Written, Produced and Mixed by Fabian Birzele
All instruments played (or programmed) by Fabian Birzele
All Vocals by Carina Pusch

For guitar sounds we use Amplesound guitars (in this case all guitars I call my own: finger picking is played on the AGL, strum patterns on the AGM, E-Guitar layers and the solo are performed on an AGG - played through NI Guitar Rig 5) and the fantastic new Amplesound Jazz Bass (AJB) is - well the bass... Organs are played using Native Instruments Komplete. Drums are from EZDrummer. Mastered using Izotope Ozone 7.

I might not be a rockstar.
might not be a movie queen.
I might not be a millionaire,
might not be the woman of your dreams

I won't fly you to the moon,
won't leave you breathless when I enter the room
but anytime and anywhere,
I promise I will always be right there.

I might not be a supergirl,
might not be your Mrs. Right.
I might not be a superbrain,
I might not be the one you kiss tonight

I am the one who really loves you 
and I will stand by you whatever we go through

C | F | am | Dm G 
F | Em | Am | G | Dm | G | Am | Em G | C -1

Winter

Might

Music and vocals by Andrew Richardson
Lyrics by David Gardiner

Big Jim Harrison, the Commander of the Belfast Brigade of the IRA, falls into a reflective mood and has a vision of the carnage he is about to set loose in initiating a new uprising against British rule in Northern Ireland.

Circumstances gave me this position, 
Put the steering wheel of history in my hands
The barricades are rising in this city 
And the rival groups are taking up their stands.

In a little while the taunting and the shouting 
Will turn to something nastier by far
Bullets will replace the broken bottles, 
Just watch them as they ratchet up the bar.

Once more the IRA will spring to action, 
Once more the cause of freedom to the fore
Another chance for Irish liberation, 
A united land to last for ever more.

And even if we fail in our objective, 
Our heroes and their exploits will be sung
And future generations will revere us, 
When the bell of freedom finally is rung.

Once more the fertile soil of chaos beckons
For revolution’s seed is well prepared
The young are more than willing to come forward
I pray to god that some of them are spared
I pray to god that some of them are spared



Circumstances

acoustic, me and my guitar.  It is midnight, I should be in bed but I really wanted to play this song. so...here it is in all of it's glory and mistakes and imperfections...

Universal Soldier

Brand new track to Soundcloud from Janis.

Lyrics to Swannanoa:
Swannanoa, I can hear you
call my name upon the wind
If I fall behind, don’t worry
You will see my face again
You will see my face again

Swannanoa, I am longing
for my home so far away
I will carry you within me
from the cradle to the grave
From the cradle to the grave

	And the mountains and the mist
	and the white clouds they kissed
	And the sweetgum’s perfume
	in my hair

When these hard times have passed
I will see you at last
Swannanoa, I’ll be home to stay
Oh my darling, I’ll be home to stay


Swannanoa

Music, vocals and guitar: Dayna Lynn (https://soundcloud.com/dayna-6533185)
Lyrics: David Gardiner

This is a brilliant 'working version' of the song that we can use on stage. Lily's version, while beautiful, isn't suitable for the scene in which the song occurs. It occurs in an intimate and seductive scene in which the 'Girl' of the title strolls up the aisle, full of sweetness and false innocence, flirting outrageously with individual men in the audience and finally walking off arm in arm with some soldiers who are seated around a late-night campfire on stage. It's a slow, sultry mood piece. Originally I imagined it sung to the melody of a lone harmonica or possibly a honky-tonk piano, but Dayna's guitar version is equally practical. One of the soldiers starts to strum on a guitar, the girl wanders in at the back of the theatre and strolls down the aisle flirting outrageously with the male members of the audience as she sings this song. I think it will be a great scene!

A Girl Who Gets Around

I‘m a girl who gets around
Every corner of this town
And I know just how to please
These young men from overseas

Or if you’re with the IRA
That is totally okay
For it’s only night-time play
Just a different shade of grey
And I’m a girl who likes to get around

I‘m a girl who gets around
In a very troubled town
Not a Catholic or a Prod
‘Cause I don’t believe in God
Which you may think rather odd

Convent school in sweet Tralee
But the sisters would agree
It just wasn’t right for me
So to here I had to flee
I’m just a girl who likes to get around

I haven’t any politics, don’t cheer for any side
I haven’t any hatred, my heart is open wide
I’m full of love for everyone
In this I take a pride
I’m just a girl who likes to get around

I’m a little like your mother
And a little like a priest,
So tell me what you’ve bottled-up that needs to be released
You can tell the girl that likes to get around

If you’re lonely or unhappy you can always come to me
I can make your burden lighter for a very modest fee
You can tell the girl who likes to get around
Tell the girl who found a way to make her favourite hobby pay
You can tell the girl who likes to get around

A Girl Who Gets Around (Stage Version)

You Hide Your Face

Easy to Love (EP)

The Man - Natalie Lucie (Easy to Love EP)

A Good Man Is Hard To Find

All instruments played, vocals, composed, recorded, produced, photo by Samuel Christen

Watch the video on Youtube !
https://www.youtube.com/watch?v=3hTKwYKEdPQ

Lyrics;

I'm driving alone on the highway
I'm driving and the sun is slowly going away
The sun my only friend leaves me with the night
I'm the late sun driver, driving slowly in to the night
I'm the late sun driver, the night my only friend
I'm driving slowly in to the night
I'm the late sun driver, driving slowly in to the night
The sun is leaving, letting me alone with my new friend, the night
I'm the late sun driver

Late Sun Driver

a cover of Donovan's Happiness runs.  it is a bit of a repetitive song, but I love it and thought Id add a bit of a twist to it, Dayna style.  hope you find some joy in it.  hopefully you feel happiness!

Happiness Runs - Donovan cover

Make You Feel My Love

I would like to thank all the singers, songwriters and others who helped develop this project over the course of the last three years, most especially Roger Wicks, Andrew Richardson, Dayna Lynn, Rick Hayter, Leon Rosselson, Becky Simpson, Lily Brooke, Barbara Korner, Hjalmar Nordén, Dieselle May, Jean Lui Toudou, James Fraser, William Playle and Claire Flanagan. Apologies to the people I have left out, of whom I fear there are probably many. 

The musical was created as an 'open source' project based on my 2011 novel 'Engineering Paradise' ( https://www.amazon.co.uk/d/Books/Engineering-Paradise-David-Gardiner/095693790X ) in which I was responsible for the script, including the song lyrics, Other kind people turned my words into songs and recorded the demo versions that you will find here.

The complete script with lyrics and scores, which is essentially finished now but may well undergo revision in response to experience gained from stage performances, is free to download from http://davidgardiner.net/Engineering_Paradise_the_Musical.pdf . Printed copies are also available from http://www.lulu.com/shop/david-gardiner/engineering-paradise-the-musical/paperback/product-23152678.html at £4.64 + postage, which is cost price and includes no royalty element.

'Engineering Paradise the Musical' is a Public Domain intellectual property. There is no Performing Rights fee or payment of any kind  required for performing this work

The action takes place in 1960s Belfast, where Roman Catholic Grammar School boy Danny builds a pirate radio transmitter, falls in love, sleepwalks into the IRA and discovers too late the Faustian nature of the bargain that he has made, and the real motives of those he has trusted. The title comes from a Stafford Beer quote:

'The Holocaust has shown us that the creation of hell on earth is just a matter of engineering. The creation of an earthly paradise is an engineering problem also.'
Stafford Beer (1926 – 2002)

The work has a 'folksy' 1960s atmosphere, and  the cast includes teenagers of both genders as well as parts for adults. It is intended for production by small 'amdram' or student theatre groups.  

If you might be interested in staging the work, or contributing to the project in any other way, please email me at:  sirat@davidgardiner.net