Disquiet Junto Project 0188: Complex Complex
Take a provided track and make it more complex.

- My intention was to have increasing complexity acting upon increasing complexity.
- Did this on my iPad. I used the 2nd track, but really used both. 
- The Sparkle app was used to apply the temporal characteristics of the 1st track onto the 2nd track, so the 2nd track was played with the sound characteristics of the 1st track.
- I took 3 minutes of each track. The 1st track was played at half speed and the 2nd a normal speed. So for this six minute piece the 2nd track (3 minute segment) played twice.
- For the first three minutes it is just the increasing complexity of the 1st track acting on the 2nd track, which itself is increasing in complexity.
- At three minutes delay was added, and then gradually increased.
- Around the last minute I manipulated the filter for additional complexity.
- Recorded the piece in Sparkle, then applied EQ and Compression in Auria.

More on this 188th Disquiet Junto project (“Take a provided track and make it more complex”) at:
http://disquiet.com/2015/08/06/disquiet0188-complexcomplex/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

Image associated with this project from the notes that accompany the album Complexification (Entr’acte), by Guy Birkin and Sun Hammer, and on which project is based.

More on Complexification:
http://entracte.co.uk/projects/guy-birkin–sun-hammer-e187/

Transferred Complexity [disquiet0188-complexcomplex]

"Light is to the camera obscura as sound is to audio obscura." 
 
Odd electronics for the ears, making music covering the wide spectrums of electro-acoustic music, musique concrète, idm and occasional field recordings, with post-classical minimal leanings but beats and bass as well!.  Someone described it as "experimental easy-lsitening" which I like. 
For a while I collaborated as part of a collective under the name Sound Celestial Orchestra but that is no more!  (see, https://soundcloud.com/sound-celestial-orchestra)
I'm always keen on remixing other Soundcloud users and like a challenge.

Music Production Mixing Engineer for Film.
Love Music, Art, Fashion, Books, Photos, Talk of different Languages and More.

Low traffic account with lots of sketches, explorations & unreleased tracks, some of them for download. I come here myself every now and then.

You can also download the opening track of my Album Hippopotamus from The Wire Tapper CD:
https://www.thewire.co.uk/audio/the-wire-tapper/the-wire-tapper-46/9

For bookings, contact http://datamusicalism.com Paris.

Here on my SoundCloud we have varying levels of quality - some tracks that are stable / final and then lots of explorations & sketches, mostly for personal archiving.

Shout out to @venderstrooik @davidspeligro @svs-records @schamoni-musik @version111a @david-sardelle @danieldoor @leroyschlimm @protein-music @camilafuchs @belial-pelegrim @drumcorps and a million other people I love & forgot to mention...

I create Ambient, Electronic, Jazz Fusion, and Blues music - sometimes melding any of those forms together. Instruments, field recordings, a rare voice, writing code, and whatever else might sound cool are used.

Counter Silence is Southend based composer/producer Colin Ventura.
Check out my Bandcamp here:
https://countersilence.bandcamp.com/

Eclectic leftfield audio manipulator and slapdash producer. Keyboard player. Sleepless Collective.  
Click on the Instagram link below to check out all the stuff I get up to in the studio.

harsh sounds, lofi dirt.
there are two of us.

Transferred Complexity [disquiet0188-complexcomplex]

Dave Dorgan