Fall 2024

The Academy IPG1 & Paploviante , Ft.JUNZO-Anything Goes-IPG1,FRAWSTAKWA&RiZLiX

Lillithe-From Your Eyes,Ft.JUNZO-Anything Goes-IPG1,FRAWSTAKWA&RiZLiX

🎅🎄 Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , David Husted --- Alchemy and Stones

// PAPLOVIANTE --- Mr. Right-Paploviante //

// IPG1 and Lillithe --- I Am KEEPING SCORES //

🎅🎄 Syntaleta 🇺🇦 - Daddy's Lullaby , David Husted --- Alchemy and Stones

INFINITE UNIVERSES STATION 16/01/2025 HNY

Endless Rainfall: 30 Boundless songs from the SoundCloud community

Best of me

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

=============================
Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

My first work recorded in Kharkiv during the war. They will never steal our peace of mind... My dear Dad was always with me when I was a child, but now we've been apart for over 2 years due to the war. My parents' home exists only in my memory. I wish all the children in Ukraine whose fathers have to defend the country peace and reunion of their families.
Remastering by Houman https://soundcloud.com/houmans. Please check his beautiful music.

Daddy's Lullaby

Better Than Yours

||| Lost in Translation |||
From the album White Noise 
+ Releases 15 October 2025 on all major streaming platforms +
An experimental soundtrack, combining dark ambience and noise with amped up synth bass and downtempo beats...


Available for download here 💿
https://scratchkelly.bandcamp.com/track/lost-in-translation

Watch the video:
https://www.youtube.com/watch?v=HGOb4uzAv90

White Noise

Lost In Translation

Download

une nouvelle version de ce trip hop que j'avais composé en 2022
 PAROLES
Tu restes
 Comme une parole interrompue
 
 A des années lumières
 Comme un cœur en hiver

A des années lumières
 Rien n’efface ton ombre
 Dans l’oubli rien n’est sombre
 Du joli nom d’amante
Ni le thé à la menthe
 Ni les lèvres mi-closes
 Ni le vase ni la rose
Ni la beauté du chant
 Ni le désenchantement

C’est comme si c’était hier
 Hier
 A des années-lumière

A des années-lumière
 Comme un oiseau qui chante
 Le cœur dans la tourmente
 Et moi qui m’impatiente
 Comme si c’était hier
 Hier

A des années-lumière
 D’étoiles la poussière
 Dans les grands yeux gris-verts
 Des enfants de la terre

Et nos mains sur la table
 Jouent au marchand de sable

 Tu restes
 Comme une parole interrompue
Comme les voix qui se sont tues

Dans l’oubli rien ne sombre
 Dans les années-lumière
Rien n’efface ton ombre
 Pour un cœur en hiver
 C’est comme si c’était…
 Hier
_______________________________________________________________
You stay
 Like an interrupted word

 Light years away
 Like an heart in winter

Light years away
 Nothing erases your shadow
 In oblivion nothing is dark
 The pretty name of a lover
Nor mint tea
 Nor half-closed lips
 Neither the vase nor the rose
Nor the beauty of singing
 Nor disenchantment

It's like it was yesterday
 Yesterday
 Light years away

Light years away
 Like a singing bird
 The heart in turmoil
 And I who get impatient
 As if it were yesterday
 Yesterday

Light years away
 From stars to dust
 In the big gray-green eyes
 Children of the Earth

And our hands on the table
 Play Sandman

 You stay
 Like an interrupted word
Like the voices that fell silent

In oblivion nothing sinks
 In the light years
Nothing erases your shadow
 For a heart in winter
 It's like it's...
 Yesterday

À Des Années - Lumière

Ah, the people we meet, and cross paths with, in this life…. So many experiences. How do we respond, especially if life clashes with these chance meetings? And what becomes of it? Once when looking for a place to rent, (25 years ago) I stopped to talk with an old man sitting on a bench. He had so much to say. My partner slowly became furious with me for taking the time to talk with him. We don’t have to wonder how that relationship went. In other words, this song is not about her…. Hee-hee. Or the old man for that matter. However, there are moments when paths cross, sometimes coming from very different trajectories and all of a sudden something wonderful happens in that moment. Gather, you might have experienced that too. This song is about a brief encounter with a kindred spirit, where our life trajectories did not change: A moment in passing. The song also contains some socially relevant thoughts/ lyrics about the world and my experience of it. Thoughts are thoughts though, and I find the more flexibly malleable I am with them, especially when it comes to the relative truths they may, or may not contain, the freer I am. Seems the more I attach to thoughts and refuse to change, the worse off it seems to get… But that’s just me. Hope you enjoy the song, Mark

Lammbone's Album

Moment In Passing

/больно махать с пирона вслед/
drawn people wave to us
from the compartments - carriages

it's time for them

they draw promises - to come back..
and that they already miss you
that they are so sorry..

and on the glass of the heart
they write..
with paper with tears in their eyes

and then erase..

cold or sadness on their faces?

and it seems that they are yearning and suffering
but the train has started moving
and they forget..

drawn people wave to us
from the compartments - carriages

where?
where -
they will go now
so that our love does not burn out..

it doesn't matter to them -
where to draw feelings..
and then erase everything..
erase..

and forget...



нам машут нарисованные люди 
из купе - вагонов

им ехать надо

они рисуют обещания - вернуться ..
и что уже скучают
что им так жаль..

и на стекле сердцА 
выводят ..
с бумажными слезами на глазах

а потом стирают ..

на лицах их простуда или грусть

и будто бы тоскуют и страдают
но поезд тронулся
и забывают..

нам машут нарисованные люди
из купе - вагонов

куда 
куда
они теперь поедут
чтобы любовью нашей не сгореть

не важно

им - где чувства рисовать ..
и всё стирать
стирать

и забывать ...

trains.

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

Watch a video I created to accompany the song just for fun here: 
https://youtu.be/NZya1bof8LE?si=XIuRXDsniv5rVhO0

Immerse yourself in the vibrant heart of Havana with this track, where a captivating Cuban clave rhythm dances alongside the lively beats of congas, timbales, and bongos. Enhanced by shimmering electronic textures, this song evokes the enchanting atmosphere of early cinema, painting a picture of a timeless Havana—a city from the storybooks. Here, romance, intrigue, and dance intertwine within the sultry summer heat, inviting listeners to experience the magic and allure of the past.  Havana in the Storybook. Enjoy!

Havana in the Storybook
By David Husted

It a shame you gotta throw me outta this big blue canoe
If I could ride this tidal wave there might be a way through

Havana in the story books
Havana in the night

And its quiet now
And the sky is so blue

Havana
Come on back to me
Havana
Come on back to me

[The "No" sequence]

Show me another way beyond the ocean
Show me another way  beyond the fight
Show me another way beyond the ocean
Show me another way  beyond the fight

Show me another way that I can hope for
I am ready to survive

How the story goes
No
How the wind blows
No

Havana
How the story goes
No
Havana
How the wind blows

Havana in the story books
Havana in the night

Show me another way beyond the ocean
Show me another way  beyond the fight
Show me another way beyond the ocean
Show me another way  beyond the fight

Havana in the story books
Havana in the night


Show me another way beyond the ocean
Show me another way  beyond the fight
Show me another way beyond the ocean
Show me another way  beyond the fight

Show me another way that I can hope for 
I am ready to survive   

And it's quiet now
And the sky so blue
Over Havana.     
    
Coming back to me

Havana in the Storybook

Abode by the Sea

Sunny Autumn Day
Lillithe: Music composition and Production


Sunny Autumn Day

With the advent of our democratically chosen fascist plague looming I'm going to reprise this one which is basically about -- wait a minute I don't do  "it's about's"  --  it's about whatever you think it's about.  I feel it now more than four years ago when I wrote it.

Do you see the same things I do 
in morbid visions of the night
I'll confess I'm in need of some discipline
a circumcision of the mind

a single moment's indecision can mean the difference of a life
wait for the signs of antipathy
I'll be coming right behind

is it time to take our things and go running for the line
there's nothing here that's worthy of the sacrifice
why keep me waiting in the dark
as if you and I were born to all this suffering in our stars

Jacob wrestled in the desert
with an angel who would not give his name
does faith only come to me in my anguish and shame

witness to your own decline
you just lie and tell yourself it's alright

Spotify Link

Why Keep Me Waiting

This one was a pleasant surprise.  Ken came at me last week with this track written, performed, arranged and sung by Joseph Shenton, who I didn't know at the time.  I heard it and definitely wanted to be involved, so they were cool on me adding a little rhythm guitar and then doing the mix and production for it.  Ken added the drums and bass. If you don't know Joseph yet, he's got some killer tunes and worth following to check em out! 

Cast of characters:

Joseph Shenton: composition, lyrics, vocals, acoustic guitar, lead guitar, harmonica, piano

Tex Mex Shaman( Stephen Watkins): Rhythm and texture guitars, production mix and master

K2 and the Three( Kenneth Karasek): Drums, bass guitar,  and shakers 

This song began with Ken and Joseph liking each other’s music. Ken invited Joseph to collaborate. He provided such a wonderful song, that maybe sounds better without drums, but we totally dig this version, as well! Ken asked Stephen to add something special, and for a fantastic third party mix down and master! This is the first collaboration with a couple of the Eclectic Collective collaborators.. we hope you all enjoy it!!

One Twist a’Whisper
Lyrics by Joseph Shenton
Music by Joseph Shenton

Bang the drum
Call the ghosts out
It’s ten to one
N’ we’re under looming doubt 

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

The cradle is tilted
Fires breath is getting hot 
Pine needles are falling
Your poised to spill all you got

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

Skin on skin
Check to cheek
You pull apart quiet
To become the object seekers seek

Pull down the shade
Cut the light
We’re one twist a’whisper tonight

Jump the line
Cheat the deck
The 'bound to be foolish' 
Won’t hesitate for even a sec

Pull down the shade
Cut the light
We’re one twist a’whisper tonight
Sent from my iPhone

One Twist a Whisper - w/ K2 and the Three and Joseph Shenton

JUST A PSYCHALOVIC 60'S INFLUENCED TUNE

Words And Music By René Methner, Recorded and Produced by Para Lia, Mix By Para Lia With Thommy Hein, Mastered By Thommy Hein In The Thommy Hein Tonstudios Berlin.
P&C 2023 PARA LIA UNDER EXCLUSIVE LICENSE TO ABOUT US RECORDS GMBH

'IN CLASH WITH THE ZEITGEIST'
PSYCHALOVIC SONIC SONGS FOR LOVERS AND SURVIVORS
paralia.lnk.to/Clash

Follow Para Lia:
► Facebook: www.facebook.com/paraliamusic
► Instagram: www.instagram.com/paralia.music
► Tik Tok: www.tiktok.com/@paralia00
► YT-Kanal: www.youtube.com/c/paralia
► Website: para-lia.de/de/

Already Came To Know

Sergios - Drums
Giouli - Guitar
Christos - Vocals, Lyrics


"THOUGHTS"
Free in my mind and soul, earned through all my living,
Every sacred message, has a different meaning,
Have i ever thought, what it is just giving,
Every little soul, has a great beginning.
Take it all down fellow, to the point you deal,
Cards that never stop, our brains from what to feel,
Is it thought just travels, or our feelings throttle,
Maybe all together, make us live as a whole.
Fantasy created, fantasy itself,
Thought just gives a feeling, killing death on breath,
Combination ended, realistic zones,
We live through one message, passing through our bones.
Does this means we are bonded, taking down a trip,
Living as created, things don't ever flip,
Everything was always, as has always been,
Get the point geezer, get the light of sin.
My mind travels, my thought disappears,
I live in agony, my heart is full of tears,
My soul evaporates, as it lives in nowhere,
My brain dissolves, i can't believe i am lower.
Open now your eyes, the deal wants your heart,
Maybe what we are made of, is with our brains attached,
Let your soul come out, let your soul see,
Maybe soul and body, spirit and you' re free.
Live with spirit fellow, the light has been reborn,
Let your first thought travel, to your eternal soul,
Maybe what we are, is given all around,
Spin it in your heart, live a second round.
Lyrics by RAGIAS CHRISTOS
Enjoy the trip!!

THOUGHTS (Lyrics on Description)

Cast of characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, Roland Phantom 6 synth, vocals, lyrics, arrangement, composition

J.J. Terrell-- @j-j-terrell—JJ--  Yamaha Genos 2 and Yamaha MoXF8 
synth, organ, electric piano, and vocal harmonies

Mistermark-- @user-432503709 -- Mark – clavinet    
 
Llanpsych-- @llanpsych -- Tez – Fender Stratocaser through a VST synth FX device

TexMex Shaman– @texmex-shaman –Stephen–  Gibson Les Paul electric guitar, Fender Acoustasonic acoustic guitar, Gibson Earl Scruggs Mastertone banjo, mix, production, and mastering

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

This song started when as a vague idea Josh came up with while listening to Lionel Richie's All Night Long followed by Michael McDonald's song Sweet Freedom. He wanted to create a song that uses that same basic structure because those are both perfect pop songs in his opinion. He came up with a rough structure on his bass and piano before enlisting the help of his team of musical superheroes. 

  Ken was first up to bat, adding his magical drums and helping Josh find a groove on his bass. Ken later added the hand percussion that adds a spicy drive to the song, too. Next up was Mark, who added the funky clavinet throughout. Stephen threw down after Ken, adding some foundational guitar to the stew. He also added the awesome banjo you hear trickling throughout. Very shortly after, Tez came through with the trippy guitar solo at the end. JJ followed with the breathy organ that lifts the whole thing aloft.

  Now that we had a solid foundation to work with, Josh added the synth "horn" part in the middle, as well as the vocals, including the third harmony part in the choruses. JJ added the fifth harmony part in the choruses soon after. He also added the synth hooks throughout and synth solo at the end. Not stopping there, he also added the electric piano intro, with Ken's drums, and Stephen, who added the electric guitar in that part, as well.

  Now that the whole thing was in the can, it was time for a mix. One of our resident production experts, Stephen, did the honors, as well as the mastering. 

  This is an example of everyone in the Eclectic Collective adding just the right puzzle piece to form the bigger picture. We hope you enjoy listening to this as much as we enjoyed making it. 

Original lyrics by Josh Clary:

Got a little baggie
Got a tank of gas
Now what I need from you 
Is to light a fire under my ass

Let’s put down our phones
And turn up the tunes
By now you know there’s nothing 
That we can’t get up to

Wherever we go 
That’s where I want to be
Just as long as 
I know I have
You there with me
Because
I’m down for anything x2
And you know that’s true
You know that’s true

Whatever you wanna do
Whatever we get up to 
I’m down for anything
Anything

With you I love to eat
But I never want to sleep
Because I don’t want to miss out 
On spending any time with you

When I hear you laugh
Or get excited with a gasp
You make my heart feel like
I just ran a lap

Let go on a run 
Or figure out some fun
Or jump in the car and drive to where 
The ocean meets the sun

Chorus repeats/Chorus reprise

When you hit me with those eyes
You know you hypnotize me
And just when I think you won’t 
You can still surprise me 

We’ve done it all before
Now let’s go do it all some more
Every day is a reward 
When I feel like I just scored

Down for Anything - (Eclectic Collective)

here is a link to the music video for the curious
https://youtu.be/KMl0QjZ3GM8?si=XS1ZBm20tEvklkTG


Alchemy and Stones
By David Husted

V1

Your an alchemist shaping my world
metal and leaf, herbs and fire
Your the pestle to ground the root
To shake my truth, without gun powder
   
ch                      
We were lost you see
Shattered stones with a strange alchemy
You're my mystic key reaching down deep into the
heart of me

V2
And the stones of philosophers
The secrets of flowers golden
The halls of wise, the dreams that lie behind
The paradise we long for

ch
We were lost you see
Shattered stones with a strange alchemy
You're my mystic key reaching down deep into the
heart of me

Rock Bridge

Ch Quiet

You're my mystic key reaching down deep into the
heart of me
                
V3

You take my cynical, my rigid , my narrow mind stiffening
You mix me it in your crucible, release internal conflicts
I'm tired of being wrapped up in my revolutions
Un-dress me take me inside your peaceful evolution

Your peaceful evolution
Your peaceful evolution
 

Ch  
I kind of think I might 
I kind of think I might 
I kind of think I might 
I kind of think I might

Love You

------------------------------------------

I have a new song release scheduled for 13 DEC 24 called Alchemy and Stones. 

In one of my past song journal entries my word of the day was amalgam and I threw in the word alchemy for good measure.  During the lyric building process for this song my brain seemed to be still heavily steeped in the essence of these words. They were percolating through my thought streams. Much of the lyrical content contains imagery associated with this chemistry of the past and its mythic symbols. Our messy world provided additional ingredients that fell into the steaming crucible and began to round out this song into its final state.

There were four different songs that fed my creative spark and development process.  They were the following:

Spoon: Wild
James McMurtry: Canola Fields
Fruit Bats: Waking Up in Los Angeles
Taylor Swift: Anti-Hero

Deep bow of gratitude to all these artists.  My primary reference for the arrangement was Wild and it had the deepest structural influence on the song. The McMurtry song helped me hit on an idea for the chorus melody that seemed to stick with me and I liked his vocal delivery and cadence. The Fruit Bats was really not used at all but I loved the ohhhs in the chorus and wanted to find a way to emulate the laid back ease of them in my song.  However, my particular song style, tempo and arrangement just never allowed an entry point. The Fruit Bats song did keep the juices flowing though so that is why it still receives honorable mention in this write-up.

Finally, the  song by Taylor Swift: Anti-Hero did have a role in my song believe it or not.  If you listen to one of the synths you will hear a gated pumping sound courtesy of an Auto Pan and a Phaser-Flanger Plug-in. I really should thank a Music Producer named Ill Factor for teaching me the sound design process here. He demonstrated the technique in a YouTube video. Pretty cool.  As I have said before, I learn something new in every new song I build.  It is always deeply enjoyable for me. I also appreciate you for leaning in and listening. I wish you all the very best.

Thank You

Have a Great Weekend,  

Dave
davidhusted.com

Alchemy and Stones

Step into the Athanor

Hoping this one brings a little sunshine to you !!

Wishing you all a wonderful Christmas and Happy holidays.
Thank you for all of your kind support of my music too!

(c) Vocalatti 2024

Comme Ci Comme Ca

This song reminds me of the haunted house at Disneyland where the candelabras float up and down the hallways. Here is a video made for the song. 

https://www.youtube.com/watch?v=WUJgj6MZGy4


We can’t help but run away
When cornered against our will
Flagrant fouls of innocence
Always try to ride the fence
Waiting out the calls
While you are left in haunted halls

 They battered us down
They winched us away

Hold you down for 
Counted out forever more 

 You can count on me for
that will be the time when we will 
show the world what we’ve found  
 that will be the time when we will 
show the world what we’ve found

Haunted Halls

Pierre Bordetti productions (c) 12/2024.

Merry Christmas to all and many thanks for your continued support.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Lyrics

Like every morning,
I turn on the radio,
like every morning,
Bad news makes the show,
depressing grayness,
absent brightness,

war wins everywhere,
the climate change,
floods everywhere,
drought even stranger,

Before it's too late,
let's sing of love,
before it's too late,
let's pray to the lord god,
let's forget this nightmare,
let's stop all these wars,

Alone glimmer of hope the Music

If we could just have more Sympathy, I'd like to think the world would be a better place. 

YouTube video with Lyrics : - https://youtu.be/wZSuaK5SDNY?si=E1_hVkES-ll57bwL

Sympathy

Rainfall

ENDLESS TIME
Written, Performed & Produced
by Andrew Borderick Copyright 2024 AB Music
YouTube Link
https://youtu.be/oR0dpoMQafI?si=DvNXSIOR5O_b81q0

V1
THIS IS YOUR LIFE, IT'S IN YOUR HAND
DON'T JUMP THE START, IT ALL ENDS FAST
V2
TO LOOK YOUR AGE, IS OUT OF STYLE
TO GO BACK IN TIME, THERE MUST BE DENIAL
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
V3
YOU CAN CHANGE YOUR LIFE, BUT NOT YOUR HANDS
THE END OF THE WORLD HAS ALREADY PAST
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(Break)
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(End)

2024

ENDLESS TIME

ENDLESS TIME - (see info for video link)

Loop World

FROM YOUR EYES  feat. Frank Zozky & Paploviante
Wishing all a Happy New Year 2025.💕🤠 💃🏼🥂
Backing Track Paploviante: 
https://soundcloud.com/paploviante-and-friends/gear-paploviante
Frank Zozky: provided vocals
https://www.looperman.com/acapellas/detail/23108/from-your-eyes-by-frankzozky-120bpm-house-acapella
https://soundcloud.com/frank-zozky
Lillithe: Arrangement, Remix and Production

From Your Eyes feat. Frank Zozky & Paploviante

The Academy (open invitation for a collab from IPG1) 
Original Vocals from IPG1:
https://soundcloud.com/ipg1/the-academy-vocals-86-bpm
Paploviante: E-Bass, Mix, Mastering, Picture and Music Composition


The Academy IPG1 & Paploviante

Reverbia

Redemptive Deconnection - Λυτρωτική Αποσύνδεση

Best of me
It’s a love letter wrapped in magnetic tape.
Written and Recorded by ThreePhotons Jan 2025


Written in B-flat Major for my wife 😉
Trying for a vintage jazz sound. Thanks for listening. 
-------------------------------------------------------------------


Technical Details:

Rhythm Guitar: Gibson ES 175
Lead Guitar: Gibson ES 335
Guitar Amplifier: Fender George Benson Hot Rod Deluxe
Fender pedal board: Line 6 delay

Bass Guitar: Fender Squire recorded with API 505 DI
Mics: a pair of Royer r10 ribbons on guitars
Mic: AEA R44 vocals
Mic preamps: API 312

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

This is a track created by RiZLiX called "Anything Goes" with my guitar playing added to it. Thanks to IPG1, FRAWSTAKWA and RiZLiX for welcoming this recording.

RiZLiX featured the legendary vocalists IPG1 and FRAWSTAKWA in its work.
The original sound source for this track is below.

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes
https://soundcloud.com/rizlix/ipg1-x-frawstakwa-x-rizlix-anything-goes?si=49dd5edb56dc4d3b8365d78903231471&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Anything Goes Vocals 106 BPM
https://soundcloud.com/ipg1/anything-goes-vocals-106-bpm?si=305926b2ac484229a750cdd8d3d7cd52&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Frawstakwa – Stbb-110bpm-frawstakwapella
https://soundcloud.com/frawstakwa/stbb-110bpm-frawstakwapella?si=10cfff4bf183400abfc314c04624d7f4&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I recommend that anyone learning to play the guitar listen to this piece over and over again, playing the Gm/B♭pentatonic scale in various ways, and trying to find a phrase that you like.

The volume adjustment during mixdown is optimized for the environment when using the earphones that come with the iPhone. If you feel that the volume of the guitar playing in this work is low, please use earphones and check the volume balance of this recording. It seems that earphones other than those that came with the iPhone do not have any problems. When using an Android device and when connecting an audio interface to a PC, I connected inexpensive earphones and confirmed that the guitar volume can be heard at a roughly appropriate balance.

There is another way. I have embedded a SoundCloud player on my blog to introduce my works, but I noticed that this work sounds harder (mid-high tones are clearer) than when played directly in the browser. If the guitar volume seems low or the sound quality sounds cloudy, please open the following and play this recording with the SoundCloud player embedded there.
https://junzo.seesaa.net/article/509999749.html?1738554041

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IPG1
https://soundcloud.com/ipg1/tracks
FRAWSTAKWA 
https://soundcloud.com/frawstakwa/tracks
RiZLiX
https://soundcloud.com/rizlix/tracks

IPG1 X FRAWSTAKWA X RiZLiX - Anything Goes - ft.JUNZO on electric guitar

Mr. Right
Vocals: From Music Maker
Paploviante: E-Bass, Composing, Arrangement, Picture, Mix and Mastering
Picture made with Swift Publisher
Free Download


Mr. Right-Paploviante

I AM KEEPING SCORES / Open Collaboration from IPG1
Lillithe : Music, Mix and Production
IPG1 : Vocals and Verses
https://soundcloud.com/ipg1/im-keeping-score-vocals-92-bpm


I Am KEEPING SCORE

Sharp Edges (open invitation for a collab from IPG1) 
IPG1 & Paploviante
Original Vocals from IPG1:
https://soundcloud.com/ipg1/sharp-edges-rap-vox-94-bpm?in=ipg1/sets/vocals
Paploviante: E-Bass, Mix, Mastering and Music Composition

Sharp Edges-IPG1 and Paploviante

"Eye of Thought"

Dropping from the eye of thought,
a conciouss reality that was never born,
holding all this life in my hands,
i thought it was better to show them to dance,

Taking down this trip in the slope,
what you had known was always been told,
looking for someone to rest,
the thoughts in your head that were never blessed,

dropping from the eye of thought.....

https://www.youtube.com/watch?v=YALXi2ZO8YA

Eye of Thought (Lyrics on Description)

Visit davidhusted.com to encounter my music in a deeper way.

Deep bow of gratitude to you for giving my music a listen, for liking, for commenting and/or for sharing when any given song resonates with you.  You help create a community that lifts music out of the nooks and crannies and allows it to be heard a little bit more than it otherwise might have been.  Thank You sincerely for that. Gratias tibi ago; Pax!

I love to create music.  It is really that simple.  

Dave