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Music, Mix and Mastering: Karin-Maria Brunner                                                                                 Vocals & Lyrics: Janne Hennie

The full album is out now, and you can hear it on all platforms .. Spotify,  YouTube etc.  
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Thanks to Karin-Maria Brunner for a fantastic job with this!
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Not Only Grey

Housenick - Cold Blooded

https://music.youtube.com/watch?v=W_qjz5m8S7g&feature=shared



https://open.spotify.com/album/046WKa7teTRt07Bw36v5E0?si=aDnnybHYRsKP8hXW4uck7g


https://music.apple.com/it/album/profondo-e-sprofondo/1814120944?i=1814120945&ls

https://music.amazon.it/albums/B0F8GRZYN3?marketplaceId=APJ6JRA9NG5V4&musicTerritory=IT&ref=dm_sh_8KnB3QLDGzy1Elp0jYrV1XaED&trackAsin=B0F8GL8K6F







Profondo e sprofondo.mp3

WATER TO WINE
 
Words & Music: Goff Johnson
Vocals: Todd J McLean
Keyboards & Rhythm Guitar: Goff Johnson
Drums and Hammond Organ: Kat Hendrix
Lead Guitar: Tim Porter
 
Mixed and Mastered by Kat Hendrix at Absolute Time Studios, Vancouver, May 2025
 
About the Song

"Water to Wine" is a song about the appeal of perfection we often see online, contrasted with the seemingly unremarkable and ordinary lives that most of us lead. It’s a reflection on the emotional toll that comes from chasing validation through likes and follower counts— and the emptiness that can follow when the spotlight fades.

Our value, though, goes far deeper than what shows up on a screen and authenticity holds more power than appearances. Take a deep breath and if we look up from the scroll and take a brave look at the world — and each other — we might find something much more real!

Behind the Song (from Goff Johnson)

Ironically, while the message of the track talks about isolation and the cost of surface-level connection, the making of Water to Wine was the exact opposite of that! It came to life through collaboration with the incredibly talented Todd J McLean, who, in addition to his awesome vocals, and red-hot music connections, also created the cover art (Woman in Yellow Chair) for the track! The overall result is something far richer than either of us could have created alone.

Working together brought depth, direction, and new energy to the song — proof that the best things happen when we connect for real. No filters, just music, shared purpose, and mutual trust!

Final Notes (from Todd)

This is my first collaboration on SoundCloud. I could not have been more fortunate than to work with Goff Johnson, an immensely talented singer/songwriter/musician. When I first came across Goff, I listened to his entire Stories of Stardust album end-to-end and I was so impressed with this concept and significant body of work. I highly recommend checking it out on Goff’s SoundCloud page. https://soundcloud.com/goff-johnson/sets/stories-of-stardust?si=9db35566a42747b9b63a5780334f67ea&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Although Water to Wine is not part of Goff’s Stardust series, it is nonetheless a beautifully written song and it’s been a privilege for me to sing it. Besides, I love to sing the Blues. Thank you so much, Goff!

We owe a huge shout-out to both Kat Hendrix, a master musician and our producer, and Tim Porter, a virtuoso on guitar. It is a real privilege to work with these West coast legends.

Lyrics: 

Verse 1
Someone wrote a playbook for perfection 
with lives of photo ops, their outtakes seldom seen 
today a star, the next you’re a pariah 
“Be Kind” they say, but that ain’t what they mean 
 
Chorus: 
Well I never watched the water turn to wine, 
and i never took a flower out of the desert, 
but i walked until my feet bled, and I looked until I was blind, 
and I reached out for a hand to hold in mine 
 
Verse 2 
Well there’s nothing quite as quiet as “the silence” 
after fame has passed, so flashbulb fast, away 
and i wonder if it really makes a difference 
cos the next in line wait for their time, to shine but not to stay”

Chorus: 
Well I never watched the water turn to wine, 
and i never took a flower out of the desert, 
but i walked until my feet bled, and I looked until I was blind, 
and I reached out for a hand to hold in mine

Cover Art: Woman in Yellow Chair, Todd J McLean

All rights reserved

Water to Wine

Written, performed, mixed, and mastered by Nasty Tha Mc https://soundcloud.com/nasty_tha_mc and Cozmo Jethro.
Beat by DredStudio, remixed by Nasty Tha Mc and Cozmo Jethro.

Lyrics:

(Cozmo Jethro)
This story's about two breakin crews from back in the day. 
The Step Brothaz, ha ha, and Freestyle Rexing USA.
Yo Nasty, you wanna get up on some a this?

(Nasty Tha Mc)
Pause (pause)
I get up on the beat, but yo, you uh, yo yea, I don't swing that way. Ha ha ha ha.

(Cozmo Jethro)
Aw mayne, you know what i mean. Shit, let's just get up on that beat. Let's do it right now, ha ha.

For me, my breakin crew was on skates.
It was called rexing back in the day.
And my crew yea we were called
Freestyle Rexing USA.

We’d skate all over Washington State.
Down to Oregon, traveling the interstate.
Never went anywhere without our rollerskates.

Entered rexing battles and brought the heat.
We won most times, we were hard to beat.

We were all from Tacoma and Seattle.
Several times a week, yea, we would travel.
Get our jamskate on, get ready to battle.
The jamskating kings of 90s Seattle.

Rexing to the old hip hop and funk.
Busting them moves, crunk, like a slam dunk.
Yea man, those were the days, whew!
Takin a minute to shout out my old crew.

There was Wookie and Belle. 
Gunther and Bear.
T-Rex and Too Tall.
Tenderheart and me, yo!
My rexing name was Cozmo Jethro.

Yo Nasty, whut up man?

(Nasty Tha Mc)
Don’t stop yo. Yo, Bluntzilla, make make the ish go hard now.  It’s about that time you know. 

Don’t mind us now, we only wreckin shop. 
Don’t mind us now, we only rockin the spot.
Don’t mind us now, we only wreckin shop. 
Don’t mind us now, we only rockin the spot.

Don’t mind us now, we only wreckin shop. 
Don’t mind us now, we only rockin the spot.
Don’t mind us now, we only wreckin shop. 
Don’t mind us now, we only rockin the spot.

Put on that Big Daddy Kane, Some KRS-1
I need to bump aw yea, to something son.
Yi, that golden sap, some boom to the bap.
Bring it on back.

Classic, ish, what I like.
Uh, that be still, what, Illmatic.
You get what I’m sayin. Some static.
That wrecka, I’m just damage a.

Jwoo, oh yea, man you get back,
If you don’t, oh yea, step the hell back.
I got my backpack on, I’m ready to rock.
The mic in my hand, let me tell ya say what.

I pop and lock a little but I did not what
Really dance, o shit, I was that hey
MC of the crew, that always correct,
A little shop like that, you get me to wreck.

Yo Cozmo, call that DJ up. (DJ Real)
Put something on the cut, and keep it Real.
Do things with the steel, 
That be the mic in my hand, 2 turntables make a deal.

Don’t mind us now, we only wreckin shop. 
Don’t mind us now, we only rockin the spot.
Don’t mind us now, we only wreckin shop. 
Don’t mind us now, we only rockin the spot.

Don’t mind us now, we only wreckin shop. 
Don’t mind us now, we only rockin the spot.
Don’t mind us now, we only wreckin shop. 
Don’t mind us now, we only rockin the spot.

(Cozmo Jethro)
That’s Cozmo and Nasty,
Rockin the spot,
Wreckin shibbidy shop.
Yo yo and we never stop.

Wreckin Shop

I had the very good fortune to connect with Andy H aka “Noobly” a few months ago over music that we mutually admired and we agreed to find a future opportunity to collaborate. This is the result. Noobly’s beautifully rich track, propelled by his soaring guitar work, felt like a kind of call to prayer to my ear. I tried to echo this somewhat in singing the bridge. Lyrically, just for kicks I used the Socratic Method to construct the verses (persuasion through Q&A) so that this song’s meaning becomes self-evident and hopefully more of a personal experience for each listener. Thanks for checking it out!

Prideful Pride

Do you remember the day when pride took you for its own
When a thief stole something precious in you

Do you remember the day when pride took you for its own
When a thief stole something precious in you
Did it happen when all of your friends cut you out
Was your heart set on winning something, but you lost instead
And when you were maimed did the anger in you surge
Can you mark the moment when you became someone else
Is your truth under layers of scar and combat
Are you the new thief, looting joy from everywhere

Prideful pride keeps piling on, on, on
Building your walls, can’t go wrong, wrong, wrong
Finding it hard to get along, along, along
Your pride is killing you, long before you’re gone, gone, gone

And in the end you’ll be left with nothing
A bright light that’s gone too dim
I have been in a prison of my own before, just like you
Until I let the facade fall
And was set free, free

Are things more difficult now that you are going it alone
And do you leave enough room for both your sadness and your anger
Does that wall keep scary things in, and the invaders out
Are you winning this imaginary war you think you’re fighting

Prideful pride keeps piling on, on, on
Building your walls, ’can’t go wrong, wrong, wrong
Finding it hard to get along, along, along
Your pride is killing you, long before you’re gone, gone, gone


Music/production - Noobly @ https://soundcloud.com/noobly-1
Lyrics/vocals - Todd J McLean
Artwork - Fukushima Greed, 2011 (mixed media) by Todd J McLean

Prideful Pride

Written and performed by (in order of appearance) Jed Lapp, Jennifer Hill, Lydia Matamoros-Lapp, Ralph Matamoros, Amber Lapp, Adam Putnam, Amy Henry, Elle Roach, Forbes Lapp, Carol Lapp, Tristan Paris, DJ Real.

Chorus sung by Lydia Matamoros-Lapp, Jed Lapp, Elle Roach, Tristan Paris. 

Produced, mixed and masterd by Jed Lapp using Casio XW-P1 keyboard. Numark Mixtrack Platinum FX turntables. Akai XR20 Drum Machine. Korg Electribe Sampler and a shaker. 

Album art picture of Christina Matamoros-Lapp taken by Jed Lapp, February 2025.

Christina's Birthday Jam 2 (feat. 11 friends and family)

Blame

Ending social decay starts with the shithead in the mirror.

Blame

elmic