what a cool piece David - soulful, grooving and what a tempo!

Love the motion and the way this breathes.

you have a unique musical composition style -good work

Super song man. Amazing instrumention and live the progression. Plenty of soul found here. Nice job 🫡🔆

I'LL BE SEARCHING FOR AI WITH THE DOGS

Synesthesia is main motif for this song, first because of original lyrics, then as I felt like adding it more flavor with female vocals*, & finally when I recently watched some paintings about this matter**.

*Great vocal performance by https://soundcloud.com/maraoldfield is most notorious matter in this piece, where riffing parts toggle with bass-guided proggy ones.

**Due credits to https://soundcloud.com/wouwouandthewormling for ad hoc painting of the song’s artwork.

Letra  /  Lyrics:

QUIERO SABER SI HACE CALOR  /  I WANT TO KNOW IF IT IS HOT

En verano, insoportable,  /  In summer, unbearable,
todo está lleno de ruido.  /  everything is full of noise.
El invierno, silencioso,  /  The winter, silent,
que congela los sonidos.  /  which freezes the sounds.

No quisiera quedarme sorda  /  I don’t want to get deaf
sin saber cuándo hace frío.  /  not  knowing when it’s cold. 
No quisiera quedarme sorda  /  I don’t want to get deaf
para saber si hace frío.  /  so as to know if it’s cold.

Los días soleados  /  Sunny days
acompañan al estío  /  go along with the summer
y cuando llega el invierno  /  and when the winter comes
el cielo está oscurecido.  /  the sky is darkened.

No quisiera quedarme ciega  /  I don’t want to get blind
sin saber cuándo hace frío.  /  not  knowing when it’s cold.
No quisiera quedarme ciega  /  I don’t want to get blind
para saber si hace frío.  /  so as to know if it’s cold.

ER24CH04 ©1995 ®2015

Quiero saber si hace calor (Vocals by Mara​Oldfield)

Indie. Dream pop. Shoegaze. https://davidkaspencer.bandcamp.com/track/true-love-s-on-its-way-feat-coco-haze
Vocals. Cyna Slater. 
Music composition & artwork. D. k. A. Spencer. 
From the original song, https://on.soundcloud.com/MsTESiuipe3vNzMT9 CRUEL LOVE, (Harry & Cyna Slater. Lyrics: Russell L Slater, Janice Slater

WELL THAT CRUEL CRUEL LOVE

IS

OVER  A HILL

AND THAT TRUE TRUE LOVE'S YET TO GIVE ITS FILL

OH THOSE CRUEL COOL LOVER'S ARE OVER A HILL

OH A NEW NEW LOVE

DOES THE ANSWER LIE WITH YOU?

OR 

AM I TO HIDE SO

 LONELY INSIDE?





chorus;

NEW NEW LOVER 

HEY 

now CAN YOU RELATE?

CAN YOU GIVE ME BACK MY HEART

THAT I HAD TO THROW AWAY?

HEY 

NEW NEW LOVER 

HEY

 now WHAT CAN YOU  SAY?

CAN YOU SHOW ME TENDERNESS

yeah 

TRUE LOVE's ON ITS WAY

True Love’s on Its Way. (Feat: Coco & Haze

Astronauts say that when they see the Earth from space, it changes their way of understanding life.
We will soon make a guitar version.
Photo: NASA

Beauty Blue

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
J.J. Terrell-- @j-j-terrell—JJ-- organ
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering

This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves Bossa Nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collective in mind.
Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. Ken also added the solid percussion keeping things tight. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the table, bringing several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangements that joins in from JJ's organ around the middle, those funky percussion flourishes and fills, and then creating that percussion breakdown near the end, playing everything you hear in that break. 
This is an example of Josh exploring a less typical type of music, and it being picked up on and carried through expertly as a group unit. We all love bringing in different influences in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

And here’s a short excerpt of the the rhythm section with all the percussion action more isolated:

https://on.soundcloud.com/z7WcB9VvfZWHgAUu8

Meet The New Bossa (The Eclectic Collective)

Hereafter

Humans are the only species who preserve a lasting relationship from parents to children and vice versa after the offspring has reached adolescence. This can be curse and blessing at the same time in some cases, but overall it is a gift in my view. We will stay the children of our parents for a lifetime obviously. Once you have realized this and don't consider it a threat anymore you are given the chance to close the circle in a peace- and beautiful way.


Photo (c) Laurent Bayeux

One Day When it was Time to Come Home

Recorded in Modesto, Ca.   Featuring Hammond B3 Electric Organ solo. Selmer Alto Saxophone solo. Gibson L5 Electric Guitar solo. Acoustic Stand-up Bass. Hammond Electric Organ Rhythm With Bass. Stand-up Acoustic Bass. Gibson L5 Electric Guitar Rhythm. Drums Acoustic full kit set. Percussion Tree  Chimes. Zildjian Ride & Crash Cymbal. 

Carmel

Sailin

Sailing

i can’t get over you
i can’t let go

a randy catastrophe
a dark rodeo

i can’t get over you
i can’t let go

too feral to wait for me
too slinky for slow

i’ll be waiting
by the water
will you meet me
tomorrow?

high jungle of emptiness
footprints in the snow

i can’t get over you
i can’t let go
-------------------------------------------------------------------------------------------------

Thanks to Jacques DiCroce, Janine Levinson, Cheesemont Paisely-Paisely, David Weiss and Wheelwright for early listening, support and ace suggestions.

I'll Be Waiting

Attacca
: attack at once 
—used as a direction in music at the end of a movement to begin the next without pause.

Movement. .......................................................................  Timeline

1st .............War Cry ......Call to Arms ...............................0.00--1.55
2nd............The Advance to Battle ...................................1.55--2.48
3rd.............The Battle Begins...........................................2.48--3.59
4th.............The Triumphant...............................................4.00--5.10
Thanks to Dennis for his pristine gunfire and airbourne fx....https://pixabay.com/users/dennish18-26151496/
Cover-art :- Marek Studzinski ...https://unsplash.com/@jccards
Orchestration,arrangement,mix and production ...Pablo

Attacca

"Attacca"

„Towards the Dawn" from the album Tides of Melancholy is an emotional journey between darkness and light. The track captures the essence of sorrow and hope, unfolding in delicate yet powerful melodies. With a tender piano performance accompanied by a soft violin, the song takes the listener into a world of reflection and inner transformation.

In an atmosphere that is both contemplative and uplifting, the track symbolizes the transition from difficult moments to new possibilities. Melancholy blends with a hint of hope, as if the darkness is being pierced by the first rays of morning.

Perfect for fans of cinematic, ambient, and instrumental music, looking for a sound that is both profound and uplifting.

„Towards the Dawn“ aus dem Album Tides of Melancholy ist eine emotionale Reise zwischen Dunkelheit und Licht. Der Song fängt die Essenz von Trauer und Hoffnung ein und entfaltet sich in sanften, aber kraftvollen Melodien. Mit einem zarten Klavierspiel, das von einer weichen Violine begleitet wird, entführt der Track den Hörer in eine Welt der Reflexion und des inneren Wandels.

In einer Atmosphäre, die gleichermaßen nachdenklich und erhebend ist, symbolisiert der Song den Übergang von schwierigen Momenten hin zu neuen Möglichkeiten. Die Melancholie vermischt sich mit einem Hauch von Hoffnung, als würde die Dunkelheit von den ersten Strahlen des Morgens durchbrochen.

🎶 Album: Tides of Melancholy
🔗 Folge mir für mehr Musik.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Tide Of Melancholy

Towards the Dawn

Soul Searching

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. Thank you so much for listening :) 
Original picture by https://www.pexels.com/de-de/foto/monochrome-fotografie-von-menschen-die-hande-schutteln-814544/

I´ll Be There

Vocals and lyrics by Special Cecilia
https://soundcloud.com/specialceciliacappellas

Music, production and art by Cosmic Keanu (not AI)

“And a step backward, after making a wrong turn, is a step in the right direction.”
― Kurt Vonnegut, Player Piano

Sweet Escape or: How I Learned to Stop Worrying and Love the AI (Feat. Special Cecilia)

Hey…. Thanks for dropping by. April 21st, fresh snow on the ground that hopefully will melt off by the end of the day. Yesterday, I was out transplanting some small Lupine and Columbine plants from out of the lawn. They grew there from seed that spilt from nearby flowerbeds. I put them into a rock garden I recently refurbished. I pulled all the rocks out, dug down to get all the invasive grass roots out, and rebuilt it with a few extra rocks. After that chore, I dug up several Spruce seedlings from the Spruce trees I planted here decades ago. Those little saplings grew up under a lilac bush, so I moved them out into open areas in the backyard. They probably won’t get to be 3 feet tall by the time I pass from this mortal coil, as I am old, but I plant them anyway b/c they’ll most likely still be here when I am gone. Ha. I have been transplanting a lot of volunteer flower plants into my neighbor’s yard, from my vegetable garden in preparation for Spring planting. They find their way into the garden, by wind, bird or however, and I just let them grow, but soon there’s more flowers than vegetables, so I find them new homes. Lastly, I replaced the wonky wheel and axle assembly on my old wheelbarrow, held together by hose clamps, during a snowy day last week, with a wheel from a wheelbarrow I recently got from a pile of free stuff (junk) out on the road, that a neighbor was tossing out. The barrow was cracked, but the wheel/axle were fine. Now I am ready to roll. That is how Spring is here in the mountains…. So several years back, there was quite a large pack of dogs that would freely run around our rural neighborhood. They lived here and loved being able to roam. When I first saw them on my way to the mailbox, they did not know me, and several dogs growled at me. (Rightly so.) Ha. It was a standoff moment for sure. So I just laughed at them. They were not anticipating that. So from then on, we’d have some fun whenever I saw them. Most of those dogs have died over the years. It was sad to see them go. So I included them in this song. I hope you like it. Mark

Going To The Dogs

SOAR / feat. Odarka / Paploviante Music
Vocals and Lyrics Odarka:
https://www.looperman.com/acapellas/detail/23305/soar-acapella-by-odarka-95bpm-pop-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

SOAR feat ODARKA

Glory to JAH. 🙏🕊 Email. davespencer2011@hotmail.co.uk   https:davidkaspencer.bandcamp.com/follow_me 🕊 www.facebook.com/profile. New single (lazeedogrecordlabel) Oppression, is out now on all platforms. https://open.spotify.com/track/1kZ2VYIjxlqrZIXROo1WMa?si=70500f3012e642d2 https://open.spotify.com/artist/6jF1KPlxhinrFPfCeSPnDP?si=ShdYP6DDT2qim85amL8jJ. Golden Reflector, out now.

(Don't follow me here, best on my main page ;)

Soul Searching

David. k. A. Spencer.

Recent comments

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