working on their tunes both new and old, images from their monstrous collection of selfies and amateur model sets. originally from Rouyn-Noranda in Quebec. https://sournois.bandcamp.com/

singles

the twins

they'll turn everything into a red hot mess while they love you death. 🔪 spammy repost playlist of this new rework, and the original version at the end.

red as you are

🩸blood🩸

as red as you are. lyrics and d/l here https://sournois.bandcamp.com/track/--2

Bleed

🩸Ƀłɇɇđ🩸

at Shelley's insistence, re-uploaded for V-Day 🙄, her wonderful rendition of Helen Kane's "I Wanna Be Loved By You", which entered the public domain early last year.

Wanna be *re-upload*

a slight remaster/extended edit of a song Loren did last Spring. kind of spinning my wheels here in regards to their stuff while they're still away, new material by them is slow coming in the meantime. original: https://soundcloud.com/david-attic/loren-sournois-night-pass

Night Pass (md(re)ma(ster))

looped and heavily modified a segment of an unfinished song the girls were working on before they went overseas. even though they love and also make different types of electronic music, they'll always be shoegazers at heart.

dazed & amazed (& phased & glazed loop mix)

some minor tweaks, and some shortening edits. original full length version and description can be found here: https://soundcloud.com/david-attic/pigs-covert-mix-1

Pigs (radio fadedit)

this is a reworked remaster. telling of our dark sense of humour, utilizing an 'instructional' idiom. to be clear we're not promoting the end result, the girls and myself have lost several over the years to this of whom we miss dearly. original: https://soundcloud.com/david-attic/loren-sournois-down-the-road

Down The Road (rivulets rework)

a darker shade of them taking things too far. original version: https://soundcloud.com/david-attic/bleed

🩸bleed🩸 (redrumble rework)

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

🩸Ƀłɇɇđ🩸

daVId attic