SMOG001LP 

DLX - Listening to Science LP 

1) Synchrotron
2) Cat Tranquilizers
3) Sanctuary 
4) Operation Room 
5) Modern Man 
6) Bone Saw
7) Rapid Ear Movement 
8) Losing Her 
9) Detuning Wet Metal Instruments
10) Hologram
11) Sound Hole 



05 DLX - Modern Man

Life and Death Bright Remixes

Streets (Wraetlic Remix)

********FREE DOWNLOAD******** 
Deniz Kurtel, Gadi Mizrahi - Crank It Up Feat. Camburn (Andre Salmon 'Crack It Up' Cover) *FREE DOWNLOAD* [WAV] 

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Deniz Kurtel, Gadi Mizrahi - Crank It Up Ft. Camburn (Andre Salmon 'Crack It Up' Cover) *FREE*

Cosmin TRG — Tower Block

DJ-KiCKS: Scuba

Where I Come to Forget

Featured here: http://hyponik.com/features/first-listen-johannes-albert-frentic-moment-christopher-rau-remix-klamauk/

Berlin-based house producer Johannes Albert comes through with his new Palm Saturdays EP for Klamauk.

Albert’s first release was the Wooden Pearls 12″ on Oskar Offermann’s White back in 2010. Since then he’s kept busy releasing EPs on labels such as Jackoff, Tieffrequent, and his own Frank Music. He also released the Hotel Novalis album in 2013.

Palm Saturdays is the eighth release on Tilman’s Klamauk label, following on from the label head’s own Transmissions EP. We’re premiering Christopher Rau’s excellent remix of the EP’s lead track, ‘Frentic Moment’.

The original cut kicks off with a carnival beat underpinned by a fidgety bassline. It then settles down into a welcoming groove flecked with warm summery keys, perfect for rolling down Bavarian hillsides.

Rau’s remix is tooled for the dancefloor but keeps the general vibe intact. He submerges the bass and frames Albert’s heavenly sounds with his own vigorous 808 workout, before the final third brings everything down to a gentle simmer.

First Listen: Johannes Albert - 'Frentic Moment' [Christopher Rau Remix] (Klamauk)

DBLP003, JULY 2017

Tracklist:
A1 Why Is There A Long Line In Front Of The Factory
A2 The Workers Are On Strike
B1 Why Don't You Make Your Bed
B2 It's Not Worth The Bother
C1 Why Does Your Father Look So Nervous
C2 He's Been Teaching Me To Drive
D1 Did You Hear The Owls Last Night
D2 Yes, But I Didn't Know They Were Owls

Pre-order:
https://karengwyer.bandcamp.com/album/rembo

REMBO

A2 KAREN GWYER - THE WORKERS ARE ON STRIKE

Outmind

Like You Mean It

It only takes one listen to Jee Day's "Like A Child" – and its whirling, hypnotic rush – to recognize the know-how that has made studio whiz Dennis "DJ" McNany a go-to source in New York City's dance music scene. Over the last decade, the sound architect has become a musical jack-of-all-trades: Fine tuning releases from outfits such as The Rapture and Turing Machine; working on early output from DFA Records; maintaining his own Run Roc label; remixing artists like Panthers, Ghostape and Digable Planet's Ladybug Mecca; and contributing keyboards and percussion on tour with The Juan Maclean. In light of the already impossibly long list of credits to McNany's name (including the numerous pseudonyms under which he's released his own music) the Jee Day debut 12" is a bit like a first listen to an artist who audiences, ironically, have already heard many times before.

As expected, the release is yet further justification of McNany's well-deserved reputation. "Like A Child" takes a solid foundation of indefatigable 909 beats and surrounds them in a wash of mesmerizing, reverb-drenched vocals, provided by collaborator Jee Young Sim. This dazzling single – a tribute to Arthur Russell, analog construction and early Madonna – puts on prominent display McNany's ability to seamlessly mix lush pop and vibrant dance into a rich, textured and intoxicating blend.

Follow-up "Snake Bite" is equally attention worthy. McNany rounds up a host of sounds – synthetic strings, snaking bass, and mechanical beats – in a sultry composition that includes Sim's layered singing echoing darkly throughout the track. And the B-Side "Run-Rock Dub" remix of "Like A Child" keeps the beat intact, but adds rubbery bass, spacey synths and McNany's own cavernous vocals to the mix.

- Kali Holloway

Where I Come to Forget

David Smur