I record & mix the Coolest Tracks outta Shrunkenheads Studios in South London - we made Ghostpoets' Shedding Skin" LP - & recorded The Ooz for King Krule.

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Cecilia Muylaert is a composer and classically trained pianist whose work bridges classical tradition and contemporary electronic soundscapes. Her music often combines orchestral writing with electronic textures, creating an expressive and modern sonic landscape.

https://linktr.ee/ceciliamuylaert

Genevieve, Scotland, studied at the Royal Conservatoire of Glasgow, Junior School followed by Birmingham Conservatoire for Bachelor of Music. She received a Masters in Composition at The Royal Conservatory of The Hague in 2013 and currently lives in Amsterdam, The Netherlands.

Her compositions have been performed internationally in a variety of concert halls and art galleries, to name a few, Concertgebouw, Muziekgebouw,  W139, Stedelijk (Amsterdam), La Fenice (Venice), Old Fruitmarket (Glasgow), Theatre Spektakel (Zurich) with, Ensemble Offspring (Sydney), BBC Scottish Symphony Orchestra (Glasgow), Camerata Royal Concertgebouw Orchestra (Amsterdam) and herself performing her compositions.

Genevieve is known to combine performance art/visual art with contemporary classical music and her concepts are frequently based around psychology, and disability. As well as an independent maker she has collaborated and performed with visual artists, free improvisers, choreographers and producers and has toured internationally with London based visual artist Martin Creed.

The composer’s durational work ‘Walk and Drip for 12 Hours’ (2016) was performed by herself in the gallery W139 for 12 hours continuously. It was a compositional process that formed a score of 25 metres in length. The transcription of the score went on to be performed at the Cello Biennale (Amsterdam) and November Music (’s-Hertogenbosch), commissioned by Slagwerk Den Haag (October 2016).

Genevieve has had her work commissioned by Royal Concertgebouw Orchestra Camerata in multiple  performances with neuropsychologist, Professor Erik Scherder.

‘Work 5’ from the suite ‘F.I.N.E.’ was nominated for the International Rostrum of Composers under 30 category, to represent the Netherlands for it’s contemporary classical music (2016).

Her composition ‘Your Blue and My Purple’ was performed in La Fenice Theatre in Venice, 2016, and in January 2017 Genevieve brought her work towards the south of the country in Eindhoven commissioned and performed by Storioni Trio for the Storioni Festival in collaboration with designer Lucas Maassen.

Genevieve has been a member of the Ulysses Network (2016/17) where she developed and performed a solo work in the gallery ESC, Graz (Austria) and composed for International Ensemble Modern Akademie, Frankfurt (Germany). The composer premiered the work, ‘Squeeze Machine’ for IEMA in Gaudeamus Muziekweek, Utrecht (Netherlands) followed by performances in Frankfurt in September 2017.

Murphy was invited to external examine for composition students graduating from the Royal Conservatory of The Hague 2016 and was a guest tutor in 21st Annual Percussion Workshop, TRSTENICE (Czech Republic) in July 2017.

In May 2017, Genevieve received the Nieuwe Makers Subsidie from FPK. This is a two year research and production grant that allows the new maker to be produced and coached by NB Projects/Nicole Beutler. Through this subsidy, Murphy produced a solo work featuring the composer herself. ‘Something In This Universe’ was premiered in SPRING Festival, Utrecht in May 2018.

Genevieve became a member of Standplaats Utrecht (2018), a performance/interdisciplinary platform supported by SPRING Performing Arts Festival, Het Huis Utrecht, Theater Utrecht, Het Filiaal, DOX and SWK030.

The composer performer recently performed her new work “Calm In An Agitated World” with BBC Scottish Symphony Orchestra and BBC Radio 2 Young Folk Award piper, Brighde Chaimbeul, in Glasgow, Old Fruitmarket. 

“They Move Differently Here”, commissioned by and premiered in Gaudeamus Muziekweek on September 7th in Utrecht, was performed by Australian group Ensemble Offspring alongside Genevieve. This work will make its way to Sydney in 2021.

June 2019, Genevieve was awarded Honorary Membership of The Royal Birmingham Conservatoire nominated by composer Joe Cutler and received from Julian Lloyd Weber.

Stefan is a UK-based composer for film and television, known for his bold versatility and emotive storytelling through music.

He has served as lead composer on Britain Under the Nazis (C4), Curiosity (BBC1) and Grand Designs S27 (C4). His additional music credits include Wild Side of the Moon (Sky Nature), Tucci in Italy (National Geographic), On Thin Ice: Putin v Greenpeace (BBC2) and 999: On the Front Line (C4).

​Stefan has written for global brands including Rolex, Qatar Airways, Indeed, London Stock Exchange Group, Trustpilot and Aesop, and his work is frequently used in major film and television trailers such as Anatomy of a Fall, Mr. McMahon, The Man in My Basement, The Night House, NASA SpaceX, 9/11: Inside the President’s War Room, Ron's Gone Wrong and Savage Beauty.

​From uplifting orchestral scores to dark, textural tension, Stefan’s music is defined by a hands-on, experimental approach - often sculpting sounds from scratch through inventive recording and manipulation of acoustic instruments. His scores blend emotional depth with sonic curiosity, bringing a distinctive character and atmosphere to every project he works on.

​​​​Nicola Fletcher | DNA MUSIC LIMITED
nicola@dna-music.com

Amanda Street | DNA MUSIC LIMITED
amanda@dna-music.com

Email stefanfletchermusic@gmail.com

Connecting club culture to the wider world, on screen and irl through parties, film and video.

I would be genuinely happy if my music could evoke your profound feelings.  Please use headphones if possible. 

I sincerely appreciate your interest and time.

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