I make music in my spare time, for spare change ;)

Debut mixtape Sensual Melodies - May 7th

favorite mashups by various dj's and mashup producers.

 main channel=> https://soundcloud.com/mixessss3

instagram @ fsomber
Also on Spotify, Apple Music, iTunes ext.

Contact Email: somberproductions@gmail.com
For features, DM me on social media or email me.

Independent artist and actor from Markham, ON, Canada 

Follow me on IG for music updates, etc.  ↙️

ROCK_MASHUPS VOLUME 4 
1) https://rapidshare.com/files/3186405419/rock_mashups_vol4.zip
2)https://hotfile.com/dl/157067189/98e59a6/rock_mashups_vol4.zip.html
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THERE'S TONS OF MASHUPS OUT THERE AND THERE ARE MANY TYPES, BUT THERE'S NOT ENOUGH TRUE ROCK MASHUPS. JOIN OUR GROUP AT http://soundcloud.com/groups/rock_mashups
** 
ARE YOU TIRED OF THE LOW BIT RATE (128K) VIDEOS ON YOUTUBE? ARE YOU TIRED OF WEEDING THROUGH ENDLESS AMOUNTS OF SONGS THAT HAVE WRONG TAGS AND WEREN'T QUITE WHAT YOU WERE LOOKING FOR? DO YOU WANT A CENTRAL PLACE FOR JUST "ROCK MASHUPS"? IF SO, COME JOIN US! 
**

IF IT IS NOT AT LEAST 192KB, PLS DON'T UPLOAD IT. SONGS ARE SCREENED AND APPROVED BY AT LEAST 5 OTHER CONTRIBUTORS TO THE GROUP BEFORE THEY ARE ADDED (this number will increase as the group size grows). BUT IF IT'S A ROCKIN MASHUP--EVEN WITH HIPHOP, POP, OR CLASSICAL--IT'S IN HERE!! NO TECHNO, DUBSTEP, REMIXES OR MIXES (There's enough support for that already) :) 
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Note: if the moderators are not unanimous, then a percentage of members of the group are selected at random to be emailed a vote on any track submitted to this group. The number of moderators and votes increase as the group membership increases.

New album ‘is’ out NOW & tour tickets on sale! 💟🎉☮️

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

David Obermeyer 1 is following