graveyard4

Speaker feedback and voice
www.lesleyflanigan.com

Glacier

hako

From the album '' Jacob David - omkuld '' released by Moderna Records.

Listen/buy/download : 
Bandcamp : https://modernarecords.bandcamp.com/album/omkuld
Spotify : https://open.spotify.com/album/6akvgxd9939Fa5T9ftV0YY
itunes : https://itunes.apple.com/au/album/omkuld/id1046073355

Jacob David - Andachten 

composed by Jacob David

piano : Jacob David

guitar : Thomas Haahr 

ambiances : Thomas Haahr & Jacob David 

mixed & mastered by Morten Bue

-

music video : https://www.youtube.com/watch?v=yf4LZG5usUo

Jacob David - Andachten

Voices Of The Sea Ft. Marie Schreer

Pre-order the album on CD and digitally now at: http://antonymes.bandcamp.com/album/for-now-we-see-through-a-glass-dimly

Hidden Shoal is proud to announce the release of ‘Towards Tragedy and Dissolution’, the stunning new single by acclaimed neo-classical ambient artist Antonymes, taken from the forthcoming album "(For Now We See) Through A Glass Dimly".
 
Sonically minimal yet emotionally formidable, ‘Towards Tragedy and Dissolution’ features the stirring string arrangements of James Banbury (The Auteurs) and Christoph Berg (Field Rotation), which engage in reflective conversation with Ian M. Hazeldine's plaintive piano. Its emotional potency and compositional dexterity draws you into an evocative world, demanding engagement.
 
In addition to James Banbury and Christoph Berg, "(For Now We See) Through A Glass Dimly" also includes contributions from composer Stefano Guzzetti, Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring. It is released by Hidden Shoal on 21st April 2016.

http://www.hiddenshoal.com/project/antonymes/

This music is available for licensing. Email Cam at Hidden Shoal for more details: cam[@]hiddenshoal.com | www.hiddenshoal.com/licensing

Towards Tragedy And Dissolution

This is the first track from my second collaborations collection (Out 11th March) and features the amazing Yuri Kono.  

I have many talented friends and I love to work with people. After a few years I found I had a small collection of music that I wanted to share so started this Collaborations series. I am very lucky to work with such talented people. 


LUCY CLAIRE - Kawaita Tsuki / The Barren Moon Ft. Yuri Kono

Raintrain (live solo)
Brest - Le Quartz - 18/03/16
//
First set : classical & contemporary music / Ondes Martenot
> Ode Mystique by Edward Mickaël
> Eclipse & Sirocco by Oiseaux-Tempête & Christine Ott
> Barok End - Variation on Ennio Morricone Theme
> The Song of Songs by Karen Tanaka - variation cello & electronics version
> L'homme dévasté by Jean-Philippe Goude
//
Second set : Christine Ott solo, personal compositions / OM & Piano, from Only Silence Remains (2016) & Solitude Nomade (2009)
> A mes étoiles
> Szczecin
> Sexy Moon
> Improvisation / Ashes
> Raintrain
> Déchirures
> Solitude Nomade
> Danse avec la neige
> Tempête (Tabu)
-
Encore : 
> Disaster
//
Lighting, scenography : Mathieu Gabry assisted by Gaidig Bleinhant
Thanks to all Quartz crew, especially Denis & Anne
http://www.christineott.fr

Raintrain (Live solo)

A track from Fe-mail's double album Blister Toad, released on Asphodel in 2006. Fe-mail consisted of Maja S. K. Ratkje and Hild Sofie Tafjord.

Ballad

issu de CHRISTINE OTT - SOLITUDE NOMADE (2009)
cd, digital • Mon slip
bandcamp : https://christineott.bandcamp.com/album/solitude-nomade
• • •
1. Pensées sauvages
2. Tropismes
3. L'autre rive
4. Chemin vert
5. Tête à l'envers
6. Docks
7. Solitude Nomade
8. Lucioles
9. Déchirures
10. Lullaby
• • •
All tracks composed & performed by Christine Ott
Christine Ott: Piano, Ondes Martenot, harmonium, vocals.
Recorded by Thierry Balasse / La Muse en Circuit
•
Additional musicians:
Yann Tiersen - violin (1) 
Anne-Gaëlle Bisquay - cello (1,7,10) 
François Pierron - Double bass (1,7) 
Olivier Maurel - Vibraphone (2) 
Monique Pierrot - 2nd Ondes Martenot (4,8) 
Eric Groleau - Percussions, Drums (4,8,9) 
Thierry Balasse - Soundscapes (6,9,10) 
Marc Sens - Electric guitar (6,8) 
Karen Nonnenmacher - Cymbalum (7) 
Ophir Lévy - Oud (7) 
Piotr Odrekhisky - Accordion (7)
• • •
Les Inrocks : "La voilà, avec Solitude nomade, revivifiant son instrument avec des compositions originales, écrites au gré de ses souvenirs, de ses lectures, de sa vie sur la route, comme autant d’instants saisis dans les effluves d’une lumière astrale."
• • •
Commande CD sur demande
http://www.christineott.fr/disques.html

Pensées sauvages (feat. Yann Tiersen)

Honeyed Words

Varmints

Nautilus

Island Songs

Particles (Island Songs VI)

"Pure" By Roya Torabi
From The Project : A Piece (Peace) With No Manipulation

"A Piece (Peace) with No Manipulation"

A music without any manipulation; all the tracks from this project were improvised. This project has not been edited , mixed and mastered and not meet the standards of todays music industry. You may hear all the sounds that the composer could hear in the background while the tracks were being recorded.

For More Information : www.Royatorabi.com/experimental
Spotify: https://open.spotify.com/track/39zc4H92tBjKGrL92O8eYg
Bandcamp: https://1631recordings.bandcamp.com/album/pure

قطعه ی دست کاری نشده ، آرامش دست کاری نشده

موسیقی دستکاری نشده; تمامی قطعات این مجموعه فی البداهه نواخته شده، فاقد میکس و مستر ، و استاندارد های موسیقی امروزی را دارا نیست و البته اصوات طبيعي 
محیط اطراف، تمامي صداهايي كه خودم طي ضبط كردن ميشنیدم ، از مخاطب دريغ نشده

برای اطلاعات بیشتر : www.Royatorabi.com/experimental
Spotify: https://open.spotify.com/track/39zc4H92tBjKGrL92O8eYg
Bandcamp: https://1631recordings.bandcamp.com/album/pure

A Piece (Peace) With No Manipulation

Pure

Track taken from the upcoming album 'Letting Go Variations' by Kirill Nikolai...

http://fluidaudio.bigcartel.com/mailing-list



Letting Go Variations

Kirill Nikolai - Reconstructions, For Lack Of Anything Else

Postcards Reframed

Paris (Olivia Louvel Multiplié Remix)

Arranged and Produced by Madeleine Cocolas
Artwork by Lucille Clerc
Mastered by Ben Wiffen

Bandcamp: https://bigoandtwigetti.bandcamp.com/album/the-exquisite-corpse
Spotify: https://open.spotify.com/album/6BGukvyyYZakaNCSlCprsS
iTunes: https://itunes.apple.com/gb/album/stalactite/id1171077226?i=1171077248

We’re pleased to announce the first track from our new album  ‘The Exquisite Corpse’, created in collaboration with artists from one of our favourite record labels ‘Moderna Records’ and based on the surrealist game.

Taking Leah Kardos ‘Little Phase’ from our Summer Compilation as its starting point, the piece will be reworked by a series of composers and producers to create an album of tracks which continually evolve as each new version is passed from one artist to another, adding to and transforming material from the original piece. We’ll be releasing a new track from the album every 2-3 weeks so keep an eye on our social media for updates!

The Exquisite Corpse

Stalactite

Madeleine Cocolas - Stalactite

Taken from the upcoming album 'Year Zero'...

Audio/Field Recordings: Gideon Wolf
Mastering: James Plotkin
Photography: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Year Zero

Gideon Wolf - Falling

spin

Exclusive track from ambient experimentalist Specimens' debut album 'Sculptures'...

‘Sculptures’ is Alex Ives (AKA Specimens) most ambitious and daring project to date, following on from releases on underground imprint A Giant Fern, Amsterdam-based Shimmering Moods Records & the collaborative Specimens x Daniel Wiesmayr release, ‘Water & Concrete’ on London’s Tenderly Surrender - the title track of which soundtracked a short from film maker & director, Sophie Littman, premiered via Nowness.

Wearing his influences on his sleeve and with a nod to past and present noise pioneers such as Throbbing Gristle, Leyland Kirby, K.Leimer and Ben Frost, ‘Sculptures’ sonically pans between the dream-like fog heard on the track’s ethereal closer, ‘French Morning’, as well as, ‘Cerulean Forest’, and cold industrial textures prevalent on tracks such as ‘A Marble Hallway’ or ‘Thuvian’.

The lighter, more melodic passages perfectly hold together the record’s jagged, abrasive undertones, occasionally leaning towards a more classical feel in a way the likes of William Basinski and Sean McCann display with regular expertise - best illustrated on the tracks ‘Piano Loops’ and ‘VI.VI.MMXV’.

Ives, who also holds a monthly residency on London’s Radar Radio, said of this release “I didn’t want to make a record intentionally difficult to listen to, but I wanted uncomfortable moments. It was important for me to try and make the record sound as human as possible and in some places distinctly live"

This ‘human’ feel discussed by Specimens is partly achieved through utilising samples of Sudanese wrestling & Tuvan Throat Singing, adding a charm that prevents the record from ever feeling too slick.

'Sculptures' was mastered by iconic sound artist and Room 40 label boss, Lawrence English – a man who also was a key influence in the sonic palette harnessed by Specimens.

“I've been a huge fan of his for a while now, he was probably my first introduction into the ambient/drone world. I wanted to have it mastered by someone I know not only specialises in this music, but someone artistically I looked up to.”

Over the past 18 months Specimens has been collaborating and releasing singles and EPs at a pace that hints at an artist never fully satisfied with sitting on a project. It’s through this process the ambitious producer has not only broadened his creative sphere, but honed in on a sound that is unmistakably his own. The result is a record distinctly individual and unapologetically enjoyable to engage with.

‘Sculptures’ will be available on 13th January via First Terrace Records.

Norman Records: http://smarturl.it/sculptures-norman
Bleep: http://smarturl.it/sculptures-bleep
Juno Records: http://smarturl.it/sculptures-juno

Sculptures

Specimens - VI.VI.MMXV

Hello everyone, I would like to show you my new album "Pereehali". This is my third album, it was written and recorded in the summer of 2012. After a long writer's block that was caused by a very pretentious and bombastic second album I decided to make a really intimate, solo-piano work. I lived in the countryside during the recording sessions, and every recording was done by me tête-à-tête with my lovely piano in the wooden house. It was a priceless experience working and writing while having a close contact with nature, it helped me a lot to understand the music I compose, to make it more organic, touching and moving.


playing & recording // dmitry evgrafov 
mixing & mastering // martyn heyne 
cover // vika bogorodskaya 
special thanks to nils frahm & dave howell

graveyard4

David Batt