fave listenings of this month

*

in the pic: Guido Zen (Abul Mogard)

"musica assoluta" (novembre 2025)

"All he needed was to be left alone. Locked away, hiding in the shadows, with the piano, for an hour. Focused, sitting up straight, taking long breaths between each take. Playing more with silence and resonance than with the notes themselves. With one hand on the keys, and the other beneath the shell, plucking the piano’s strings like a heart forlorn."

From https://antonindebemels.bandcamp.com/album/la-douceur

Improvised by Olivier Taskin
Recorded and mixed by Antonin De Bemels
Mastered by Yvan Hanon
Image by Stéphanie Paulus

LA DOUCEUR

Pendant ce temps

うしろ（what's behind me）

わたしには後ろが見えない
彼/彼女にはわたしの後ろが見える
彼/彼女には後ろが見えない
わたしには彼/彼女の後ろが見える
彼/彼女の肩の向こうに見えるのは
あれは廃屋なのだろうか
高台の黒い木立の中の白い建物の壁面に
銃眼のような小さな黒い窓が並び
人が棲んでいる気配はない
あの木立の中に立つと
木の枝の手指に掴まれた空が見える
それが気になってしようがない
彼/彼女の言葉は耳に入らず上の空
彼/彼女の目も
先ほどからわたしの肩の向こうに注がれている

I cannot see what is behind me.
I can see what is behind you.
You cannot see what is behind you.
You can see what is behind me.
Behind you lies an abandoned house nestled within the grove atop the hill. 
Its walls are lined with small, dark windows like gun ports.
Standing within that grove, I would see the blue sky grabbed by sharp tree branches. 
I cannot stop worrying about that. 
Your words don't register; my mind is elsewhere. 
You too have been staring at what lies beyond my shoulder since earlier.


うしろ（what's behind me）

On a dark evening at Santa Croce Bastion (While Renzo, The Cat, silently looks at me)

a track by Marco Lucchi reworked by Mean Flow

Mean Flow & Marco Lucchi - piano (and keyboards) sketch

Space Filling Curve, in 31TET,  for Marimba, Harp, Harpsichord and Organ

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

Space Filling Curve, in 31TET, for Marimba, Harp, Harpsichord and Organ

David Victor Feldman