“If you're not familiar with the elastic rhythms and ecstatic melodies of Haitian kompa music, Blayer Pointdujour will school you.” - City Paper

After establishing himself as a supporting player in the Philadelphia music scene, playing with artists such as Phil Moore Browne and Miss Argentina, multi-instrumentalist and lead vocalist Blayer Pointdujour stepped out on his own in 2008. Bringing together Dan Peterson (drums), Charles Duquesne (percussion), Tyler Hayduk (keyboards), Ian Nauroth (guitar) and Camico (vocal stylist), Pointdujour created The Rockers Galore.

After a few years spent making booties shake in Philadelphia clubs, Blayer Pointdujour and The Rockers Galore released their debut EP, Port Au Prince, on Philebrity records in the summer of 2011. That effort got them noticed by media outlets such as XPN, who crowned them with a best new music award and also profiled the band on The Key.

Now, the band is gearing up to release their first full length album, The Bull, on September 4th, 2012. As with his previous releases, Pointdujour oscilates from nightclub anthems to social treatises with his signature mix of reggae and hip-hop. Influenced by 1970’s sounds, as well as classics like Buddy Rich and Buddy guy, with some modern flavors such as Kanye West, Pointdujour strives for big, quality sounds in the studio. He says, “I’m trying to bring back old music but make it bang like it’s 2012.”

This fusion of old-school funk and brand new spunk, rooted in Hatian kompa music, reggae and punk create a sound impossible to resist.

Damian Robert Nesta Marley, also known around the world as “Junior Gong” and more recently as “Gongzilla” was born in 1978 to parents Bob Marley and Cindy Breakspeare, Miss World 1976.  As a young adult, he developed a passion and a gift to speak for those who cannot always speak for themselves. A self-proclaimed ‘Spiritual Revolutionary’, Damian has worked assiduously to carve his own niche in music history and to add a new perspective to the Marley legacy for the 21st century. 

At the age of 13, Damian began performing in a group called “The Shepherds” which comprised of Shiah Coore (son of Third World guitarist Cat Coore) and currently a member of his band, and Yashema Beth McGreggor, daughter of reggae singers Freddie Mcgreggor and Judy Mowatt and then began touring with his brothers, Stephen, Ky-mani, Julian and Ziggy. 

By 1996, Damian had already made his stamp as a different kind of Marley when he released his first solo album “Mr. Marley”, a heavily dancehall-influenced album produced by his brother Stephen Marley.  His second album “Halfway Tree” was released in 2001 by a major record label and showcased Damian’s unique gift for blending dancehall, reggae and hip-hop styles.  This album won Damian much recognition and remained on the Billboard Top Reggae Album Charts for 158 weeks and earned him his first Grammy for Best Reggae Album in 2002. 
While honored by this recognition by the global music fraternity, Damian continued to work in the studio, laying the groundwork for the tracks that would become his highly anticipated album, “Welcome To Jamrock”. The lyrics in this album presented Marley as a true spiritual revolutionary, as he used his talent to evoke a spiritual change while trying to enforce a better way of thinking.  He is described as “rhyming with the conviction of a street preacher with the intellect of a university economist”.  

Damian’s hit single “Welcome to Jamrock” was listed as one of the Top 100 Songs of the Decade by Rolling Stone, and at the 2006 Grammy Awards, he won Best Reggae Album and Best Urban/Alternative Performance for Welcome to Jamrock. Damian is the only Jamaican reggae artist in history to win two Grammy Awards on the same night. He is also the only reggae artist to win in the Best Urban/Alternative Performance category at the Grammy Awards. The New York Times called Welcome to Jamrock the “best reggae song of the decade.” 
Welcome to Jamrock led the pathway to Damian’s critically acclaimed collaboration with Nas for 2010’s much lauded album “Distant Relatives” – a project which explored the relationships between reggae, hip-hop and Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. USA Today referred to the album as a “potent and often provocative collaboration” and by Rolling Stone as “an Afrocentric winner.” The album debuted at Number 5 on the Billboard Top 200 Album Chart and Number 1 on the R&B/Hip-Hop Albums, Rap Albums and Reggae Albums charts, with Billboard heralding the album as “a dynamic hybrid.”    

The Distant Relatives Tour kicked off in 2011 and saw Damian traveling and performing for thousands of fans all over the world, including South America, Europe, The United Kingdom, The Caribbean and North America.  

Damian continued to cross musical boundaries in 2012, as he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem”, which Rolling Stone called “a monster mash up of dubstep and dancehall” and has led to several remixes of the original version.  Damian recently released two other singles; “Set Up Shop” and  “Affairs of the Heart” which both received widespread airplay. 

Damian continues to tour with his band all over the world as a way of entertaining and healing as he continues to spread the message for those whose voices cannot be heard. He is working with his brothers Stephen and Julian under their Ghetto Youths International Label, to discover, develop and sign gifted artistes by applying their musical talent and vast experience to create new and different styles of music.  

Damian is currently in the studio working on his upcoming solo album.

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I am a DJ and producer from Chambersburg, PA. I traveled all over the world taking in all of its wonderful music. I just recently stepped out of my shell in order to share my music with the world.
Some of my influences include Deadmau5, Paul Oakenfold, and Glitch Mob.

I've been doing this shit for a really long time and it's been really the only thing that has kept me sane for the past 20 years. If I'm not at work, I'm in the studio cranking out tunes.

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