Wonderful ambient! You did it really well! Amazing atmosphere and full of emotions in this song!

strong ambiance, profesional mixing and concept. i love the nature sfxs

Beautiful just beautiful. Great ambiance.Well made 👍

Voici ma quatrième création (remix) en collaboration avec le 'Channel Musicon'. Pour cette fois, en entendant la magnifique voix de Fabian Cleveland (Cleve),  j'ai décidé de faire un voyage en Jamaïque et de créer un reggae relax. Les artistes présents sur cet enregistrement sont Marie-Christine Tremblay aux back vocals, Pierre Larouche au piano, Alain Picotte à la contrebasse et moi-même à la guitare. Le tout encore superbement mixé et masterisé par Martin Larose au studio Septentrio.  Bonne écoute!

Here is my fourth creation (remix) in collaboration with 'Musicon Channel'. For this time, hearing the beautiful voice of Fabian Cleveland (Cleve),  I decided to take a trip to Jamaica and create  relaxed reggae. The artists on this recording are Marie-Christine Tremblay on the back vocals, Pierre Larouche on the piano, Alain Picotte on the double bass and me on guitar. All still superbly mixed and mastered by Martin Larose at Septentrio studio.  Good listening!

New Day

New Day (Ft: Fabian Cleveland)

New Day (Ft. : Fabian Cleveland)

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

Magic Hour

Home

Foot to the Floor

Outrunning the Night

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Outrunning The Night

Introducing "Those Were The Whispers" by The Dark Messiahs, a captivating jazz hop instrumental that effortlessly merges the smooth allure of jazz with the rhythmic cadence of hip-hop. Led by the masterful keys of Sonny Rhodes, this track takes listeners on a journey through a jazzy landscape filled with intrigue and emotion.

Driven by the dynamic rhythm section of Sticks Thompson on drums and Wilt Flowers on bass, the groove is infectious and irresistible, setting the stage for the melodic explorations of Art Masters on clarinet, and Blue Six on trumpet. Their intertwining melodies weave together seamlessly, creating a rich tapestry of sound that is both soulful and exhilarating.

Together, these talented musicians bring "These Were The Whispers" to life, inviting audiences to lose themselves in its hypnotic rhythm and unforgettable melodies. Get ready to groove to the beat of The Dark Messiahs' jazz-hop fusion masterpiece.

Those Were The Whispers - The Dark Messiahs. Jazz hop instrumental. Jazz hop type beat.

this is another guitar driven instrumental. it was recorded in May 2024 wth a Bc Rich Mockinbird and a Marshall MG100HDFX head.

https://soundcloud.com/earth-patriot/lucid-dreams

Lucid Dreams

NickJC Far Away Ft Junior Paes

Tonight I recorded the sound of thunder and rain and then started to play the flute on it. It's a Schreiber Selecta Flute, I'd played with a few years ago that was at my parents' house 🙂 I started to play on these sounds of nature, letting myself go as if the flute's melody became a prayer, an echo to this thunder. 

As it says in the Psalms, "The voice of the Lord is over the waters, the God of glory thunders, the Lord thunders over the mighty waters" (Psalm 29:3).

The beauty of nature's sounds, the gentle patter of rain, and the powerful rumble of thunder, creates a soothing ambiance that calms the soul. These natural symphonies invite us to turn our gaze towards the Creator, reminding us of His presence. Music, like the sounds of nature, becomes a vehicle of prayer, an appeal to God. 

Cover art by www.fiverr.com/s/lqkl9a

Prayerful Echo

A tune about living and (maybe even) lying. The last single up before my next album release.

A good lie

A Good Lie

L͊a̓ M͕o̽r͜s̈́u͙r̞e̒ d͙u͜ F͖r̞o̾i͓d͔

My music defies convention, eschewing strict technical boundaries in favor of allowing the raw essence of the soul to flow freely.

For me, music is more than just a collection of sounds; it's a profound expression of the soul's deepest emotions and experiences. I place a special emphasis on this ethereal connection. Music, in my view, possesses the power to produce vibrations that resonate not only in the visible realm but also in the hidden depths of our consciousness. It is a universal language, transcending cultural and linguistic barriers, capable of forging connections and speaking directly to the core of our being. It propels us toward uncharted horizons, inviting us to embark on a transformative journey of self-discovery and emotional exploration.

Prayerful Echo

David Herreman

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