Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
  In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  You can even watch a video of us all adding our parts on John's page right here. https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers
  Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do by Led Zeppelin (Eclectic Collective with John Anthony)

When i was a young Boy my father use to come home late at night drunk and looking for a fight with my Mother. She eventually got sick of the abuse and left him and i was left at home to help him.
Here is what i use to say to him.
I was 9 years old. 
Written and performed by : John Mc Farlane

Daddy Will You Hold My Hand

Of Nefity #150

One of three separate guitar solos to the same backing track, this one, the clean solo.
recorded on a Boss micro Br-80, which has some very nice guitar tones and eband backing track loops, so to be more spontaneous
I could not resist playing to this backing track .
I changed the image, now I feel happier that I did, because of the Deep appreciation for this Guy's talant and his chosen musical Pathway.

The Chosen Path (2024)

DRUMAX PROJECT proudly present .... // ... their 50th track ! A small anniversary ... ;-)
@joerxworx > Composition, Instruments, Arrangement, EWI String & Synthsolos, Mix
@docfritz > Rhythm Design, brilliant Drums & Percussion
© 2024 by joerxworx and docfritz / DRUMAX PROJECT

FIFTY

DRUMAX No. 50 // FIFTY

together, we were blue (original)

Paris Olympics

Bossa Soul

💔✨ Longering Love – Late-Night Lounge Reflections

Longering Love drifts through dimly lit rooms and smoke-softened memories, capturing the quiet elegance of lounge jazz shaped by emotion and restraint. 🎷🕯️ Warm piano voicings, brushed drums, mellow basslines, and subtle horn accents create an intimate atmosphere where every note feels unspoken yet deeply felt.

Released on Jaded Sounds, this album leans into romantic nostalgia and after-hours sophistication—music for empty glasses, slow conversations, and the kind of love that never fully fades. 🌙💫 Whether played late at night or during moments of quiet reflection, Longering Love wraps the listener in timeless jazz tones and tender melancholy.

Soft Sunday Smiles

In Color * Instrumental

Bridges, roads ... Meetings, partings ... All this is chaos - in it we are only actors. It's so hard to remember and so easy to forget. But the house is already so close - even if you are gone ...
https://www.facebook.com/Blagovrecords
https://vk.com/dolbania

Dolbania - Ты Ушла

These are my musical compositions since I began recording on 4-track tape, and later on with laptop, have been adding new compositions in the last few years here and there.
Mostly instrumental recordings, and tracks with vocal, adding extra musical Dimensions and athmospherics.
I have many musical influences, there are special bands and musicians I grew up listening to, Gong, Steve Hillage, Jimi Hendrix, Blue Oyster Cult, Santana, Ozric Tentacles, Pink Floyd, Soft Machine, John Martyn (ecoplex guitar master), Return to Forever,  Zappa, and from my own country, Thin Lizzy, Rory Gallagher, Gary Moore, CLannad.

link to a short jam video, with cool visuals effects from Facebook
https://www.facebook.com/share/v/DH2T4SfSzviHGy8P/

The Chosen Path (2024)

Dave Bayes