Name: A Love That Can't Be Named by Dave Mohan in DAVE MOHAN *
Duration: 4 min 30 s
Description: Love frequently comes at a price among divided communities. But for some, it’s just more real than prejudice or fear, whatever the consequences.

You know what Dave, this is a a very touching song,  you are a truly a really talented song writer and a great story teller. Johnny

DAVE MOHAN *

Gaelic language version of the original song. With many thanks to Eileen Coyle (Irish Gaeilge vocals) & Ciara Hall (translator):

The isle of Inishmore and the other Aran Islands off the west coast of Ireland hold a mythic significance within Ireland’s cultural heritage (it’s where the great Irish playwright Synge, amongst others, went to immerse himself in the Irish language and its creative spirit). This tribute is something of a dreamscape inspired by the strength of the Celtic soul and the majesty of the scenery. The imagery and poetry are intended as a general homage (the visual images are taken from a wide range of locations both within Ireland and further afield – they’re intended to conjure up something of the haunting grandeur of the west of Ireland rather than being a literal representation). The themes embodied - exile, love/longing and the dream of redemption - are elemental within Irish poetry and song. If this little offering adds anything to enhance the special place which Ireland holds in many of our hearts (or soothe, even for a moment, any of its wounds) it will have fulfilled it’s goal.

Lyric Vid link:
https://www.youtube.com/watch?v=rdFp6Drq9JA

Inishmore (Gaelic version)

A vocal duet reworking of my Time and Tides original. I felt the spirit of the song is perhaps even more apt for the present than when first conceived.  If you’ve learned to value those close to you a bit more in these troubled times; or known something of the enduring loss of so many - this one’s for you! Of love and loss:

You're in the rain
You're in the air I breathe in
You're in this fire inside my brain
You're here again
In every silent moment
That's when I hear you call my name...

Lyric Vid link:
https://www.youtube.com/watch?v=6OXJnkeLp-4

Time and Tides (Re-Vox Version)

- A musical offering for cello & piano - 
where words fail, let music be a prayer 

"for peace comes dropping slow,
dropping from the veils of the morning
to… the deep heart’s core" (W B Yeats)

[CAOINEADH: from the old Gaelic for crying or to lament]

Many thanks to all who contributed to this one, not least Andy Walter for adding his usual magic and mastering down at Abbey Road Studios.

Lyric Vid link:
https://www.youtube.com/watch?v=4MhnsDoYHFE

Caoineadh for Ukraine

Seldom does a day go by but I return, at some stage, to Bach. I recall the magic of first hearing the D minor Chaconne, the glorious opening mvt of Cantata 140, the slow mvt of the double violin concerto... the opening Arioso of Cantata BWV 156, to which I owe the inspiration for this particular little offering.

I've never subscribed to the notion that Bach's music is more cerebral, less emotionally charged than the music of later generations. Despite its transformation into a contemporary love song I'll be delighted if something of the romance and warmth of Bach's original shines through here. The final section of the song resorts to a simple vocalise elaboration of the Arioso melody. A heartfelt tribute to the composer who, more than any other, set me on a musical journey (from classical roots to folk, rock, jazz, fusion... and back) that still, so many years later, feels like it's only just begun.

A very special vote of thanks to the many others who've contributed to this recording, including:
Carolina de la Muela (vocals); Nicholas Ojeda (Dble Bass). Strings - Nightsongs Studio Strings. And not least, to Simon Gibson down at Abbey Road Studios for his customary prowess in the final mastering.

Lyric Vid link:
https://www.youtube.com/watch?v=sOD8gMqJoKg

Arioso in Red

Facing The Truth - Part 1 - Denial

New version of the original track previously released in 2021.
Music composed, performed and mixed by Julien Vescovi

Cello by Aude Declaf
https://soundcloud.com/luce-faedda

Artwork by Max Magnan
https://www.maxmagnan.com
https://www.instagram.com/max_magnan/

Locked-in

Get away

Get Away (feat. Aude Declaf)

Piano Sonata No. 8

“Piano Sonata No. 8” was completed in November, 2023 in Fairview, TX.  This work was mastered by EMastered.com.  Publication soon.

The work is in three movements with only a slight pause between movements: Andante Rondo, Lento, Andante Rondo

Performance time is about 17 1/2 minutes. 

Score and parts in printed or electronic media are available from www.CreativeSpiritOnline.com.

Piano Sonata No. 8

View/Buy Score

Piano Sonata No. 8 (Now published at CreativeSpiritOnline.com)

Featuring the maestro that is Jamie Rhind! Originally written in Jan 1999 and re-recorded to mark the turn of 2024, showcasing Jamie's sublime laid back keywork.
Jamie Rhind - Piano solo
Andy McLean - Soprano saxophone, EWI, Keyboards, Bass, Drum programming, Composition

New Beginning (feat. Jamie Rhind)

Creative Spirit Online: "Colorful and engaging from beginning to end, this is the latest of Robert John Brooks’ virtuosic offerings. The three movements (Rondo, Variations and Finale) are scored for large orchestra—a twenty-minute journey through sometimes tender, often energetically playful, occasionally threatening, and ever-changing musical textures. Brooks’ musical gift lies in his ability to create highly structured, clearly defined musical gestures within the context of a challenging and thoughtful harmonic and rhythmic language."

“Contrapunctus III” was completed in February 2024 in Fairview, TX. The work is in three movements: Rondo, Variations, and Finale'. Performance time is about 20 minutes. Printed and electronic copies of the score are available now and instrumental parts will soon be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. For the best listening experience, high quality headphones are recommended. This recording was mastered by EMastered. 

Instrumentation:
2 Flutes. 2 Oboes, English Horn, Eb Clarinets, 2 Bb Clarinet, Bass Clarinet, 2 Bassoons, Contrabassoon, 2 Horns in F, 2 Trumpets in C, 2 Tenor Trombones, Bass Trombone, Tuba, Timpani, Percussion, Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2024

Contrapunctus III for Orchestra

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Free Download

Free Download Album "Terminal"

Ride On - Tom and the Cats

The song "The Golden Man" describes a figure of inspiration and freedom, represented by the "Golden Man." This character is symbolic of overcoming challenges and embracing dreams. The lyrics convey the idea of not dwelling on past shadows and instead embracing the journey ahead. The Golden Man is portrayed as a beacon of hope and encouragement, urging listeners to release negativity and embrace a sense of liberation.
"The Golden Man" seems to depict a symbolic figure who represents inspiration, freedom, and positivity. The lyrics suggest that this figure, the Golden Man, embodies qualities that inspire and uplift individuals, urging them to move forward despite challenges.
The song describes how the Golden Man is always present, either or in dreams, providing support and encouragement when needed. The imagery used in the lyrics, such as "riding a rainbow" and being "sumptuous" and "colourfully clean," evokes a sense of vibrancy and optimism associated with this figure.
The refrain emphasizes the importance of letting go of negative thoughts and embracing the freedom symbolized by the Golden Man. It suggests that dwelling on past hardships or uncertainties serves no purpose and that one must instead focus on moving forward with positivity and determination.
Overall, "The Golden Man" appears to convey a message of hope, resilience, and the power of optimism in facing life's challenges.
Song written by Martin Flynn 
Vocals Diana de Rooy 
Words and Keys Phil Smith

Golden Man

A track I created about 8 months ago. I had it posted but then removed it for more editing. Figured it was time to let it see some light...all vocals music and production done by this guy....enjoy...

When you find yourself
When you find yourself sitting alone
When you find yourself
When you find yourself sitting alone
When you tell yourself 
When you tell yourself it'll be okay
When you tell yourself 
When you tell yourself it'll be okay

And you know
And you know

When you find yourself
When you find yourself sitting alone
When you tell yourself 
When you tell yourself it'll be okay

And you know
And you know

And You Know

I created a music video for this. You can watch it at  
https://youtu.be/koyrqkYnAC4?si=tj3jBuujwj__zMPj

This is an Improv. Each track is layered at the piano. I have been a bit down lately because I am not well. Life is hard right now. It has made me very conscious of how precious time is, and how fast it is going by. We always think we have more time and therefore we waste it on things that don't matter.

I am computerizing all of the music, piano arrangements, lead sheets, lyrics along with photo shoots over the past 50 years in an attempt to document who I am and where I was at each stage of my life and music. I was never even close to being well known but that has little to do with the enjoyment of creating music or the quality and the personal growth we go through during life. My children were with me from birth as I played music around the country but I doubt if they know or even remember the music I wrote throughout their life, so how will their children and grandchildren understand who I am? When you create music it is like a diary. As I enter it into the computer note by note I am reliving the time when it was written. I didn't "decide" to be a musician. It wasn't a choice. It is who I am since I was born. It was always there. I need more time . . .

Searching For Hope

Love frequently comes at a price among divided communities. But for some, it’s just more real than prejudice or fear, whatever the consequences.

Tears And Ashes

A Love That Can't Be Named

The isle of Inishmore and the other Aran Islands off the west coast of Ireland hold a mythic significance within Ireland’s cultural heritage (it’s where the great Irish playwright Synge, amongst others, went to immerse himself in the Irish language and its creative spirit). This tribute is something of a dreamscape inspired by the strength of the Celtic soul and the majesty of the scenery. The themes embodied - exile, love/longing and the dream of redemption - are elemental within Irish poetry and song. If this little offering adds anything to enhance the special place which Ireland holds in many of our hearts (or soothe, even for a moment, any of its wounds) it will have fulfilled it’s goal.          

Lyric Vid link:

https://www.youtube.com/watch?v=jIDCC6J1fdg

Inishmore

“ ….There is a crack in everything, that’s how the light 
   gets in … “

Sorry, I cannot read or send private messages. Try to contact me on Ig: pativio. Thanks

Sometimes introspective; always driven by a wider social conscience and a sense of human fragility. Touching on topics that tear at the heart of the human condition (loneliness, love and loss, homelessness/poverty, social exclusion).  And, there again, what’s a songsmith if not a conjurer of dreams? Dreams to lift us, if but for a moment, above the dull vicissitudes of life. Dreams of a world reimagined, that brave souls will always aspire to whatever the cost (Martin Luther King Jr...). A glimmer of unfeigned empathy. A glimpse of sunshine after rain. Music offered as a little healing for troubled times; a solace for the soul; a little heartfelt scattering of dreams - tread softly! 'Our life is no dream; but it ought to become one, and perhaps will' (Novalis)

A Love That Can't Be Named

Dave Mohan

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