graveyard4

Speaker feedback and voice
www.lesleyflanigan.com

Glacier

The music, sounds, and vibrations encapsulated in this 160 minute DJ mix performed by .THE JASS. at ENTER. on July 4th 2013 in Space Club are not usually heard on the summer island paradise of Ibiza.  .THE JASS. played a total of 5 hours in the cave-like MIND room:  thick smoke, throbbing strobe lights, and metallic mesh stalactites created the dark dwelling for deep musical experiments in lower BPM ranges, heavy atmospheres, and hypnotic grooves - those who ventured within the MIND room were pulled into a black hole in the middle of ENTER.Experience.

Special thanks to Richie Hawtin for the opportunity to DJ at ENTER. It was an honor to be cloaked in the ENTER.MIND room. Additionally, many thanks to Anduin, Lesley Flanigan, and Tristan Perich for providing me exclusive unreleased songs to DJ for this event - their sounds along with 89 other tracks are captured throughout this two hour and forty minute set.

For more info about ENTER.
http://enterexperience.com

For more info about Anduin, Lesley Flanigan, and Tristan Perich:
https://soundcloud.com/anduin
https://soundcloud.com/lesleyflanigan
https://soundcloud.com/user887472760

For more info about .THE JASS.
https://www.facebook.com/dotTHEJASSdot
https://twitter.com/thejass

.THE JASS. DJ Set at ENTER. July 4th 2013 in Space Club Ibiza

"Pure" By Roya Torabi
From The Project : A Piece (Peace) With No Manipulation

"A Piece (Peace) with No Manipulation"

A music without any manipulation; all the tracks from this project were improvised. This project has not been edited , mixed and mastered and not meet the standards of todays music industry. You may hear all the sounds that the composer could hear in the background while the tracks were being recorded.

For More Information : www.Royatorabi.com/experimental
Spotify: https://open.spotify.com/track/39zc4H92tBjKGrL92O8eYg
Bandcamp: https://1631recordings.bandcamp.com/album/pure

قطعه ی دست کاری نشده ، آرامش دست کاری نشده

موسیقی دستکاری نشده; تمامی قطعات این مجموعه فی البداهه نواخته شده، فاقد میکس و مستر ، و استاندارد های موسیقی امروزی را دارا نیست و البته اصوات طبيعي 
محیط اطراف، تمامي صداهايي كه خودم طي ضبط كردن ميشنیدم ، از مخاطب دريغ نشده

برای اطلاعات بیشتر : www.Royatorabi.com/experimental
Spotify: https://open.spotify.com/track/39zc4H92tBjKGrL92O8eYg
Bandcamp: https://1631recordings.bandcamp.com/album/pure

A Piece (Peace) With No Manipulation

Pure

Taken from the upcoming album 'Year Zero'...

Audio/Field Recordings: Gideon Wolf
Mastering: James Plotkin
Photography: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Year Zero

Gideon Wolf - Falling

Exclusive track from ambient experimentalist Specimens' debut album 'Sculptures'...

‘Sculptures’ is Alex Ives (AKA Specimens) most ambitious and daring project to date, following on from releases on underground imprint A Giant Fern, Amsterdam-based Shimmering Moods Records & the collaborative Specimens x Daniel Wiesmayr release, ‘Water & Concrete’ on London’s Tenderly Surrender - the title track of which soundtracked a short from film maker & director, Sophie Littman, premiered via Nowness.

Wearing his influences on his sleeve and with a nod to past and present noise pioneers such as Throbbing Gristle, Leyland Kirby, K.Leimer and Ben Frost, ‘Sculptures’ sonically pans between the dream-like fog heard on the track’s ethereal closer, ‘French Morning’, as well as, ‘Cerulean Forest’, and cold industrial textures prevalent on tracks such as ‘A Marble Hallway’ or ‘Thuvian’.

The lighter, more melodic passages perfectly hold together the record’s jagged, abrasive undertones, occasionally leaning towards a more classical feel in a way the likes of William Basinski and Sean McCann display with regular expertise - best illustrated on the tracks ‘Piano Loops’ and ‘VI.VI.MMXV’.

Ives, who also holds a monthly residency on London’s Radar Radio, said of this release “I didn’t want to make a record intentionally difficult to listen to, but I wanted uncomfortable moments. It was important for me to try and make the record sound as human as possible and in some places distinctly live"

This ‘human’ feel discussed by Specimens is partly achieved through utilising samples of Sudanese wrestling & Tuvan Throat Singing, adding a charm that prevents the record from ever feeling too slick.

'Sculptures' was mastered by iconic sound artist and Room 40 label boss, Lawrence English – a man who also was a key influence in the sonic palette harnessed by Specimens.

“I've been a huge fan of his for a while now, he was probably my first introduction into the ambient/drone world. I wanted to have it mastered by someone I know not only specialises in this music, but someone artistically I looked up to.”

Over the past 18 months Specimens has been collaborating and releasing singles and EPs at a pace that hints at an artist never fully satisfied with sitting on a project. It’s through this process the ambitious producer has not only broadened his creative sphere, but honed in on a sound that is unmistakably his own. The result is a record distinctly individual and unapologetically enjoyable to engage with.

‘Sculptures’ will be available on 13th January via First Terrace Records.

Norman Records: http://smarturl.it/sculptures-norman
Bleep: http://smarturl.it/sculptures-bleep
Juno Records: http://smarturl.it/sculptures-juno

Sculptures

Specimens - VI.VI.MMXV

Hello everyone, I would like to show you my new album "Pereehali". This is my third album, it was written and recorded in the summer of 2012. After a long writer's block that was caused by a very pretentious and bombastic second album I decided to make a really intimate, solo-piano work. I lived in the countryside during the recording sessions, and every recording was done by me tête-à-tête with my lovely piano in the wooden house. It was a priceless experience working and writing while having a close contact with nature, it helped me a lot to understand the music I compose, to make it more organic, touching and moving.


playing & recording // dmitry evgrafov 
mixing & mastering // martyn heyne 
cover // vika bogorodskaya 
special thanks to nils frahm & dave howell

Glacier

lesleyflanigan

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