I can see it

Holding On is released on all digital platforms, 7 June 2024. It was recorded by Zoe McVeigh (vocal, guitar and bass) and Leila O'Sullivan (drums). It was produced and mixed at Unit 13 Studios by Paul Tipler, and mastered by Katie Tavini.

Press: marigetinherears@gmail.com
LIINES: weareliines@gmail.com

Holding On

Holding On – LIINES

Bitter medicine

Ryu / Acoustic guitar, Program, Voice
Pablo D. Martin Fontana / Electric guitar
https://soundcloud.com/pdmf-2023


The increase in asylum seekers from the future has become a social problem.
In their world, it seems, one can't choose how to live, and one can no longer die.

They did simple jobs that were inefficient with machines.
Provided a minimal living, but it was only a minimum one.

They are waiting for the end of the world.
Feeling hopeless and taking bitter medicine.

Disconnected from the network for the first time in their lives, they look uneasy.
They have never chosen or made a mistake.
That hinders social participation.

They have no sense of belonging to a country because the borders have changed so many times.

They live in hiding in a society of the past.
Feeling hopeless and taking bitter medicine.

Their presence is a huge financial burden, but sending them back is not easy.
There are humanitarian issues and technical difficulties involved.

They seem normal, except for their use of strange slang.
They don't seem to be very good at expressing their opinions.

They've fled to this age in the hope of degenerating.
Feeling hopeless and taking bitter medicine.

Bitter medicine / collaboration with Pablo Dario Martin

'darlin''

Scratch Kelly: beats and backing vocals
Scotty: lyrics, vocals, guitars, art

Darlin'. You did leave me.
You set me free
from the chains you placed upon me.
And now I'm better off without ya.
Darlin'. I tried to plead.
Got down on my knees.
Still, you made my poor heart bleed
with your projections placed upon me. 

Oh, darlin'. I gave you everything
that you could need.
Yet in actuality
nothin' from me you were wantin'.
Now, darlin', I see through your screen
after smokin' the green
and it makes me believe 
that I'm better off now without ya.

darlin' (with Scratch Kelly)

https://sournois.bandcamp.com/album/caught peek-a-boooo.... kidding aside there's a nod to "Sweetly" by Diana Corsini, Benjamin and Riz Ortolani, which was featured in the cult horror "House on the Edge of the Park" (1980), and later a plunder-noise version surfaced by Atrax Morgue, among other covers.

Caught

"Caught"

Now its Sommer Time and we must make a litel bit 
Summer Chill, Thanks so much for your Help,
Great Sax Pervormance by Joerxworx
https://soundcloud.com/joerxworx

Lunatics 144 The Devils Ride / Joerxworx & Ratzzz

Lunatics 144 The Devils Ride 😈/ Joerxworx & Ratzzz

The third movement of the String Quartet No. 19 (2024).

Pawel Strzelecki: 3. Scherzo [String Quartet No. 19 "Hast" (2024)].

In the velvet expanse of the night sky, where ancient myths collide with stardust, “Orion’s Echo” unfolds. This celestial composition pays homage to the mighty hunter, Orion—the constellation that guards the cosmic gates.

Orion's Echoes

Friendly Dr. I.V. Death

The Traveller's Deadly Romance

The second single from the upcoming Slowly album 'North Shore', out everywhere September 26, 2025. #shoegaze #grungegaze 

Listen and pre-order on Bandcamp: https://slowlymusic.bandcamp.com/album/north-shore

Listen on Spotify: https://open.spotify.com/album/5ER53nI8yU2VAdkF5l9m4s?si=GpJVG5fiTh6CbcgSSXX0HA

Listen on Apple Music: https://music.apple.com/ca/album/weeping-machine/1817827929?i=1817827930

Listen on Bandcamp

Weeping Machine

This one was the hardest song I’ve ever written. This and Red are both siblings; and they’re both chronicles of Love, loss, longing… and dreaming. I really hope you guys enjoy it. To all my hopeless romantics and irrevocable lovers, cheers 🥀
- it’s all for you 🧀 & 🍞

The Dreaming

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

"Caught"

daVId attic