Love that subtle acid synth chopping along in the background

You certainly know how to create an epic and majestic world of sonics, this is a real skyscraper of sound

So spacey… so lively… so great… fill with full of sounds!

Enrapturing atmosphere! Love the sound effects! Supreme brilliance directing here, David!  You uplift beyond stars! ;)  Love & peace & angels bless your & secure you safe paths, David! ;)  😍♾😸🎈🎈🎈🎈🎈🎶🙌🏼🥇 Blissfully majestic masterpiece!  ;)

Floating Emotion

Photo by: Stablecog.com
(AI Generated)

Suleiman the Magnificent was the ruler of the Ottoman Empire in the 16th century. He was a conqueror, artist, poet, and lawgiver. 

This piece wanders back and forth between 4/4 and 6/8 a few times.

Suleiman The Magnificent

OUT THERE Soundtrack

Alex Music Art - AMA Music Cinema Life in SPACE Soundtracks

Created Arranged. Produced by Alex Music Art
Alex Magic Art Productions 2025 All rights reserved.

OUT THERE

My Method of Composing and Producing

I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Suite for Woodwinds and Percussion No. 2

https://www.youtube.com/watch?v=eThnlmVCxWE
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Artwork by Darkroots77:
https://www.deviantart.com/darkroots77
https://www.instagram.com/darkroots77
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🦈   ♢Ajkule♢ 

Džinovskim pipcima
Kraken brod potapa
U vodi pokolj posade
Ajkule prave iz dosade

Brzi plivači smrt izbegli
Jaučući kopna se domogli
Akupunkturu tabana
Pružiše im ježevi sa dna

Jednonogi se srećnici
Na obali vesele
Izvukoše se iz čeljusti
Velike bele

Ajkule
Ajkule

Zao talas prevrće
čamac za spasavanje
Krvožedni morski psi
Ka hranilištu kreću svi

Brz proboj do kosti
Vrše testerasti zubi oštri
Snažan stisak ugriza
Komad tela lako otkida

Composer/ Lyricist: Robert Butas
©2025

Ajkule

"Poems, Prayers & Promises is the fourth studio album by American singer-songwriter John Denver, released on April 6, 1971 by RCA Records. The album was recorded in New York City, and produced by Milton Okun and Susan Ruskin. Poems, Prayers & Promises was Denver's commercial breakthrough, and contains several of his most popular songs, such as "Poems, Prayers, and Promises", "My Sweet Lady", "I Guess He'd Rather Be in Colorado", "Sunshine on My Shoulders", and "Take Me Home, Country Roads", which would become one of Denver's signature songs. "The Box", which concludes the album, is a poem by Kendrew Lascelles illustrating the futility of war.
The album peaked at number 15 on the Billboard 200."                  Wikipedia

Mastered Track: Distrokid Mixea

Poems, Prayers and Promises-JohnDenver (Cover)

good morning, honey

I Won’t Ask You To Stay Alt Ver

Our Star

Stationary

Beyond the Pines

Glory to JAH. People watch out, Judas is about. I survived 5 recent sabotage attempts & 2 hacks. All 8 suspects have been blocked for future security & for the use of evidence in the case of court proceedings. Please turn 2FA on. (Investigation ongoing) Beware of fake record company profiles. ‼️Don’t believe the lies they spread & smear. Only weak cowards, gang up against 1. Don’t trust envious people. No AI, I’m a musician, since 8 years old, playing guitar & drums & keyboards. Peace & one love 🙏 Free Gaza.
Email. davespencer2011@hotmail.co.uk   https:davidkaspencer.bandcamp.com/follow_me 🕊 www.facebook.com/profile

Floating Emotion

David. k. A. Spencer.

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