continuing to test things out, the mix sounds like shit BUT this was made with all vsts set to 'render' (instead of tracking/mixing/studio, etc) with a much lower latency (used to have to max the latency in things like Serato Studio or standalone Arturia synths)

timid bearings

Produced by Accent Noir for Accent Noir Music 2025
 
Mixing and Mastering by Accent Noir 2025

Hadron

2025 Fall Daily Jamn Sesh no. 10

Read more about this project - https://spooqs.space/fall-jam-sesh-2025/

Art is a page from the coloring book "Cactus and Succulent Calm" 
by my friend magic_crackers (https://www.instagram.com/magic.crackers/)
Check it out here:  https://www.amazon.com/dp/b0fcr5kw8r

Coloring by review_boogaloo - https://www.instagram.com/reviewboogaloo/

Grove of Lanterns (Demo)

🔗 Listen & support:
Spotify · Bandcamp · YouTube · more → linktr.ee/amb1Matt3r

🎧 Music for:
sleep · deep focus · meditation · inner drift · slow time · space dreaming

📎 Tags:
#ambient #drone #granular #spacemusic #sleepmusic #darkambient #soundscape

Aeralis

Noctilucent Clouds (System Slave)

Photo: Netherlands, 2025.

The original version of this track has a repeating minimalist drum loop. Fellow musician ElektRoman The Biomind suggested a version without the drums so here we are 'sans batterie'.

As ever, listen all the way through = good karma... thank you.

Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: PRS CE24 into Archetype Mateus Asato and a Godin Montreal archtop into NI GuitarRig.
Keys: various VST from NI and Arturia. Strings are Crow Hill Small String Gestures with a Crow Hill Dot Allison Dulcet Voice that sparkling pad that comes in.
Mastering: Ozone 11 Standard.
DAW: Ableton 12.

Bandcamp

Contrast - sans batterie

This assignment fitted with the track I was working on at the time, a single-take improv on a recent Naviar Haiku Challenge track. I simply added some reverb to mask a couple of misjudged moments and a “space” version courtesy of Abstract Chamber. I enhanced the fade-in and fade-out which were a bit faint.

The title is from Ray Bradbury’s “The Fog Horn”

“I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life."

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There is just one step this week. You’re now recording music under the name Dense Fog Advisory. Record a new track, appropriate to your name.

More on the 716th weekly Disquiet Junto project, Dense Fog Advisory — The Assignment: That’s your band’s name; now record something — at https://disquiet.com/0716/


More on the Disquiet Junto at: https://disquiet.com/junto /

All of the fog that ever was [disquiet0716]

Electric Shapes

A piece inspired by the botanical garden in Lausanne.

Cyclamen hederifolium

Bristlecone pines

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

timid bearings

daVId attic