, but as someone who could create, express, and connect with it. That was the beginning of something real.
🎶 If this hits you like it hit me, show some love like it. Repost it. Drop a message and tell me what music means to you.
 Wheels- (Original) Instrumentals 
1. https://soundcloud.com/gamberalex-250149316/wheels-lets-get-hot-original-1
Wheels. 
Wheels! Instrumentals Content.
 Made By. Wheels. 
Self-Released.
Single.

Scullery Monday (2016)

Datassette

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