major laptop upgrade, and with it comes a lot of configuring, transferring, deleting of bloatware and other troubleshooting. so i've been a bit quiet over the past week as a result... one thing i can do on this one that i couldn't do on the old one is run openvino music generation in Audacity, which is often laughably terrible sounding... this is an example, smooth jazz slowed down by 25% then run through oxide tape emulator>plasma>equinox>ozone 11 (i own most of the izotope catalogue)

𝙨𝙩𝙖𝙮 𝙩𝙪𝙣𝙚𝙙｡｡｡

LIVE!! on Radiovalencia.fm
LP Lounge Tues 10am-noon(PDT)
I grew up a drummer in a death metal band, this is something I always wanted to do😎follow, like…all that crap🤣

Never any AI in my music, just the pictures 😆🤷🏻‍♂️i can’t draw, but i can play just about anything 🤘🏻😎🤘🏻

https://open.spotify.com/album/3AJW2Z9Y1535vT9Adldd26?si=iXEIAC0ARcS1s5_-Dw1sQQ

http://itunes.apple.com/album/id/1792559626

https://music.amazon.com/artists/B0DTK23TK4?ref=dm_sh_iff5hslqCAMDYZmdRuamn7R8l

Gil Gámez : producción.
Mía León : diseño y edición.
Diógenes Tacuara : letra y arreglos.

Proyecto5813 pertenece al laboratorio audiovisual de CERCo21 (Centro de Estudios y Revisión Conrinuum). Un espacio que investiga lo que tienen en común una torre eléctrica y una palmera, los andes y los rascacielos, un microchips y una hélice de ADN. P5813 es un sintetizador que sondea las proporciones para orquestar sonidos, esculpir piedra, edificar ciudades y construir herramientas. Alquimia de Valores. No hay lugar para el arte por el arte mismo sino como producción estética. No es un deleite a los sentidos sino un choque psicológico que utiliza los sentidos como medio. Música para la vista. P5813 es la armonía entre la arquitectura de frecuencias  y un oscilador de punto-línea.
El ruido de la tecnología. Música hecha con los deshechos del capitalismo.

When i'm not playing video games....
...i listen to and create Music.
I get into everything: Abba to Zappa...Grindcore to Gershwin...Nine Inch Nails to Nina Simone...Mike Oldfield to My Bloody Valentine to Miles Davis
  I LIKE MUSIC....composing and listening   😎
For the record: I am a keyboardist and sometimes drummer. About 90% of  the keyboard work is me actually playing a Yamaha Midi keyboard. Now you know...

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

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daVId attic