Where most microtonal music starts with the construction of a novel but fixed scale,  this music finds all its pitches "on the fly."  (MIDI piano makes this possible.)  Despite a density of diverse pitches extreme even compared with complex atonal music, a  ghostly, and yet oddly familiar, sense of root progression emerges here, and propels the music through time.   

Rhythmically, the initial relentless pulse gradually gives way to angular syncopations, but based on the golden ratio and quite impossible to notate in conventional meters.  Despite a fixed "tempo," the music seems to accelerate:   the twisted rhythms draw on a gamut of just three durations, but the mix of these three changes from beginning to end for a spectrum of feeling that gives the work shape and direction.

Milky Way Boogie Woogie

Miguel Morell es un compositor que desde su experiencia de 15 años trabajando para diversos medios de comunicación ahora quiere diversificar su trabajo adentrándose en el mundo del cine. Para ello ha realizado una serie de composiciones enfocadas a este respecto intentando cubrir algunos de los estilos de banda sonora más demandados. 

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

John Yentes is an accomplished multi instrumentalist musician with a keen and eager interest to design audio for both games and film.  John became inspired at an early age by the likes of Yasunori Mitsuda and Nobuo Uematsu and continued to find their influence in his own musical creations.

Please contact jackyentes@gmail.com for licensing or business inquiries Or visit the facebook link included on the page.

Thanks for listening.

John

Music that will make your neighbors want to puke.
Est. 2015.
Harsh Noise, Drones, Free Improvisation and Experimental Sounds.
Feel free to comment, share and repost.

Current releases: 

My third album "Planet In Decline" (Antiprimus Records) is out now on Bandcamp, see link below.

"Dark Ages" (full album/ Label: Particula) - 2017, available as free download on bandcamp.com, 
see link below.

"Mafia" (full album) - 2016, is available as digital album on bandcamp.com,
see link below.

Contact: office@antiprimusrecords.com

I also run another SC profile - Music For Advanced Users (M4AU), where I concentrate on Minimal Music, if interested - see link below.

Composer Ejnar Kanding (b. 1965) is internationally known for his unique colourful sound, where the electronic and acoustic are united in complex textures, physical energy and delicate simplicity. To him, music should not embellish, but be a realm of fantasy. A journey into the ambiguous – a hall of mirrors. Kanding originally got his degree in composition and musical theory at The Royal Danish Academy of Music in Copenhagen in 1993, followed by studies at IRCAM in Paris and with Professor Lev Koblyakov in Jerusalem in 1994 and 95, but has since his debut concert from the Royal Danish Academy of Music in 1996 specialized himself in composing music for computer and instruments. This has led to an extensive use of the software MaxMSP in the development of his works and as an instrument in live performances. Despite this obsession his focus is never the electronic experiment, but always the musical expression, form and phrase.
The way Kanding uses the digital mixing console and MaxMSP as an instrument is pioneering the new assignment as a musician which is known as live electronics or sound direction. His virtuosity in this field has led to numerous performances of own works or others of both improvised and written music with various groups, for example, works by Saariaho , Nono and Stockhausen; and ensembles as Cikada (NO), Ars Nova (SE), Jack Quartet (NYC), Transit ensemble (NYC) and Adpater (DE).

Laboratorium is the 2nd profile of a well-known experimental band from Germany. 
The one you're on is about pure Improvisation.
Hope you enjoy this as much as we do!

If you want to watch Filmtrailers we did music for: please choose the links "Music for Movies 1 & 2"

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Versuchsanordnung // laboratorium players (from 2006 until today):

Christoph Uhlhaas: piano, electronics

Christian Barthold: guitar, live-looping, microkorg, bass-ukulele, fretless bass, live-electronics, theremin, kalimba, percussion, flutes

Martin Schubert: drums & percussion

Wilfried Hanrath: our new man on fretless bass & fretless bass-ukulele

Markus Blatzheim (2006-2014): fretless bass, bass-synth, selfmade flutes, synth

Jörg Düpjohann (2006-2010): electric & acoustic drums & percussion

Joe Becker (R.I.P. 2016): drums, percussion

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For concert offers, CD's or anything else:
please contact Christian Barthold (Manager)
mailto: weaverofyourdreams@gmx.de

Thank you for your open ears!

sculptures sonores
Le fil du temps se remplit à l'infini d'instants... Mon souhait serait d'habiller ces tout petits moments comme on costume un petit théâtre : les vêtir d'un rien, d'un silence, d'une chaise vide, d'un coussin tendre, d'un son soyeux, d'un plein et d'un délié, du son d'un mouvement du corps en action, d'un geste de la voix, de l'harmonie qui se compose entre tout ça, d'une construction de l'espace objet et de l'espace sonore, d'une composition qui se déploie à la minute qui passe... mon souhait serait d'habiter un moment du présent qui se donne. 

Pour d'écrire mon travail créatif : il se construit sur deux axes de réflexion : le premier prend toujours en considération la relation à autrui, tandis que le second souligne et dénote les gestes qui opèrent alors en corrélation. L'autre être qui peut nous écouter, nous voir, nous sentir, nous parler, nous recevoir, nous montrer, nous donner... et à chaque fois je note, dénote, transcris les gestes, les actions... et finalement les histoires qui se construisent entre nous... pour ce faire mon travail s'appuie sur une production plastique, musicale, écrite, où la performance de l'instant présent livre aux souvenirs des traces aussi précieuses que les objets qui sont échangés. D'une simple conversation du regard, au partage d'une bulle de savon, d'un poème de la vie courante écrit sur les lignes de la main (ou le contraire d'un poème de la main écrit sur les lignes de la vie courante) à une parole en l'air, d'un prospectus à une mise en question taggée, d'un rêve illustré à une réalité décrite, je suis tour à tour Marchand d'idées, Marchand de sables, directeur du musée de la mémoire et de l'oubli, chercheur au centre de découverte des gestes inutiles et des actes sans conséquences, fonctionnaire au centre administratif de la vie par voix thérapeutique, démonstrateur au centre de soin esthétique, acteur avec la compagnie du temps, donneur de voix, prêteur de geste, poète des présents que l'on fait.



Milky Way Boogie Woogie

David Victor Feldman