Fuzzy Thinking

Recorded sounds provide a rich and extensive palette of colors and textures.  I like to glean what I can from single short samples of sound.  I particularly like squeaks and creaks.  Lately, I've become enamored with the enormous selection of vinyl records available on archive.org.

After 30 year break I return to my root in electronic music. 

See my music at: https://www.youtube.com/@Elektrokaiser24

To all promotors: I don't need promotion!

My vision is to democratize electronic music. Many electronic instruments have the ability to be programmed harmonically and rhythmically that it gets easy for everybody to improvise without technical or instrumental knowledge. That's the main reason why my focus is on electronic music in the wide field of ambient, experimental and EDM.

For the gadget fans, here is some more equipment that makes up my production environment:
Korg MS 2000
Torso S4 sampler
M-Audio Triggerfinger Pro

The core idea of Elektrokaiser is the live experiment of electronic music lab together with the audience.
Experiencing the joy and pride that people show when they dare to join in and try out is so rewarding. 
Empowerment for all in an area that is usually exclusive to the skilled artist is the key here.

Therefore:
ALL MY TRACKS YOU WILL FIND HER ARE LIVE RECORDED FREE FROM ANY POST PRODUCTION!

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Curly Compositions from a German Composer.

Fuzzy Thinking

Climate-Walker