L-August Improvisation

✧☽ Vessel of Infinity ☾✧

Korg Gaget track on ipad. 
I mixed this on the internal ipad pro speakers..
This is kindof like an electronic music rhapsody ;)

Deep Dive

Full Service

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster

J.J. Terrell– @j-j-terrell – electric piano 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar

The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics

TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 

  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 

  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 

  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom - (Eclectic Collective)

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with.
However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strummed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to.
Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always.
This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom (Eclectic Collective)

Пробовал сделать этот трек так, чтобы было похоже на катание на колесе обозрения: размеренный монотонный ритм, мелодия постепенно забирается выше и выше, и не менее постепенно опускается вниз, туда, откуда все начиналось 🎡 // I tried to make this track so that it would be like riding a Ferris wheel: a measured monotonous rhythm, the melody gradually climbs higher and higher, and no less gradually descends back to where the movement began 🎡

Помимо прочего, это заключительный трек с моего EP // Besides, this is the final track from my EP

https://rumedia.io/l/ZOkM


колесо обозрения

YouTube link: https://youtu.be/aHypdOdJb5I 

A summer rain can be associated with cleansing – just as it washes dust off the streets, it may symbolize moments of renewal and emotional release in life. It can also evoke unexpected changes that, although initially seen as obstacles, bring freshness and new perspective. Finally, its gentleness and fleeting nature may remind us of the beauty of moments worth cherishing before they pass. 

Letni deszcz może kojarzyć się z oczyszczeniem – tak jak deszcz zmywa kurz z ulic, tak w życiu może symbolizować momenty odnowy i uwolnienia od emocjonalnego ciężaru. Może też przywodzić na myśl niespodziewane zmiany, które choć początkowo wydają się przeszkodą, przynoszą świeżość i nowe spojrzenie. Wreszcie, jego delikatność i ulotność mogą przypominać o pięknie chwil, które warto doceniać, zanim przeminą. 

La lluvia de verano puede asociarse con la purificación: así como limpia el polvo de las calles, puede simbolizar momentos de renovación y liberación emocional en la vida. También puede evocar cambios inesperados que, aunque al principio parezcan obstáculos, aportan frescura y una nueva perspectiva. Por último, su suavidad y fugacidad pueden recordarnos la belleza de los momentos que vale la pena apreciar antes de que se desvanezcan.

Summer Rain

Made in September 2025

Video; https://youtu.be/ivcrl-XFfyQ

To Hide

All rights reserved 9/25/2025

We used to know how to read a room
Knew exactly what to say…
Now we’re divin in too deep
Never losing any sleep
in the bed we made

We used to take the time 
To see another point of view 
Now we toe another line
Like a party to a crime
In the bed we made…

Driving home
so alone
the streets on fire
Winding down
to the sound
it seems so dire

Why did you have to come around
as if you’ve made some kind of grade
My ears don't want to hear 
Now would you please just disappear
in the bed we made

Driving home
so alone
the streets on fire
Winding down
to the sound
it seems so dire

The Bed We Made

Fifty Three Degrees
By David Husted
a link to the video: https://youtu.be/oAv-lnq8ngQ

When I look back at my eyes
They may be fifty three year old
They call it Grand Theft Auto
I call it racing down this road

I feel my heart beat
Keep it under control
The scent of rain sizzling on the street
It seems the steam rises up to greet me  

I hear the tick tock
I'm running out of time
I hear the gun shots
I may be losing my mind

Blue and red rise up behind me
Siren sings, that voice , that voice reminds me

And when I scream at the sky
It's the silence that hurts me
and when the needle pegs that line
Race past a love still burning

I hear the boots kick; crackling inside my head
These rattling bones hear your voice
Rise up behind me
Siren sings, that voice , that voice reminds me
 
BLOG:
The image above provides a visual representation of my song's structure.  The bright green strip across the middle of the image above is a very cool sounding synth pattern that travels the length of the song.  You can clearly hear its mesmerizing tones in the intro to the song.   This pattern became its backbone with the drum/bass, in red, a prominent second supporting structure.  The pattern never stops except for one small break in the middle. A sequence that does not change throughout the entirety of a song is dangerous but a challenge I love to work with.   
 
            I was able to accomplish this by slowly building the tension as the song progressed, adding various instruments  to dance with the backbone and various "sweetener" effects in yellow  to add dissonance and further play with the tension.  I especially like the addition of the guitar (in pink) to the chorus which used an amp pre-set called "Cheap Combo" that just worked for me. My vocals are shown in blue and mostly organically formed out of the rhythms and mood I was feeling emanating from the main chord structure and rhythms.   This song has a darkish atmosphere and a fair amount of edginess.   My vocals have more delay than usual because that's just what I was feeling when I wrote the lyrics.  
 
            I love to look back at my project after all the pain and joy of creation is over.  The image you see above is an end state and I promise you that the formation state was much uglier, full of wrong turns and plenty of dead ends.  The song you hear was cultivated out of the murky soup of my mind and all the particular content blowing through my skull at that particular moment.   With every turn I also make new musical discoveries that bring sparkle to the process and a never ending sense of wonder and delight to me.  Some of the names of my sweetener sounds make me chuckle; "Echo's ill factor", "Demon Choir" , "Ash Decay" and "Squawk Box" and I'll leave it to you to pick them out of the song as you listen to it. 

             This song was called "Sirens" as that is a frequent repeated phrase in the chorus.  However, I have discovered that about a million other artist also have a song named "Sirens"  Therefore, as of this very second of writing,  I have decided to rename the song "Fifty Three Degrees" just because I feel like it.  How is that for creative license.   
  
             Until next time; Happy Creating and Thanks for Listening!  
  
Dave

base camp

Fifty Three Degrees

Visit davidhusted.com to encounter my music in a deeper way.

Deep bow of gratitude to you for giving my music a listen, for liking, for commenting and/or for sharing when any given song resonates with you.  You help create a community that lifts music out of the nooks and crannies and allows it to be heard a little bit more than it otherwise might have been.  Thank You sincerely for that. Gratias tibi ago; Pax!

I love to create music.  It is really that simple.  

Dave