Hey! I'm Eliran and I make music because I don't have a choice.

Please visit @chronoton for my Synthwave alter ego!

Want to post my music on Youtube? Great! Unless you don't mind ads, please contact me first.

For inquiries about the nature of the universe, life, consciousness and, if there's time, my music - dnagroove@gmail.com

☕🎺 Freshly Roasted Beats
www.thejazzhopcafe.com

The Jazz Hop Café is a music label & merch store. Serving freshly roasted Jazzy Lofi & Hip Hop beats.

Showcasing human art & music 🚫🤖

💽 Submit Music [Status: Open]
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Music & Ice Cream Social 🍦
Est. January 2017

Brooklyn, NY
Founder @travisgeorge

Contact Us (serious inquires only): sundaesauuce@gmail.com

Professor of Psychology at UofT, Lecturer, YouTube Personality, Author of Maps of Meaning & 12 Rules for Life: An Antidote to Chaos

New Album 'Cook’ Out Now 👨🏽‍🍳🥬 Try CRUSH Wine 🍇 Text Us 720.724.9285 💬 Get Tour Tix 🎫 Stream & Shop COOK ⬇️
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Photos © 2019 Philippe Stirnweiss.

Samuel Andreyev is a composer, poet, teacher and performer. His music is performed, broadcast, recorded and written about worldwide, and is known for its expressive intensity, adventurousness and enormous range of timbres. Resolutely independent, his compositional process is marked by a rigourous perfectionism, with many projects taking years to reach completion.

Samuel Andreyev studied composition with Allain Gaussin in Paris, then at the Conservatoire de Paris, where he obtained a masters degree in composition under Frédéric Durieux, and a prix d’analyse under Claude Ledoux. He also studied electroacoustics at IRCAM from 2011-12. His composition Night Division was awarded the grand prix of the Concours Henri Dutilleux in 2012. In the same year, he was awarded a one-year residency at the Casa de Velázquez in Madrid. Frequently sought after as a guest lecturer, Samuel Andreyev teaches privately and in many conservatories and universities across Europe and North America.

Samuel Andreyev’s music is performed throughout the world by ensembles such as Esprit Orchestra, Nouvel Ensemble Moderne, les Percussions de Strasbourg, HANATSU miroir and many others. His scores are published by Alphonse Leduc (France), Impronta (Germany), and Resolute (USA). His most recent book, The Relativistic Empire, was released in October 2015 from Bookthug. His most recent portrait album, 'Music with no Edges', performed by Hanatsu Miroir, was released in November 2018 by Kairos Records. He lives in Strasbourg.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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