This was written for the time I get back on stage.

See No More

See No More by Dave Hanrahan 🌎 Music

Halena Morbida is the product of a middle age crisis. It is not about a particular genre, it's about the joy of creating music.

I use Ableton Live 11, Ibanez GIO electric guitar, Harley Benton electric bass guitar, HB acoustic guitar and acoustic bass guitar, Boss ME-80 processor, bongos, tambourine, cajon, and a bunch of different kinds of flutes.
 I am not a musician, I just fool around, while learning how to play my instruments. 
The artwork for the tracks is AI generated and the titles are chosen mostly using the method of free association.
Thank you for listening to my crap! 
Have a nice life while you still have it!

Victor Bouzard is a French pianist and composer. Coming from a musical family and a grandfather who was an orchestra conductor, he trained at the conservatory as a violinist, then discovered a passion for the piano as a teenager that he never left. Today at over 50, he decides to share his compositions which have spanned all his years, hence the album Nostalgia, Melancholy and Dreaming were born in 2024. Between some inspirations from jazz, classical or film music, Victor takes us on an emotional journey that connects him to his memories, his encounters and his friendships

I need to get famous!! Follow me here and everywhere else

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.

Gerald Harris was born in Grenada MS. Now reside in Minneapolis Minnesota I have worked as a session musician for many different Christian artist throughout the Nashville Tennessee to Atlanta Georgia area for years. He is a accomplished guitarist and pianist, recorded his first R&B release at age 18 with Carrie Records in Nashville TN. Worked with such awesome musician like T.C. Campbell, which later played with the group Cameo. Gerald Harris is a BMI publisher/ singersongwriter, debut album Latter Rain, released March 13, 2012, with Tate Music Group, is still playing in places like the UK, on Cross Rhythms Radio. TV debut on the Great Day Live Morning Show, in Louisville KY. 
We , re-released , both our debut album Latter Rain and Hope Faith And Love 
Albums , and our first R@B Pop single Our World , on the Sugo Music Group
/Gerald Harris Music , 2017 , and released , single prior to that with our new 
record label , Mervilton Records , LLC I Knows Theres A Reason . Our latest project , Pure Love 
the single for that album If I Ever Wondered Why , won Best Christian Gospel Song , Jan 15 , 2020 and is still 
playing and doing well , on radio station across the US, our latest single , to be released May 7 2021 , titled Let Everything That Has Breath .
 
https://www.youtube.com/user/heety532417taytay we are planning for the release of our new album in 2019 be sure to watch and listen out for .We are releasing a cover of the awesome Andra Day song Rise Up in March 1 2022.

Je vous présente : "CRIME SCENE DO NOT …"
qui comme son nom l'indique ( ou pas ) est un album de chansons françaises " érotico-socio-balnéaires " .
à consommer sans modération !
à écouter et ou télécharger sur :
deezer : http://www.deezer.com/album/6744592
amazon :http://www.amazon.fr/dp/B00DRUOCCC
iTunes: https://itunes.apple.com/fr/album/crime-scene-do-not/id669696175 
spotify: https://open.spotify.com/intl-fr/album/0u5ei9w4NeCNPDYGNKzRfY?si=p_8b-63TRZOPly63hqAiAA


et toutes les plateformes de téléchargement légal ...

Bonne écoute, avec toute mon amitié .

Progressive Art Musician for Aedos Cluster of the Waterfall and Labobros. Director for the new web series called Rompecabezas/Puzzle. Artist for Rhoon Records

There was a time when boldness was the main characteristic of youth. Young people wanted to be different, and one of the most prominent ways to be different in my day was to listen to different styles of music. It was very striking among Generation Xers, even those who belonged to more radical urban tribes. I remember well, for example, the late Jeff Hanneman, the brilliant guitarist from Slayer, saying in an interview that he loved classical music. This kind of boldness is deeply rooted in most of the guys who lived through that era. And it's a very noticeable characteristic in most artists who came from those years. The late David Bowie, for instance, embraced electronic rhythms like jungle and drum ‘n’ bass on his incredible album Earthling. Iggy Pop said in a video that he loved the then-new branch of electronic music, a genre called industrial. And the world-famous cellist Yo-Yo Ma played a version of Metallica's “Nothing Else Matters”. The examples are numerous.

Unfortunately, I have witnessed the death of this kind of boldness in the younger generations. Young people enslave themselves to a few musical styles and refuse to listen to the universe of music that exists out there.

Overdrive is a musical project that seeks to explore different musical genres — rap, classical music, techno, punk, death metal, rock ‘n’ roll, new wave, new age, a cappella, you name it. The idea is to introduce listeners to the concepts of musical freedom, musical anarchy, musical curiosity, and bold listening (to new and old styles).

It's a one-man project with the help of countless talented collaborators. So don't be surprised to see tracks of completely different styles with equally diverse collaborators — people like a brilliant English glam singer in shiny pants singing about punks on a post-punk song; or a skilled German guitarist who plays rock riffs on a drum'n bass background; a Russian female singer with an incredibly powerful voice singing a 70s rock song; a young British rapper genius who loves electro; a Danish female singer and harpist who enjoys singing pop music on a Bach background; a French reggae singer who sings disco brilliantly; and many others.

Musical eclecticism is an expression of freedom. I love Sepultura and I love Frank Sinatra. And there isn't a single day that goes by when I don't listen to music by J. S. Bach and the German thrash metal band Destruction. I truly believe that different styles talk to each other when I make music and would love to pass on some of that thinking to my fellow young musicians.

LATEST INSTAGRAM PROMO VIDEOS
JOYBOT
https://www.instagram.com/p/DI6YrdNtML3/
https://www.instagram.com/p/DI6YEvEgwav/
https://www.instagram.com/p/DI6Xg71R4lX/
https://www.instagram.com/p/DI6W_ewNPje/
I WANNA FEEL BRAND NEW
https://www.instagram.com/p/DGpTqlWtuPr/
ROBOT DREAMS
https://www.instagram.com/p/DGOn3-IMzzl/
BROKEN GENERATION
https://www.instagram.com/p/DF_cUIDsPnW/
MOTORPSYCHO
https://www.instagram.com/p/DFj1tULRjjI/
WIDE AWAKE
https://www.instagram.com/p/DFRMsQqMK50/
BOTOX BABIES
www.instagram.com/p/DFHN_rItT0a/
ROCK'N ROLL STAR (2nd)
https://www.instagram.com/p/DFDGvGENUie/
SHINING
https://www.instagram.com/p/DFDGFuwxuB9/
FAST LIFE
https://www.instagram.com/p/DEnHX7RsKgy/
QUEST FOR PEACE
https://www.instagram.com/p/DDyEPGTsqT-/
TURN AROUND
https://www.instagram.com/p/DCFNWa7t1Ve/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/DA9ES3ZtTWT/
LOVE'S THE LAW
https://www.instagram.com/p/DAhE0DLOMq-/
SKINNY JEANS
https://www.instagram.com/p/DAeOLnIu6bx/
WAR DOG
https://www.instagram.com/p/DAc2xbFMJ8_/
https://www.instagram.com/p/C_80BNQs7wh/
https://www.instagram.com/p/C_4NfF0Rdwh/
I AM A PUNK
https://www.instagram.com/p/C_mTDqvNwTF/
GLOAMING
https://www.instagram.com/p/C_l8esMsElC/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/C-EjErMuerv/
CYBERNETIC LAMA
https://www.instagram.com/p/C9-5-2dO85a/
CRASH'N BURN
www.instagram.com/p/C9-43u3NvVT/

CONTACT
e-mail: muzik.overdrive[at]gmail[dot]com 
Or DM in Soundcloud/Instagram

Leaving Humanities Final Words. 

When Great Music Isn’t Heard
Then Everybody Loses.

Imagination causes Creation
Through Vibration.

Music is a Force for Creation

Banding Musicians Together Today

The Last Human Songwriters 

How sad to realize that we are in the last days of the human race. Meaning the final Composers, Artist & Performer are currently on this planet. Ai will be responsible for all the muzak within five years. They are weaning emotions out of music. 

We are humanity’s last breath. Let’s remind them future trans humans of what they lost. If they are ever allowed to hear it at all. We need to leave our Mark! 

My name is Dave Hanrahan. I was born and raised in Watertown, Massachusetts. I was the only son in a family of four children. At 7 years old my father was killed. I was the only son and now I would navigate my life rudderless. An alien in the house of estrogen. It was the weekend the Beatles played Ed Sullivan, February 9, 1964. Thus tying my life to theirs. Instant male role models. 

At 20, I was serving in the Navy. I was stationed at NAS Whidbey Island, Wa. In 1976. When I was heading into my barracks I heard someone playing Hotel California across from me. I met my mentor that day, Terry Walters. I bought a Yamaha 6 string acoustic guitar and one music book. The Beatles Compleat. I practice for hours upon hours. After a few months I wanted to try writing. On my first attempt I wrote 3 songs.  I believe I found patterns in playing only the Beatles for those first few years. I was off and running. 

I am a singer/songwriter from a different era. I had written close to 80 songs when I laid everything down to become a husband and a father in 1989. I laid it down because I desired a family more then anything in life, certainly more then fame.  My Guitar I had written the majority of those songs on was stolen and I walked away. 

In November of 2019, I unpacked my instruments after a 30 year hiatus. I bought a Taylor 12 String and began to earn my calluses. I wasn't certain if I could even recall the chords to most of my music. It was all in my head. I can't read or write a note to this day. Muscle memory I was happy to find is a fact even after 30 years. My musician friend Dean when I told him my 1977 Giannini Craviola 12 String got stolen in 1987. He asked me if I checked eBay. This is 32 years later. That is a rare guitar. I went on eBay that day and found it. It was my serial number. 

I began practicing countless hours a day for about six weeks when suddenly, a song popped into my head. It was in a style that even I was unfamiliar with. My Giannini and I picked up where We left off. Then Covid gave me more time to practice. I haven't stopped writing since that day just over three and a half years ago. I have well over 50 more songs to produce to ensure my entire catalog has been recorded. I have that many on my page for all to hear now for free.

 Vision 👀
To create a new Music Industry run and operated by Human Artists only. I am a Life Path 1, so have no doubt I will get it done or it’s artificial intelligence soulless Muzak for everybody. New artist are being ignored. This is by design. Music comes from the heart. Filled with emotions which A. I. The heartless, soulless machine with never be able to produce. Music is a force of creation given by The Creator. The Authentic Intelligence God. 

I am here to do a job, At my juncture in life I hope it obvious it isn’t for the fame and fortune. We are musicians and artists first and foremost. We are those who help steer the collective consciousness. I picked up this mantle in December of 1980. The night I wrote ‘Dear John’. 

Music is a force for creation.


Dave

Twitter @DHanrahanMusic

My YouTube page:

https://youtube.com/channel/UCbPR0PUkT7JK51CsBu9RjDw

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

See No More by Dave Hanrahan 🌎 Music

DAVE HANRAHAN 🌎 MUSIC