We've hit the ground running in 2023 with some great tracks from the ever talented SoundCloud musicians. Here is just a small sample.

Journey Through January

Three Photons Weekly #28

Related tracks: Fox And Mew

Cobain Chainz Flamez 🔥🔥🔥

/// PAPLOVIANTE --- How Do You Do? - Frawstakwa & Paploviante ///

/// Lillithe This Is The Moment Lillithe & Paploviante ///

ft.JUNZO - Hideaway - Mrs Rhymes , David Husted --- Take That Hill

// PAPLOVIANTE --- How Do You Do? - Frawstakwa & Paploviante //

// Lillithe This Is The Moment Lillithe & Paploviante //

Syntaleta 🇺🇦 --- Gone , David Husted --- Take That Hill

 Russians says "There' s no Ukraine, it shouldn't exist"...  I'm Ukrainian and I'm proud of it. My country do exists as well as my music. No one in the world has no right and power to make such statements about any nation. They drew their fascist sign "Z" with blood of Ukrainian children. If you support Russian aggression against Ukraine you've got that bloody sign on your forehead. The God is to judge you...
This track is remastered by Houman (https://soundcloud.com/houmans)

Falling Slowly

One of my works recorded in my "previous" life before the war. Sometimes we feel tiny and lonely in the Universal. Lately I feel tiny and helpless facing the horrors of the war in my country... 
This track is remastered by Houman (https://soundcloud.com/houmans)

Tiny

TWIG
#Rock #hardrock #indie #jam #amp #scottburton #pauldesousa #cameronmcgowan #mikewilley #mood #Funk #guitar #bass #drums #vocals #energy #oldschool #hook  #boston #extreme energy #progressive #twig #sweetaswine #alluneed #farewell #still #liquified #clown #moon #juice #jackson #peavey #genzbenz #mackie #tama #ibanez #5150 #xcvi #classic #seven #songs #sanity #sound #02149. #slapping #firepower #fun 

Music By:
Mike Willey (Bass Guitar)
Cameron McGowan (vocals)
Paul DeSousa (Drums & Percussion)
Scott Burton (Guitar)

Contact Info :
          Email: MOONJUICEXCVI@GMX.COM

TWIG

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

A song originally intended to be sung by a woman, if there are volunteers...Write to us

What Other Girl

Reach Out is a song about love and friendship in the midst of tragedy. It could be war, or the pandemic, or any circumstances where two people try to make it work, against the odds. We probably all have such a story. The resilience from close friendship always comes…so long as we continue to reach out. 

The song was written a while ago, and sung with Jen Di Biasi; it started with some arpeggios on my classical guitar (C maj 9, G sus2/B, Am7), and some sketchy vocal lines. I’ve come back to it periodically, always building in new ideas and layers…but I think this baby is ready now! It’s got an 80s rock ballad feel I guess, with a little dancing section just past half way!

Reach Out

ONE WAY   LIlithe & Paploviante
Backing track: Paploviante
https://soundcloud.com/paploviante-and-friends/one-way-paploviante-open-collab-offer
Lillithe : adding Violin, Beat, Piano, ,Vox, Turkish Flute, Strings, Percussions and Turkish Oud
WE WISH  ALL OF YOU 
A MERRY CHRISTMAS AND A HAPPY NEW YEAR!

ONE WAY   LIlithe & Paploviante

Composed, played, sung, recorded and mixed by Loony on his own ^^     Illustrated by Nataly NGM 🎈🤍🖤

ON MY OWN

Mixed and Mastered by Woods Studio
soundcloud.com/woods_studio

A New Year's song about exactly where we are at this point in our lives.

Lyrics:

Goodbye old year, 
It was a better one, but not for everyone,
We found old friends and held them near.
Plenty of sighs,
The long goodbye was tough, we couldn’t get enough,
Of the love that lived, behind those dark eyes.

Sing for the New Year on its way, sing for the joy we feel today,
And that we’re still around, we haven’t run aground yet, and we’re happy to say
The future’s gonna be just fine, so says this bottle of red wine,
Still a lot to see, we’re on a livin’ spree now, a livin’ spree now.

No crystal ball,
But from our past we know, the way it’s gonna go
We’ll keep on lovin’ one and all.
More to unpack,
We wanna feel it all, before the final call,
Because you never know, we might not come back.

Sing for the New Year on its way, sing for the joy we feel today,
And that we’re still around, we haven’t run aground yet, and we’re happy to say
The future’s gonna be just fine, so says this bottle of red wine,
Still a lot to see, we’re on a livin’ spree now, a livin’ spree now.

For quite some time our plans were shattered, battered, woah-oh-oh
For too much time life has been stopped up, locked up, woah-oh-oh
And now it feels time may have run out, spun out, 
But you’ll see, whoa-oh, we’ll make up for lost time.   

Sing for the New Year on its way, sing for the joy we feel today,
And that we’re still around, we haven’t run aground yet, and we’re happy to say
The future’s gonna be just fine, just ask this bottle of red wine,
Still a lot to see, we’re on a living spree now, a livin’ spree now.
Woah-oh, oh-oh, oh…..

Spree

"He loves me, he loves me not' Love doesn't always come in a straight line, but when it's right, it's right!
With a danceable, fun beat, catchy chorus, horns and more, this is a song that will get you out on the dance floor.

She's A Story

When You Almost Didn't Love Me

Dyons Homecoming

(Song Terry Reeves, Lyrics Janice Slater)
Terry Reeves: Vocals
Gary Reeves: Vocals, Congas, Drums
Hans Albers: All other instruments, Arrangement & Production

Cover pic from Janice Slater's personal archive.
Arterial-flow – Rive-gauche
australianjazzrealbook.com/artists/janice-slater/
bentenlaughing.blogspot.com/
www.reverbnation.com/janiceslater

I arrived in London in early ‘71 and landed on the Holland Road, Shepherd’s Bush not long after.
My good pal Julie Lewis (from Durham) with whom I’d worked with in Sydney, had digs there and invited me to stay. Nonetheless I found it a challenging place to be after Sydney, Summer, beaches, family and gigs. Amongst Julie’s record collection was Nick Drake’s 'Bryter Later' which brought solace to me as I often felt very alone and completely at a loss as to how to navigate London town.

Years later I was to learn that Freddie Mercury was living just a few doors down from us on the Holland Road...no I never knew him...but when I wrote the lyric it seemed apt to pay homage to Freddie and our collective dreams. I’m so happy with Cripple Club’s interpretation of the lyrics, bringing to life a musical collage that depicts the highs and lows of living on the Holland Road through my first cold winter! From my heart; thank you Terry & Gary Reeves; you are two soulful & gifted brothers; I feel so indebted to you both and to Hans Albers for his powerful musical contributions. Thank you, everyone, for listening. (Janice Slater)

Having been such a good friend to us over the years, it has been such an honour to work with Janice on this song. It is dedicated to every one of the beautiful friends we have made here on the Cloud. Thank you all for the support you have given to our music. The last ten years have been filled with such wonderful memories. Much love to you all. (Gary & Terry Reeves)

I’m standing on the fraying edge
Of golden russet gown
Everything’s evolving
Spinning and turning my head around

A familiar voice insulted
And 'Bryter Later's so understated
There’s evidence of a circumstantial nature
But once again, I don’t feel the danger

(Spoken) But now I’m declining all invitations...

I hear the doorbell
But there’s just a stranger
Standing on the fraying edge of fear
Of a city without pity and you’re not near

Freddie he’s walking
Heading down the street
Just like me
The snow and sleet under his feet

Oh but we’ve yet to meet
Looking down the Holland Road
Nobody can see us
Standing on the fraying edge

(Spoken) I was just like you Freddie, looking for that song...

Or three or four
We are looking for salvation
On the Holland Road
And Shepherds Bush Station

Freddie he’s still walking, heading down the street
Just like him, singing music for trick or treat

(Spoken) Oh but we’ve yet to meet…

GUITAR BREAK

(Spoken) Just around the corner from…
Portobello Road
On the fraying edge (repeat x 8)
Of a fraying town

THE FRAYING EDGE - CRIPPLE CLUB, HANS ALBERS & JANICE SLATER

This love song, written by Katherine Funke (Brasil, 1981), talks about missing someone who is distant but still loved. It was recorded, produced and mixed by ER Studios at Joinville, Santa Catarina (Brasil). Singing along Katherine, there is the band leader of Cachorro do Mato, Jeancarlo Reeck, also playing his folk acoustic guitar. 
- 
Canção de amor, "Quanto tempo faz" é uma música de Katherine Funke, artista de Joinville (SC), com participação de Jeancarlo Reeck (voz/violões), frontman da banda Cachorro do Mato. A letra fala da saudade de rever alguém especial e distante. O arranjo, feito por Eduardo Douglas Rossi, foi inspirado na sonoridade folk rock de Jakob Dylan, e inclui vibrafones, violões e guitarras. A bateria é de Tiago Luis Pereira e as guitarras, de Marcelo Rizzatti.

credits
releases January 6, 2023 
composer, main vocals - Katherine Funke
vocals and acoustic guitar - Jeancarlo Reeck 
lead eletric guitar - Marcelo Rizzatti 
bass, another guitars, samplers - Eduardo Douglas Rossi 
drums - Tiago Luis Pereira
producer - Eduardo Douglas Rossi

Quanto tempo faz (studio version; feat Jeancarlo Reeck) 2023

A cool little tune called "The Icehouse ".  Escape with me to this little jazz club in Minneapolis.

Step inside the frostbitten echo chamber of Three Photons’ latest release, "The Ice House"—a haunting blend of analog soul and spectral blues. This track doesn’t warm you up—it chills you in the best way.

Image obtained from the Icehouse website
Written by TJG January 2023
Mix 1: February 11, 2023
Mix 2: March 18, 2023 - adjusted stereo mix volume using api 535 LA
------------------------------------------------------------------------------------------------------
Lyrics

Verse 1
Stella by Starlight
Escaping the real life
Touched by the stardust
She found her real lust
Won't you come on down?

Refrain
Playing all the standards, at the icehouse
Watching it all go down, at the icehouse

Verse 2
Caught in the spotlight
I'm faking the real life
Touched by the starlight
Escaping the real life

Refrain
Playing all the standards, at the icehouse
Watching it all go down, at the icehouse

Verse 3
Stella by Starlight
Escaping the real life
Won't you come on down?

Refrain
Playing all the standards, at the icehouse
Watching it all go down, at the icehouse
Playing all the standards, at the icehouse

-------------------------------------------------------------------------------------
Technical Details

Rhythm Guitar: Gibson ES 335
Lead Guitar: Fender Jazzmaster
Guitar Amplifier: Vox AC15….set as clean I can get it. 
Bass Amplifier: Fender BXR 60 (not great, but with me since 1997)
Fender pedal board: Line 6 delay; Fender clean boost

Percussion: Pearl Hi Hat with Zildjian symbols – played with brushes 
Percussion: Pearl Cajon – played with brushes

Mics: a pair of Royer r10 ribbons for guitar and a Neumann TLM 67 for vocals
Mic preamps: API 312
Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

The icehouse

Youtube Video of Moonbeam Blue: https://youtu.be/B9_n4zahcZU
Happy New Year and even more importantly, Happy Martin Luther King weekend.  

We continue to move forward.  The world can be difficult, frustrating, complex and sad. Yet……(queue long pause as we look up at the starry sky together) it can be quite beautiful despite this reality. A reality inside a reality. I catch glimpses of this world in the spaces in-between my chattering, worried, planning, catastrophizing incessant thoughts. It is the feeling that sits behind the other ones. It is the faintest echo of peace and happiness that can't quite be articulated without sounding corny.  Some of you know what I am talking about.  Music can tease this feeling out from hiding too. Life is so short and it seems to speed up with each passing year. A summer in child time can last years. Years in adult time can feel like moments.  We are star dust. We are myth makers. We are ………something that is very good.  You are something very good and my wish is for you to see this my friend for this New Year and the ones to follow. In your darkest corner, may you see a little light; Moonbeam Blue.

**************************
some details about the actual song below:

What's all that plucking about anyway Dave? This song captures that state of mind between awake and dream; sanity and madness. A place perhaps you have encountered yourself at times in life. It happens to be one of my personal favorite musical offerings of the year and the year is still so young. I hope you enjoy.   

Lyrics

Moonbeam Blue
Words and music by David Husted

I  
Ride
Moon Beam's
Blue
And I'll
Follow you
home

In the night
In the night

In the night
By the light
Of the fire
I lost my
Mind

near the pools
Along the sand
World between the do and don't
Of the mad

Hello
In the darkest corner
I can see a little light
Moon Beam Blue

Hello
In the darkest corner
I can see a little light
Hello,     Moon Beam Blue

*********************

This song has a sweet laid-back arpeggiated Hawaiian ambiance counter-balanced by a reversed sampled pad effect that creates a more surreal edgy vibe that hints at the story to follow. This pad was created using recorded samples of reverb tails created from the very instruments playing in the song itself. This sample is then reversed and carved up a bit. This texture adds a strange, yet familiar feel and gluing effect that I liked. 

The percussive sweetener details and the push and pull of room space as the song progresses were strong artistic design focus areas. They help to create and solidify the moonlit beach fire atmosphere. This crucible helped the luminosity of the vocal story-telling to come to life. Later I add a Chinese Yangqin instrumental section just because I could.

Moonbeam Blue

Home

Feeling the moment and letting it out as it flows -

Reupholstered

Composed by Charles Chambaz
All instruments, effects are performed, recorded, and mixed by myself.
For more information, see my public Profile
All rights reserved.

When The Night Falls Apart - Charles Chambaz

Summer dance vibes with a touch of acid & guitar. 
This is a rework of an old track of mine, which I wasn't keen on lol.

Free download if you like it :)

Thank you for listening ♥

Psyche V2

FOX AND MEW
Vocals: Emily Coy  - Nurture / Nature
https://soundcloud.com/freevocals/emily-coy-nurturenature-free-acapella
Lillithe :  Music, Picture, Arrangement and Production.

Fox And Mew

Get Up But Git Down

★Mrs Rhymes - Hideaway
https://soundcloud.com/mrsrhymes/hideaway

This piece is based on the original by Mrs Rhymes introduced above, with my guitar playing overdubbed.
A big thank you to Mrs Rhymes for agreeing to release this recording :)

Some time ago, I needed to do some thinking about my DTM system and was reviewing my music data.  At that time, I suddenly noticed this song by Mrs Rhymes.  About a year ago, I think.  I had a preliminary recording of my guitar to go along with this wonderful piece.  Remembering that, I played it back and listened.  I didn't like my guitar playing, even though it was just a temporary recording for notes.  I don't think the sounds and phrases I used at that time match the original song.  Compared to that, the original song is still great.  So I grabbed my guitar and started recording.  A few hours later, I was in the process of uploading my freshly finished work here.

The key of this song is C#, and I think that what we should be aware of as a performance style is "B♭m/C# pentatonic".
I do not mix tapping, sweeping, or other fancy playing techniques in my guitar playing with this outstanding piece. I tried to keep the accompaniment very simple. This excellent piece, which I picked up as an example this time, will be finished with two things in mind: "B♭m/C# pentatonic". However, in a blues scale song, one song uses four pentatonic forms. Therefore, first of all, I believe that it is very important to be aware of "two things" on a daily basis and to practice guitar playing repeatedly.

And before we understand it in words, what we value most is the encounter with works and artists that we can continue to enjoy playing along with our favorite music as many times as we want, even ten times if necessary. Right?

Mrs Rhymes' page is below.
https://soundcloud.com/mrsrhymes

02Mrs Rhymes - Hideaway ft.JUNZO on electric guitar

Mrs Rhymes - Hideaway ft.JUNZO on electric guitar

The 14th EP of "past is the verse"

-Spotify
https://open.spotify.com/album/0o3sxpqCbesxZx887wjBFa

-Apple Music
https://music.apple.com/us/album/your-single/1676741551

-Amazon Music
https://music.amazon.co.jp/albums/B0BY5755JW

-bandcamp
https://pastverse.bandcamp.com/track/your

Your

Download

ESCAPE TOWN
Backing Track: Paploviante
https://soundcloud.com/paul-racle/funk-rock-town-paploviante
Vocals: Emily Coy - Escape / Fire
https://soundcloud.com/freevocals
Lillithe: Synth, Wah Wah Guitar, Effects, Arrangement, Production and Mix

Escape Town - Lillithe & Paploviante

Lying on their backs, shirts, soaked with the dew on the grass they looked up at the stars and the clouds that covered them before moving on. And returning into the studio the band recorded "Catch The Falling Sky".

Catch The Falling Sky by Laxá blending elements of post-rock, ambient, and cinematic soundscapes into a cinematic Icelandic soundscape. Their music, characterized by atmospheric textures and dynamic shifts, creating cinematic atmospheres.

Following pioneers of post-rock, Catch The Falling Sky by Laxá speaks to the power of instrumental storytelling.

In "Catch The Falling Sky" by Laxá, audiences are immersed in a sonic journey that intertwines haunting melodies and powerful rhythms. Perfectly suited for a climactic movie scene, its dynamic shifts and evocative atmosphere enhance the emotional depth of the narrative, ensuring a captivating cinematic experience that resonates long after the credits roll.

Laxá & Heima Kvartett are:
Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Violin
Sif Árnadóttir - Violin
Natasha Guðmundsdóttir - Viola
Ída Sigurðardóttir - Cello

Catch The Falling Sky by Laxá. Postrock.

Tangled up

Lyrics:

I weigh my words to leave enough 
I still can use tomorrow
I'll find my way out of this slumber
My time is up today
I lie myself to justify
The choices that I follow

An endless masquerade...

Inhaling yet another faceless day of running round 
To keep up with the rest
Oh please
Just tell me what happens next - 
I wanna know this mask is worth its weight
To stay within the cast
Dream of invisibility - among these shadows I don't feel the same
Grey eminence of my insanity still pulling ropes behind the scenes

Inside...
Stranded in illusion of tomorrow

Benevolence - ill-fated partner of the failed,
Dream of denied, illusion soothing all the pain.
Veil of defense over new clothing of the king,
Nothing but faith when all is crashing down within

Word in word
Step in step
Silent resonance leaving the void

Inside...
Stranded in illusion of tomorrow

Word in word
Step in step
Silent resonance leaving the void

Inside...
Stranded in illusion of tomorrow

Rhyming life by day and breaking up against its twisted rhythm
Step in step
Still following the trail through all this smoke to find what's real

Tomorrow

Pared by to just guitar and vocals "Sleeping On The Cold Side Of The Bed" is a poem set to music.

Excuse me I would like to say
Or would it spoil a special day
Should I go or should I stay at all

Walk along please hold my hand
Love I'll never understand
We just gaze upon the factories and the lights

On a clear day you can see the smoke
The cloud, the sun, our only hope
But that's when it decides not to rain

Your eyes like the sky have turned to grey
You know there won't be better days
And so you smile just to mask the tears

That's all we can expect
Cold and lonely hearts there's nothing left
This might be as good as it gets
Sleeping on the cold side of the bed
This might be as good as it gets
Sleeping on the cold side of the bed

You and me and these old streets we'll grow old together
These four walls and our memories will last forever
I cry and I laugh, it's been a life and a half
I cry and I laugh, it's been a life and a half

The streets where we're born is where we'll die
We'll get married there, our kids will cry
Living among the roses and barbed wire
And the tree where I once carved your name
They chopped it down and in its place
Is a car lot and an adult video store

And the red bricks that were stained with blood
And the darkened streets that killed our love
As the north wind chilled the warmest heart

I sit and hold you by the fire
The TV's on your hand in mine
Remembering the dreams that never came

That's all we can expect
Cold and lonely hearts there's nothing left
This might be as good as it gets
Sleeping on the cold side of the bed

This might be as good as it gets
Sleeping on the cold side of the bed

Sleeping On The Cold Side Of The Bed - These Guitars Say Sorry

Youtube Video of Take That Hill:  https://youtu.be/RlmJ9GWTYHI

What's this song about Dave?

This song is in the indie-electronic domain but has a certain jazz vibe with the bass. It has a not easily defined yet original flow and feel. It speaks to our societal and work related anxieties; always asking us to do a bit more, move a bit faster. We will Take That Hill the first time and maybe even the second..... but after that it's time to consider options.

I provide a more detailed peek into my lyric creation process for this song in my Blog at https://davidhusted.com/welcome Check it out!

Take That Hill

over the hill

I think its about 5 years ago we did this,
one of my very first Collaborations on Soundcloud with the lagend that is KARNEVOR , give him some love on his profile https://soundcloud.com/karnevor

Never Die ( With Love)

Never Die (With Love) - KarNeVor & winkandwoo

White Tower - Λευκός Πύργος

Rough Country / Paploviante Open Collaboration Offer
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering
BPM 110
Free Download
If you want the track different ...  contact me!
The track is downloadable as a wave file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!

Rough Country - Paploviante Open Collaboration Offer

How Do You Do? / FRAWSTAKWA & Paploviante
Lyrics and vocals written and performed by FRAWSTAKWA
@frawstakwa
https://soundcloud.com/collaborativeefforts/how-do-you-do-110bpm?in=frawstakwa/sets/how-do-you-do-frawstakwaverse
Paploviante: Bass, Background Music, Arrangement, Mix, Picture and Mastering

How Do You Do? - Frawstakwa & Paploviante

THIS IS THE MOMENT  Lillithe & Paploviante
Backing Track Hot Sand II : Paploviante
https://soundcloud.com/paploviante-and-friends/hot-sand-soundtrack-without-vocals
Vocal:  www.Ghosthack.de
Demetri and Emily
Lillithe: adding Horns, Trumpet, Flute, Tabular Bell, Tamburin, Conga, Vocals

This Is The Moment Lillithe & Paploviante

Somewhere Far Away

'TIMELINE'
Written, Performed & Produced
by Andrew Borderick copyright 2017.
Mastered by Andrew Borderick
YouTube Link
https://youtu.be/Dgwjmtm4A8s?si=c1Ojw4QC_xiL7MyV

THERE'S ALWAYS SOMETIMES IN YOUR LIFE
YOU'RE TAKEN AWAY FORGETTING TIME
YOUR FEELING ALIVE OR IN THE CLOUDS
WE ALWAYS NEED SOMETIME TO YOURSELF

CAN'T EVER SEE YOURSELF GETTING OLD
ONE DAY IN SCHOOL THEN FEELING RETIRED
YOU'RE HEARING A SOUND, REMEMBER SOME TIME
WE SING A SONG SOMETIMES TO YOURSELF

(chorus 1)
WHEN A FAVORITE SONG COMES TRUE
WHEN IT TOOK THIS WORLD APART
AND IT TAKES ME BACK TO YOU
CAUSE THE MUSIC NEVER STOPS
WHEN MY TIMELINE CHANGED WITH YOU

WE CELEBRATE EVERY YEAR OF OUR LIVES
FORGETTING TIME AS THE MUSIC GO'S BYE
THE DAYS WILL COME AND LEAVE US BEHIND
AS FAST AS LIGHT YOU COULD BE BY YOURSELF

(chorus 2)
WHEN A LOVE SONG RUNS FROM YOU
YOU CAN CHANGE THAT LONELY HEART
AND IT TAKES ME BACK TO YOU
CAUSE THE MUSIC NEVER STOPS
WHEN MY TIMELINE CHANGED WITH YOU

(break)
(repeat chorus 1 & 2)

Timeline

TIMELINE

TIMELINE (see link for Video)

Para Lia - Hawk Hill

+ Bandcamp: https://paralia.bandcamp.com/track/hawk-hill
+ Spotify: spotify:track:1FOqWHvfn0zchqsLBQXmmB

Watch the music video on Youtube:
https://www.youtube.com/watch?v=YiplJ-eh2W8

Follow Para Lia on:
https://www.facebook.com/paraliamusic/
https://www.instagram.com/paralia.music/
https://twitter.com/para_lia_band
https://www.youtube.com/channel/UCNABsfHKaCDk28fOj91Dc1g

words and music by René Methner, Copyright 2019
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover art: Phillip E. DAoust
Thank you so much Kevin (Mr. Cagey), Fady (Mr. The sporz), Tim (Three Photons) and JJ (Subject To Revision) for giving feedback to the song when the work was in progress!  

lyrics:

strolling down the street i knew so well
when i was a boy and made my way to
school

and the school was closed long time ago
because bleeding us dry nowadays seems to be
cool

we create new dead end towns

goodbye hawk hill lane
i don't miss you
goodbye hawk hill lane
don't let it get you

young people turned their backs on that one way street
and all the factories are rotten but you built a new town
hall

and the color of the town slowly turned into a grey
like the face of a forgotten but the cemetry is pretty
green

a field of broken dreams

goodbye hawk hill lane
i don't miss you
goodbye hawk hill lane
don't let it get you

goodbye hawk hill lane
i don't miss you
goodbye hawk hill lane
you know i still love you
don't let it get you

Hawk Hill

Visit davidhusted.com to encounter my music in a deeper way.

Deep bow of gratitude to you for giving my music a listen, for liking, for commenting and/or for sharing when any given song resonates with you.  You help create a community that lifts music out of the nooks and crannies and allows it to be heard a little bit more than it otherwise might have been.  Thank You sincerely for that. Gratias tibi ago; Pax!

I love to create music.  It is really that simple.  

Dave