some slight edits and texture modifications. which probably won't be noticeable to most listeners who've heard the original. https://soundcloud.com/david-attic/autumnflush

🍂༺𝓪𝓾𝓽𝓾𝓶𝓷 𝓯𝓵𝓾𝓼𝓱༻🍂 (re-leaf)

LIVE!! on Radiovalencia.fm
LP Lounge Tues 10am-noon(PDT)
I grew up a drummer in a death metal band, this is something I always wanted to do😎follow, like…all that crap🤣

Never any AI in my music, just the pictures 😆🤷🏻‍♂️i can’t draw, but i can play just about anything 🤘🏻😎🤘🏻

https://open.spotify.com/album/3AJW2Z9Y1535vT9Adldd26?si=iXEIAC0ARcS1s5_-Dw1sQQ

http://itunes.apple.com/album/id/1792559626

https://music.amazon.com/artists/B0DTK23TK4?ref=dm_sh_iff5hslqCAMDYZmdRuamn7R8l

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

All mixes on vinyl, mostly (dub) techno, minimal and deep house. Artwork by Pyracantha. Check his work at https://www.instagram.com/cornelisjames/#

🍂༺𝓪𝓾𝓽𝓾𝓶𝓷 𝓯𝓵𝓾𝓼𝓱༻🍂 (re-leaf)

daVId attic