J.S. Bach :: Matthew's Passion / Erbarme Dich :: Julia Hamari

The Last Waltz

With my friends Mico N. Aquino and Yvonne-Nikola Fontaine we wrote a new piece every day!
Here are my submissions to the project and you can follow the links here to see all the videos with scores :-))))))))))))))))

https://www.youtube.com/@AnatoArchives/videos
https://www.youtube.com/@MicoAquinoComposer/videos
https://www.youtube.com/@MatthewLeeKnowles/videos

DAY SIX: BLOSSOMS IN THE DUST/FOR MARSHA HUNT

From “lieder ohne Worte”. Piano solo.
Listening with earphones recommended.

Mendelssohn Op.62 No1 (Performer Ad van Nederpelt)

This is a kind of polytempic work in the sense of Peter Thoegersen (well, if he thinks so).  The whol time span gets divided into 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610 equal parts with each tempo supporting a layer consisting of only 7th chords that have one particular root.  Since I make chords in the slower tempi sound louder, the interaction of dynamics and periodicity tends to balance the importance of all the different roots.  With the next slower layer always carrying the given layers dominant, a certain amount of root progression emerges.  But it's complicated!

Those Fibonacci Fractal Four-Chord False Relation Blues, for piano four hands

"Everything seems an echo of something else.

And when, by the hair, the headsman held up the head
Of Mary of Scots, the lips kept on moving,
But without sound.  The lips,
They were trying to say something very important.

But I had forgotten to mention an upland
Of wind-tortured stone white in darkness, and tall, but when
No wind, mist gathers, and once on the Sarré at midnight,
I watched the sheep huddling.  Their eyes
Stared into nothingness.  In that mist-diffused light their eyes
Were stupid and round like the eyes of fat fish in muddy water,
Or of a scholar who has lost faith in his calling.

Their jaws did not move.  Shreds
Of dry grass, gray in the gray mist-light, hung
From the side of a jaw, unmoving.

You would think that nothing would ever again happen."

-Robert Penn Warren

Artwork by George Wesley Bellows: "Dance at Insane Asylum" (1907)

Shadow of Truth (Retrograde)

Seesaw

August Breeze Part 2

Featuring Jorg https://soundcloud.com/joerxworx on sax


In The Dark Feat Joerxworx on Sax

Piano String Studies No.1 - Snowfall

Midday, The Black Sun

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

Those Fibonacci Fractal Four-Chord False Relation Blues, for piano four hands

David Victor Feldman