There are 362,797,056 ways to partition a three octave span into three aggregates.  Once you do so, reading each aggregate from low to high, you get three 12-tone rows.  If you further require that those rows feature at least 7 distinct interval classes, the 362,797,056 possibilities reduce to just 46.  One of those 46 possibilities plays the role here of a passacaglia-like chord progression.  

There are 144 ways to have three triads sit within the aggregate without any overlap.  Remarkably, one can cycle through those possibilities so that each step turns up just one new triad.  Such a cycle provides the figuration for the variations. 

The overall effect produces a counterpoint between two opposing notions of harmonic rhythm, one based on the cycle of aggregates, and one based on the the featured triads.

A Friendly Accord between Aggregates and Triads, for guitar

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

Website: www.jeremyesquer.com
Instagram: esquerjeremy
Email: jesquer@umich.edu

" Musica saltatoria mihi finita est "



TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

 ( LCEEM ® )  founded    by Max Elzholz

PLEASE  VISIT  OUR  MAIN  PAGE  :

https://trampelfad.bandcamp.com
and
https://maxelzholz.bandcamp.com

Note: This site deals with Art - All scientific aspects are artistic considerations - All contributors have respect for scientific work and the research of reputable Institutes .

Curly Compositions from a German Composer.

To all concerned: 
I am announcing publication of my new book, NOW AVAILABLE:
https://www.routledge.com/Maqam-Melodies-Pitches-Patterns-and-Developments-of-Music-in-the-Middle-East-and-other-Microtonal-Writings/Thoegersen/p/book/9789815129052
My book, Polytempic Polymicrotonal Music, is available on Amazon. 
https://www.routledge.com/Polytempic-Polymicrotonal-Music-The-Road-Less-Traveled/Thoegersen/p/book/9789814968294

I have a new album out through Magic&Unique Group Records on Spotify and other digital streaming platforms:
https://open.spotify.com/album/5qWHmcvyAemvVn2TJH1bio?si=OD5TmPptQ-ypr8WOI0EZKA&nd=1

https://whitecentipedenoise.com/products/peter-thoegersen-facebook-cantos-cdr-flea
My CD via Flea label has been out since April, 2021, featuring the wonderful Lore Lixenberg singing over my microtonal piano accompaniment
Hope you enjoy it!

https://www.newworldrecords.org/collections/vendors?q=Peter%20Thoegersen

From the liner notes on my CD now available on AMAZON and New World Records:
"The author of these notes has spent his life explaining radical music, and the music on this disc may be the most radical I've ever written about. Peter Thoegersen (b. 1967) is not yet a name known to the music world; not for any lack of connection to other famous musicians, but because he came to composition late, and because his artistic aims are so broad and complex that they have taken years to evolve. His aesthetic is well defined, and he is upfront about having a name for it: "Polytempic Polymicrotonal Music." That means he has musical layers simultaneously moving in different tempos, plus, even more radically, that he has different microtonal scales playing at the same time. Few composers have aimed at such fervent and heterogeneous multidimensionality. And yet, while Thoegersen's music can seem overwhelming at first, running through it is a level of charm and simplicity that belies the initial impression.

In total, these three pieces emphasize a particular side of Thoegersen's output. The image his music creates of ornately mathematical structures filled with intuitively friendly melodies maps on to the personality of the man himself: outspoken and acerbically ruthless in his musical opinions, Thoegersen is also marked by a jolly sense of humor and an inexhaustible love of cats and other animals that make him ultimately less imposing and more personable than he might seem at first. The same can be said for his music. And by going further than anyone else has gone in terms of this particularly American concept of fusing the polytempic with the polymicrotonal - extending and combining the conceptual worlds of Ives, Cowell, Nancarrow, Partch, Carter, even Frank Zappa and many others - he has created a special place for himself within American music."                                                             

-Kyle Gann (from the liner notes)

booking/inquiries : tocovervisch@gmail.com

05.07 DOC (Stéphanie Lotion)
26.06 Pointe Lafayette (Solo)
21.06 Chaton indépendant (Vélvélé)
14.06 Non Jazz (Stéphanie Lotion )
08.06 Tour Orion, Milieu Studio (Stéphanie Lotion)
06.06 Plateforme Paris (solo)
04.06 Olympic Café (solo)
29.05 Ground Zero (Stéphanie Lotion)
25.04 Furium, les Nouveaux sauvages ( Stéphanie Lotion)
19.04. Non Jazz, Cantine pas si loin (solo)
25.01 Vanilla café, cmptrmthmtcs (Stéphanie Lotion)
21.12 Pan café (solo)
13.12 Théatre Berthelot, Montreuil, Collectif Coax et Instants chavirés (Stéphanie Lotion)
30.11 La Berge, Saint Aignan, 41 (Stéphanie Lotion)
05.11 Olympic café, Sport National (solo)
19.10 Tour Orion, l'Amorce des consignes (solo)
02.10 Shakirail, dernière de vaagues de chaleur (Stéphanie Lotion)
28.09 Festival l'Ode Mère (Stéphanie Lotion)
20.09 Consulat (solo)
12.07 Sport National Café de Paris (solo)
27.06 Beaux arts Paris (Stéphanie Lotion)
01.06 Le boulingrin Rouen (solo)
13.06 Beaux arts Paris performance avec Margot Bernard
05.06 l'international (Vélvélé)
04.05 Feux avec (Stéphanie Lotion et Vélvélé)
16.04 Instants Chavirés (solo) Quasi
16.03 à DOC performance avec Laure Mathieu 

__
12/01/24 Chapelle Port Royal avec Stéphanie Lotion 
13/12/23 Pointe Lafayette avec Velvélé (silence kills concerts)
10/11/23 Zorba, (La sale pépinière) solo 
03/11/23, Café de Paris, Sport National avec France Connect
26/10/23 Supersonic avec Velvélé
18/08/23 Pallistock festival 
11/04/23 Instants Chavirés, solo show

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

A Friendly Accord between Aggregates and Triads, for guitar

David Victor Feldman